[ENDED] Win a Copy of Adam Wingard’s THE GUEST on Blu-ray

win the guest

Following its lauded Limited Edition release, Second Sight Films now welcomes Adam Wingard’s cult favourite thriller The Guest – starring Dan Stevens in a career-defining turn – on Standard Edition 4K UHD and Standard Edition Blu-ray on September 26th. We have a copy to give away to one lucky reader! Just read on and enter below…

 

 

This riveting, slick and darkly comic action-thriller catapulted Downton Abbey’s Dan Stevens from TV period drama favourite to Hollywood hardman and a force to be reckoned with, as David, a veteran who turns up unannounced one day at the home of the Peterson family, claiming to be a friend of their recently deceased soldier son, who died in action. Disarming and charming, they welcome the stranger into their home and their lives, but little do they know what they’ve let themselves in for.

On the surface, David is the perfect guest, friendly and helpful, with nothing too much trouble, he quickly becomes part of the family, but when people in town start dying under mysterious circumstances, teenage daughter Anna (Maika Monroe – It Follows, Independence Day: Resurgence) begins to suspect that David might not be whom he seems…

Now the astounding action-packed thriller gets a Standard Edition 4K and Blu-ray release with brand new colour grading supervised by director Adam Wingard (Godzilla vs Kong, You’re Next). The UHD is presented in Dolby Vision HDR, and there are new and archive commentaries from the director and writer Simon Barrett (You’re Next, V/H/S) and much more.

With all-out action, a rip-roaring 80s-inspired soundtrack and a wicked glint in its eye, The Guest will be worthy of your hospitality.

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The Guest is available on standard edition 4K UHD and Blu-ray from September 26th.

Five Films to Check Out on Legend This Week – 190922

legend picks outer space

Legend continues to pack their schedules with great films and TV shows, but here are our picks you shouldn’t miss this week…

 

 

Tuesday September 20th, 9pm – Quatermass and the Pit (1967)

An ancient evil is discovered when workers are digging in the London Underground and the professor (Andrew Kier) is sent to investigate. Superb sci-fi horror from Hammer Films.

 

 

Wednesday September 21st, 9pm – Starman (1984)  

Something a little different from the Master of Horror John Carpenter, as this is a sci-fi romance. Jeff Bridges is the alien that arrives in Karen Allen’s life to give her and the human race hope.

 

 

Thursday September 22nd, 10.50pm – Open 24 Hours (2018)

No, this is not a horror remake of the beloved BBC series starring Ronnie Barker and David Jason. Set in an all-night gas station, a woman on parole settles in for the night shift of her new job.

 

 

 

Saturday September 23rd, 9pm – Convoy (1978)

It’s a big 10-4 for Kris Kristofferson and Ali MacGraw, as they star in this cult classic trucking movie that made everyone want to buy a CB. Ernest Borgnine is the Smokey on their trail.

 

 

Sunday September 24th, 9pm – 12.10am The Vintage Vault

Legend continues to celebrate the Golden Age of genre cinema with a season of double bills. This week, there are a pair of fifties classics. First up is It Came from Beneath the Sea (1957), which boasts spectacular stop-motion effects by Ray Harryhausen. Then the threat is from other worlds in It Came from Outer Space (1953), directed by Jack Arnold.

Find out more information at https://www.legend-tv.co.uk/

Tune into Legend on Sky 317, Virgin 149, Freeview 41, Freesat 138.

Joy Osmanski | STARGIRL

joy stargirl

DC’s Stargirl is now three episodes into its third season and it’s only getting better. The show’s commitment to positivity is a rarity in today’s cultural landscape, but that is part of why it’s so special. The writing, character arcs, and cast all lend themselves to Stargirl‘s feel-good themes, which only deepen in this excellent third season.

One of the standouts of the new season is Joy Osmanski, who portrays the reformed supervillain Paula Brooks/Tigress. After her release from prison, Paula, her husband Crusher, and their daughter Artemis move next door to the Whitmores, creating some fertile comedic ground that takes the story in an unexpected direction. Among the surprising developments is Paula’s budding friendship with Amy Smart’s Barbara Whitmore, which has quickly become one of the show’s best dynamics.

We had the opportunity to chat with Osmanski about all things Stargirl, including (but certainly not limited to) Paula’s transformation from ruthless criminal to awkward suburban mom.

STARBURST: Let’s start by catching people up on what Paula Brooks is up to this season.

The newest shift for them is that they’ve moved right next door to Barbara, Pat, Stargirl, and Mike. They have inserted themselves into their lives whether they want it or not and they’re fairly relentless about making their presence known. They’re kind of nightmare neighbours, I think. [Laughs]

One of the coolest aspects of where Season 3 is heading is that Paula and Barbara are no longer enemies, really. They’re more like friends now. What do you feel makes that dynamic so fun and interesting?

I loved it, if only for a chance to work with Amy! She and I are good friends and we have so much fun together. Creating this blooming friendship between our characters…we’ve just had such a good time doing it! The writing for us has been so fun and really supports the nurturing, generous part of Barbara’s character and this awkward, fish-out-of-water aspect of Paula, who is so confident in all these other situations. But she just has no idea how to behave as a human being. I certainly have been in plenty of social situations where I’m like, “How to act right now?” I think a lot of people relate to that. It has been really fun to portray that on the show and I feel a lot of empathy for Paula in that regard.

One of the things we talked about with Amy Smart was how different Paula and Barbara are but also how similar they are in how much they love their children.

Totally! As a parent, I meet plenty of other parents who I might not necessarily be friends with if not for the fact that we both have children. You very quickly realise there’s a shared vocabulary and a common desire for the health and safety and well-being of your kids. That kind of trumps everything else. I love that these two women have found each other. I think for Barbara too, I mean, you don’t see her hanging out with a lot of friends. Maybe these two were oddly supposed to be together as friends.

Your role is cool to watch because you get those comedic lines but you also get to do action set-pieces and intense stunt work. we know there’s a scene in an episode where there’s a fight in a grocery store. In a previous interview, you talked about how stunt work used to be a self-imposed limitation for you. Now that you’ve done this for three seasons now, what kinds of stunts can you do now that you couldn’t do before? How have you levelled up, so to speak?

I think what has always saved me is that I have a background in dance. What stunt work really is is a series of movements and it’s all choreographed so it demands this mind-body connection. Dance does as well. It has allowed me to adapt to movement hopefully in a more efficient way than if I didn’t have the dance training. I kind of have a sense of where I am in space. Geoff [Johns] is so great because once he finds people that he loves he works with them over and over again. When I saw that Walter [Carlos Garcia] was directing the episode as well as serving as stunt coordinator, I was like, “Well, that’s perfect. Fantastic!” Because we all trust and love Walt already. So when you have to do these very demanding things physically, you already have a high level of trust involved. That helps immensely in being able to do these really intense, involved sequences. And the stunt team…they’re the best!

It all lends itself well to those action scenes. The scene in this week’s episode where you have the Crocks shopping for food and it turns into this intense action scene with some stunning choreography.

The way Walt’s mind works is just…I love it so much! I love that they’re in a completely mundane setting and you can tell they’re just slowly going insane. They’re doing all the things they’re supposed to do and…my God, they’re putting back high sodium items! So boring! So when he comes in, they’re like, “Let’s go!”

Stargirl has been really good about delivering great action sequences in mundane, everyday spaces. Such as  Eclipso getting loose in the Blue Valley High cafeteria.

I love that sequence! It’s so great.

It’s really cool that they’re able to do these amazing things in just the most everyday settings.

I think it’s smart. It really keeps the show grounded. It’s not trying to escape its reality. It’s dealing with it and using it, which is really, really smart.

Spinning off of an earlier question, I think a lot of people hold themselves back in their own way and don’t really realize it. Has doing your own stunts translated to any fear-conquering or limitation-busting in other areas of your life? Has this given you confidence in areas you didn’t expect?

Yeah! I had to start training when I first got the role for this just in a basic physical way that I hadn’t done in a while. I just wanted to be able to endure the long days on set because I knew it was going to be an intense role. I knew there were going to be demands and I wanted to try to meet those. Getting cast in the show really transformed my life from a health and physical perspective that I would not have guessed. It has been a lasting thing for me. Now I’m in the habit of working out and being in a physical place of strength that I’ve gotten really used to.

It’s a mental health thing for me, too! Without it, I spin. If everyone could just be shown a picture of a supersuit that scared the shit out of them, they would be like, “I’m gonna be wearing that? I’m gonna start working out right now!”

When you first got the role, the nature of your character was a surprise, right?

I didn’t know it was a dual character. I didn’t know who she was. Didn’t know the context. Knew nothing. Thank God I didn’t know! I would’ve been freaked out.

Mark Ashworth, who portrayed Janitor Justin/Shining Knight in Season 1, told us something similar. When he got the part, all he knew was that he would be playing a janitor. Then Geoff was like, “Oh yeah, by the way, you also wield Excalibur.” And he was like, “Oh!”

Yeah, I wish all parts were that way! I think I was told my character was a gym teacher? That’s all I knew. It might’ve even just been like “aggressive soccer mom” or something. I didn’t know anything about her. But I wish all parts were like that. You’d be like, “Hey, I’m playing the cop…and the devil incarnate!!!” So fun to have reveals about every character.

Let’s talk Stargirl‘s future. Amy mentioned that you all would know about whether or not Season 4 is happening by the end of the month.

I hope so! I have no idea. You may know before I do. Of course, we’re all hoping! Unfortunately, I’m also a realist so I put my hope out there and let what happens happen.

STARGIRL Season 3 is currently screening on The CW in the US.

Win THE LAST THING MARY SAW on DVD

The Last Thing Mary Saw trailer lands on Shudder

We’ve got a copy of the acclaimed Shudder Original The Last Thing Mary Saw to giveaway on DVD as the film is released on September 19th. Just read on and enter below…

 

 

EVERY FAMILY has its secrets, and The Last Thing Mary Saw is a frightening secret audiences will want in on. From Edoardo Vitaletti, in his directorial debut, this Gothic horror features a stand-out cast, including horror favourite Isabelle Fuhrman (Orphan), Rory Culkin (Signs), Stefanie Scott (Insidious 3) and Judith Roberts (You Were Never Really Here), who give showstopping performances. Having premiered at the 2021 Fantasia International Film Festival, this dark and enchanting Shudder Original is now set to arrive on DVD and digital on September 19th from Acorn Media International.

We begin in Southold, New York, 1843, where we meet a young Mary (Stefanie Scott) with blood trickling from behind the blindfold tied around her eyes, as she is interrogated about the events surrounding her grandmother’s mysterious death. As the story flashes back, we witness Mary, raised in a repressively religious and eerily claustrophobic household, finding fleeting happiness in the arms of Eleanor (Isabelle Fuhrman), the family’s maid. Her family, who believe they are seeing, speaking, and acting on God’s behalf, view the girls’ relationship as an abomination to be dealt with as severely as possible, inflicting brutal punishments. The couple attempts to carry on in secret, but someone is always watching or listening, and the wages of perceived sin threaten to become death, with the tension only heightened by the arrival of an enigmatic stranger (Rory Culkin) and the revelation of greater forces at work…

The Last Thing Mary Saw oozes with palpable oppression, suspense, and sin. This dark and dread-filled horror promises to sate genre fans’ thirst for supernatural twists and innate terror.

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The Last Thing Mary Saw is available on DVD and digital from September 19th

Albert Birney & Kentucker Audley | STRAWBERRY MANSION

kentucker albert strawberry mansion interview

STARBURST recently caught up with Albert Birney and Kentucker Audley, the writer/directors of the hugely entertaining and inventive film Strawberry Mansion, hitting select cinemas and digital on September 16th.

In the not-too-distant future, an all-seeing surveillance state conducts “dream audits” to collect taxes on the unconscious lives of the populace. Mild-mannered government agent James Preble (Kentucker Audley) travels to a remote farmhouse to audit the dreams of Arabella “Bella” Isadora (Penny Fuller), an eccentric, aging artist. Entering Bella’s vast VHS archive, which contains a lifetime of dreams, Preble stumbles upon a secret that offers him a chance at love – and hope for escape.

You can watch the interview below…

Bulldog Film Distribution presents Strawberry Mansion in select cinemas and digital on September 16th. You can read our review here.

 

Five Of The Best Basketball Movies Ever Made

basketball movies

Basketball has played a significant role in the world of movies, with some of the best sports films featuring organised basketball leagues such as the NBA. These films tell the inspirational stories of athletes winning against the odds and learning how to be team players. Basketball movies have all the essential components of good storytelling, which makes them a fan-favourite, whether you’re into sports movies or not. Read on to learn more about some of the best basketball movies ever made and who starred in them.

  1. Celtic Pride (1996)

This classic basketball film is directed by Judd Apatow and stars Daniel Stern and Dan Aykroyd. Dan and Daniel play passionate Boston Celtics fans who kidnap basketball player Damon Wayans (character name Lewis Scott) to give the Celtics team a better chance of winning. The film achieved a little critical success in 1996 but has since become a certified cult classic. This is because it highlights how sports fandoms can take their love game too far, a common issue in today’s digitised society.

  1. Fast Break (1979)

Directed by Jack Smight, this comedy film stars Gabe Kaplan as David Greene, who is a huge basketball fan living in New York. He gets a gig coaching a small college team and starts haunting the playgrounds of New York City to scout talent. Although the film is low-budget and quite predictable, it achieved modest success in theatres. This 70s comedy might only be rated 6.1/10 on IMDb, but it is one of the best movies of all time when it comes to basketball on the big screen.

  1. White Men Can’t Jump (1992)

Starring Woody Harrelson and Wesley Snipes, this basketball film is a fan favourite thanks to its perfect basketball scenes, as well as its comedy. Harrelson and Snipes act as two streetball hustlers who spend most of their time flip-flopping between rivals and friends. Part of its success can be attributed to the duo’s cunningness. This makes it difficult for viewers to tell whether they’re being conned along with other characters in the film or are in on Snipe and Harrelson’s plans.

  1. Doin’ It in the Park: Pick-Up Basketball, NYC (2013)

The New York sports scene is well-known for its NBA basketball, with the New York Knicks, New York Liberty, and the Brooklyn Nets residing there. New York also has an interesting history with outdoor summer basketball, something which this 2013 documentary explores more of. This documentary film focuses on the world of NYC streetball culture. Featuring more than 700 courts, New York is the mecca of pick-up basketball with places such as West 4th St. Court and Rucker Park in Harlem. The film is an equal parts celebration and history lesson of the NYC pickup basketball scene. It was filmed throughout the five boroughs at some 180 courts in New York City and has a scene shot at Rikers Island Prison in the Bronx.

  1. Hustle (2022)

One of the latest movies to be released is Hustle, featuring Adam Sandler, who plays an NBA talent scout named Stan Sugerman. In the film, Stan risks his career and reputation for the real-life NBA basketball player Juancho Hernangómez. Hustle has proved to be a standout hit for Netflix, with Sandler playing a sympathetic character that viewers easily connect to. The director of the sports film, Jeremiah Zagar, created Hustle to showcase the trouble and challenges scouting agents and basketball players go through to make it in the basketball world.

THE TELEPHEMERA YEARS: 1969 – PART 3

Lost Flight, 1969

Ah, telephemera… those shows whose stay with us was tantalisingly brief, snatched away before their time, and sometimes with good cause. They hit the schedules alongside established shows, hoping for a long run, but it’s not always to be, and for every Street Hawk there’s two Manimals. But here at STARBURST we celebrate their existence and mourn their departure, drilling down into the new season’s entertainment with equal opportunities square eyes… these are The Telephemera Years!

1969-70

Although the Age of Aquarius had proved to be a false dawn, with Vietnam still raging and the Summer of Love a distant memory, America was still trying to laugh away its worries, with half the top ten shows aimed at tickling the viewers’ funny bones. Top of the roost was Rowan & Martin’s Laugh-In on NBC, who otherwise only had Bonanza and Walt Disney’s Wonderful World of Color among the top rating shows that year. Bonanza wasn’t the only  high-flying Western, either, and CBS’s Gunsmoke pushed Rowan and Martin all the way. The Tiffany Network dominated the ratings, enjoying another five places in the top ten, and seeing Hawaii Five-O sneak into the top twenty.

Marcus Welby, MD was the hit new show, joining The Brady Bunch on ABC’s new Fall line-up, while NBC debuted Night Gallery and The Bill Cosby Show in prime-time. For genre fans, Land of the Giants was finishing its two-season run on ABC, who also offered spooky fun with Bewitched and The Ghost & Mrs Muir. Get Smart moved to CBS from NBC, who only had I Dream of Jeannie on offer in a very thin year for sci-fi and fantasy fans. But what of those shows that didn’t even find their way onto the regular schedules? This is the story of four failed pilots…

Bedeviled (NBC): Also known as Fear No Evil, Bedeviled came from a story written by horror novelist Guy Endore, whose 1933 The Werewolf of Paris was considered to do for werewolves what Bram Stoker’s Dracula had done for vampires. Endore moved in writing for movies soon afterwards, producing scripts for Bela Lugosi and Boris Karloff films, but was an avowed Marxist and was blackisted by several studios as a result of the ridiculous mood of the times.

Fear No Evil was the first movie Endore wrote under his real name (and only the second overall) after his blacklisting and was intended to launch a proposed series named Bedeviled, featuring the cases of occult psychiatrist David Sorrell. Broadcast on March 3rd 1969, it saw Sorrell – played by former heartthrob Louis Jordan – investigate the case of a widow who claims that the spirit of her dearly departed in trapped inside a mirror they’d bought shortly before his death.

Bedeviled, 1969

With support from Wilfrid Hyde-Whyte, Linda Day, and Carroll O’Connor, the chilling story was a big hit with viewers and instead of launching Bedeviled as a series for the Fall 1969 season, the decision was made to make a second feature, Ritual of Evil, in February 1970. Jordan returned to play Sorrell in a story written by Robert Presnell Jr (Fear No Evil was Endore’s last work, and he would die twelve days before Rutal of Evil aired), and saw Sorrell drawn into the web of a powerful witch.

Although Ritual of Evil was well-received, plans for a Bedeviled series were dropped and producer Richard Allan Simmons turned his attention towards reviving the dwindling Western genre and would later develop Mrs Colombo for NBC. Ritual of Evil is available to watch in full on YouTube but only clips of Fear No Evil can be found there, no doubt due to some kind of anti-Communist thing or something…

Holly Golightly (ABC): The third time, as they say, is often the charm but that wasn’t the case with this proposed series, an adaptation of Truman Capote’s 1958 novella Breakfast at Tiffany’s (which, of course, had also been a hit film with Audrey Hepburn in 1961). Promising the further adventures of Holly Golightly, a sparky teenage girl working as an escort in New York City after escaping the much older man she married at 14, ABC were interested enough to order a 30-minute pilot film for a possible series for the Fall 1969 season.

Stefanie Powers, who had played the eponymous The Girl from UNCLE in the one-season 1967 series, was cast as Golightly and the show would pair her with Jack Kruschen as Joe Bell, a major character from Capote’s story who had been omitted from the movie. Holly would get into all manner of adventures and have to be bailed out of trouble by her bartender friend; in the pilot episode Holly accidentally sparks a wild all-night party filled with dozens of uninvited strangers doing weird things.

Holly Golightly, 1969

James Frawley, who was down with the kids having directed episodes of The Monkees and That Girl, was picked to direct a script written by Jim Henerson, who would go on to helm the TV adaptation of Bob and Ted and Carol and Alice in 1973, and the cast also featured George Furth and Jean Pierre Aumont.

Unfortunately, ABC didn’t like what they saw and felt that the concept did not have the legs to carry a full series. It may not have helped that Capote – who famously hated the movie version of his book – was very much against such an endeavour and railed against it in the press even as Powers was filming her scenes on the Paramount lot. The pilot went unscreened, although several promo photos as Powers as Golightly have seen the light of day.

Lost Flight (CBS): Captain Steve Bannerman is asked to pilot one last passenger flight from Hawaii to Australia before he leaves the profession and in a case of very bad luck, the plane gets into trouble during a thunderstorm and crash lands on an uninhabited island. Marshalling the survivors as best he can while they wait for a rescue that may never come, Bannerman has to deal with factions and ructions in this adult version of Lord of the Flies.

Loosely based on producer Frank Price’s unsuccessful 1966 pilot Stranded (which we wrote about in our look at the Telephemera of that year), Lost Flight starred Lloyd Bridges as Bannerman, who tries to keep a calm head with support from former US Marine Merle Barnaby (Billy Dee Williams) and allies including Forbidden Planet‘s Anne Francis. Standing in their way are Ralph Meeker’s oil magnate, Bobby Van’s nightclub entertainer, and Andrew Prine as Jonesy, a violent and unpredictable man who meets a satisfyingly grisly end.

Lost Flight, 1969

Lost Flight was due to air as a TV movie on CBS in the Spring of 1969, leading to a series for the Fall season, but Universal held it back, deciding to release the film theatrically instead in July 1970 as part of a series of Universal disaster movies which also included Airport, Colossus: The Forbin Project, and The Andromeda Strain. It was eventually shown as a big-time movie premiere on NBC in July 1972, with all thoughts of the story continuing seemingly abandoned.

Price tried again in 1976 when he was head of Universal TV, again without taking the concept past the pilot stage, and two years later left TV behind to become President of Columbia Pictures, enjoying an immediate hit with Kramer vs Kramer. Scripter Dean Riesner would go on to write several films for Clint Eastwood, including Play Misty for Me, Dirty Harry, and High Plains Drifter.

In the Dead of Night (ABC): Dan Curtis had worked in TV syndication before moving into the production side of the business with 1967’s The Strange Case of Dr Jekyll and Mr Hyde for ABC, an enterprise which had to be abandoned as a result of industrial action. Curtis hired an all-new cast and crew and returned in 1968 with a finished adaptation of Stevenson’s novel, with Jack Pallance in the starring role, and then struck supernatural gold with 1968’s vampire soap Dark Shadows.

Having worked his dark magic with the adventures of Barnabas Collins, Curtis seemed confident that a project called In the Dead of Night would provide him with another paranormal-themed hit, and sold the pilot to ABC, home of his earlier hits. The script dealt with a possessed heriress and a haunted mansion, and Curits cast former movie Sinbad Kerwin Matthews – who had played a similar role in 1967’s unsuccessful pilot Ghostbreakers – as supernatural investigator Jonathan Fletcher.

In the Dead of Night, 1969

The pilot aired as a TV movie in August 1969, titled Dead of Night: A Darkness at Blaisedon, but there was little interest in the concept as a full series, with ABC executives feeling it was lacking a vital ingredient. Curtis found that missing spice by enlisting I Am Legend‘s Richard Matheson to adapt Jeff Rice’s novel The Kolchak Papers as The Night Stalker in 1972, which led to further TV movie outings and a full series for Kolchak, wonderfully portrayed by Darren McGavin.

Curtis and Matheson reunited in 1977 for another pilot named Dead of Night, this time an anthology horror piece, and A Darkness at Blaisedon was later packaged as an added extra on the DVD release of that later film. It’s also available to watch on Tubi if you have access to that service, although you’re probably better off sticking with Kolchak.

Next time on The Telephemera Years: It’s Saturday morning and Hot Wheels lead the way!

Check out our other Telephemera articles:

The Telephemera Years: 1966 (part 1, 2, 3, 4)

The Telephemera Years: 1968 (part 1, 2, 3, 4)

The Telephemera Years: 1969 (part 1, 2, 3, 4)

The Telephemera Years: 1971 (part 1, 2, 3, 4)

The Telephemera Years: 1973 (part 1, 2, 3, 4)

The Telephemera Years: 1975 (part 1, 2, 3, 4)

The Telephemera Years: 1977 (part 1, 2, 3, 4)

The Telephemera Years: 1980 (part 12, 3, 4)

The Telephemera Years: 1982 (part 1, 2, 3, 4)

The Telephemera Years: 1984 (part 1, 2, 3, 4)

The Telephemera Years: 1986 (part 1, 2, 3, 4)

The Telephemera Years: 1987 (part 1, 2, 3, 4)

The Telephemera Years: 1990 (part 1, 2, 3, 4)

The Telephemera Years: 1992 (part 1, 2, 3, 4)

The Telephemera Years: 1995 (part 12, 3, 4)

The Telephemera Years: 1997 (part 1, 2, 3, 4)

The Telephemera Years: 2000 (part 1, 2, 3, 4)

The Telephemera Years: 2003 (part 1, 2, 3, 4)

The Telephemera Years: 2005 (part 1, 2, 3, 4)

The Telephemera Years: 2008 (part 1, 23, 4)

Titans of Telephemera: Irwin Allen

Titans of Telephemera: Stephen J Cannell (part 1, 2, 3, 4)

Titans of Telephemera: Hanna-Barbera (part 1, 2, 3, 4, 5)

Titans of Telephemera: Kenneth Johnson

Titans of Telephemera: Glen A Larson (part 1, 2, 3, 4)

Titans of Telephemera: Quinn Martin (part 1, 2)

Five Films to Check Out on Legend This Week – 120922

legend picks dracula

Legend continues to pack their schedules with great films and TV shows, but here are our picks you shouldn’t miss this week…

 

 

Monday September 12th, 10.50pm – Becky (2020)

Lulu Wilson is the resourceful Becky in this fantastic thriller that has Kevin James as one of the escaped convicts who break her peaceful weekend getaway.

 

 

Wednesday September 14th, 11.20pm – Dracula (1958)  

Hammer’s first entry to the vampire lore brings the Count to the screen in full, blood-curdling colour. Christopher Lee steps into history in the title role, and the ever-reliable Peter Cushing is his cunning adversary Van Helsing.

 

 

 

Friday September 16th, 9pm – The Wall (2017)

Wrestling superstar John Cena plays a soldier who comes under attack from a sniper with only an unstable wall to hide behind. So much for “you can’t see me”.

 

 

Saturday September 17th, 9pm – The Driver (1978)

Ryan O’Neal is the titular roadster in this cult classic from director Walter Hill. Bruce Dern is the detective who tries to apprehend the infamous getaway driver.

 

 

Sunday September 18th, 9pm – 12.10am The Vintage Vault

Legend continues to celebrate the Golden Age of genre cinema with a season of double bills. This week, there are a pair of fifties creature features, both directed by Jack Arnold. First up is the giant spider shocker Tarantula (1955), with Leo G. Carroll coming off worse than many when he tries to stop the beast. The Gill-Man is back in Revenge of the Creature (1955) with more aquatic terror.

 

 

Find out more information at https://www.legend-tv.co.uk/

Tune into Legend on Sky 317, Virgin 149, Freeview 41, Freesat 138.

Films About Rose Parks Which Can Be A Source Of Student’s Research

rosa parks

There have been many films made about Rosa Parks’ life, but which are the best ones to watch? Here are five history films that told her story in an accurate and compelling way.

Who Was Rosa Parks?

Rosa Parks was an African American civil rights activist who is best known for her role in the Montgomery bus boycott. Parks was born in Tuskegee, Alabama, in 1913, and she grew up during a time when Jim Crow laws were in effect throughout the American South. These laws mandated strict segregation of the races, and they often resulted in discrimination and mistreatment of African Americans.

In December of 1955, Rosa Parks was riding on a Montgomery city bus when she was asked to give up her seat to a white passenger. She refused, and she was subsequently arrested. Her actions sparked a citywide boycott of the bus system, which ultimately led to the integration of the buses. Rosa Parks continued to work for civil rights throughout her lifetime, and she passed away in 2005 at the age of 92. She is remembered as an important figure in the civil rights movement.

Writing An Essay About Rosa Park

If you have been assigned an essay about Rosa Parks, there are a few free sources that you can use to get inspired. You can look up free essays about Rosa Parks online, or you could visit your local library and check out some of the books about her. You could also look for a free Rosa Parks essay in a magazine or newspaper. Whatever source you choose, make sure that you read it carefully and take notes, recording what you find inspiring about her story. Once you have gathered all of your information, you should start writing your own essay about Rosa Parks. Be sure to include your own thoughts and experiences in your essay, and don’t forget to cite your sources.

Films about Rosa Park

  • Mighty Times: The Legacy of Rosa Parks (2002) 

Mighty Times: The Legacy of Rosa Parks is a documentary that chronicles the life and work of civil rights icon Rosa Parks. The film features interviews with Parks, as well as footage of her famous bus boycott in Montgomery, Alabama. Mighty Times: The Legacy of Rosa Parks is an inspiring film that highlights the importance of activism and perseverance in the fight for justice.

  • Behind the Movement (2018)

Behind the Movement is a 2018 television film directed by Aric Avelinp. The film tells the true story of the Montgomery Bus Boycott from the perspective of three key activists: Rosa Parks, E.D. Nixon, and Fred Gray. It explores their tireless efforts to end segregation on public buses, even in the face of violence and death threats. The drama is interwoven with interviews from contemporary civil rights leaders, who reflect on the impact of the boycott and the lessons that can be learned from this important moment in history. Despite its heavy subject matter, Behind the Movement is an inspiring and empowering film that reminds viewers of the power of civil disobedience and grassroots organizing.

  • Boycott (2001)

The film Boycott (2001) is a historical drama directed by Julia Bacha. The movie tells the story of the Montgomery Bus Boycott, a seminal event in the Civil Rights Movement. In 1955, Rosa Parks was arrested for refusing to give up her seat on a bus to a white passenger. This sparked a city-wide boycott of the Montgomery bus system, which lasted for over a year. The boycott was led by Dr. Martin Luther King, Jr., and it eventually resulted in a desegregation of the buses. The film depicts the events of the boycott in vivid detail, and it also includes interviews with some of the participants. As a result, Boycott is an informative and insightful look at an important moment in American history.

  • Doctor Who, “Rosa” (2018)

In “Rosa,” the Doctor and her companions find themselves in Montgomery, Alabama in the year 1955. There, they meet Rosa Parks, who is about to make history by refusing to give up her seat on a bus to a white passenger. The Doctor is inspired by Rosa’s courage and defiance, and she joins forces with her to help stop a racist plot that could destroy the future. Along the way, the Doctor and her friends learn about the importance of standing up for what is right, even in the face of danger. “Rosa” is an important episode of Doctor Who not only for its historical significance, but also for its message of hope and tolerance.

  • The Rosa Parks Story (2002)

The Rosa Parks Story is a 2002 American made-for-television biographical film directed by Julie Dash. The film documents the 1955 Montgomery bus boycott.The film stars Angela Bassett as Parks, Harry Lennix as her husband Raymond Parks, and serving as the narrator. Alfre Woodard also appears in a supporting role as Jo Ann Robinson. In 2001, the NAACP nominated The Rosa Parks Story as an Outstanding Television Movie, Miniseries or Dramatic Special. Along with this, Bassett was nominated for the Outstanding Lead Actress in a Television Movie, Miniseries or Dramatic Special award, and Lennix was nominated for the Outstanding Supporting Actor in a Television Movie or Miniseries award.

Conclusion

These five films are just a few of the many that have been made about the life and legacy of Rosa Parks. Each one offers a unique perspective on her story and the events of the Montgomery Bus Boycott. Whether you’re looking for an inspiring film or an informative history lesson, these movies are sure to provide you with both. So grab some popcorn and settle in for a film (or two) about one of the most important figures in American history.

 

Image: https://unsplash.com/photos/WzPxmB_tRlw

Brian O’Halloran & Jeff Anderson | CLERKS III

clerks III interview

STARBURST caught up with Brian O’Halloran and Jeff Anderson, the stars of Kevin Smith’s new movie Clerks III, to chat about going back to the Quickstop again, heart attacks, and much more. Watch the full interview below…

 

 

Clerks 3 is released in cinemas on September 19th. You can read our review here.