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When it comes to Apple TV+’s original comedy content, everyone is talking about Ted Lasso – and rightly so. Ted Lasso is wonderful. Arguably even better, however, and far less well-known, is another of their comedy offerings: Mystic Quest: Raven’s Banquet.

Almost seemingly in reaction to Glenn Howerton “leaving” It’s Always Sunny in Philadelphia after its thirteen season so that he could headline NBC’s A.P. Bio, Rob McElhenny, Charlie Day and Megan Ganz – also of It’s Always Sunny in Philadelphia fame – launched their own comedy side-project: a sitcom set in the production offices of an MMORPG.

We sat down with two of the show’s creators, Rob McElhenney and Megan Ganz, as well as stars Charlotte Nicdao, Ashly Burch, Jessie Ennis, Danny Pudi, and Oscar-winner F. Murray Abraham for a chat about bringing the show back in these tumultuous latter-days of COVID-19.

Jessie: I feel a great sense of pride knowing that we get to bring this kind of joy to other people.

Danny: I would say the same. For me, personally, in my own life, I’ve leaned into comedy as a healing mechanism and comedy’s always been a wonderful tool for me to understand the world and my place in it, so particularly in this time period – to be able to create with people that you love – I felt very grateful for that. That we were able to work on a show that could tap into what a lot of people are feeling in this moment, was really just lovely.

The show’s first season was solid stuff, but it was inarguably bolstered by a hastily-assembled pandemic special, akin to similar offerings from the likes of Parks and Recreation, 30 Rock and even South Park.

Whereas the other shows arguably fell victim to doing half an hour of jokes about making TV over Zoom, Mythic Quest fully explored the human emotion currently at stake and gave us something not just timely but remarkably poignant and truly emotionally cathartic.

It seemingly set the tone for the show’s second season, which largely throws away the show’s comedy of cynicism in favour of giving us something more optimistic and with a surprisingly tender streak.

Rob: The biggest inspiration was putting the pandemic behind us. We wanted to make sure we were doing a show that was looking toward an optimistic future. We recognised that a return to normalcy is not going to happen soon, it’s not going to happen easily, but we felt that by the time this is going to air that people are going to be ready to put COVID behind us.

Ashly: I know from my own life, when there’s a trauma or a tragedy, it’s really difficult in the moment but it can actually lead to a tremendous amount of gratitude and hope if you’re able to move through it and process it. This is our attempt – our funny, goofy, high-concept attempt – to help people process this idea of going back to life as normal. We’re going to move past it and even if dark days come again, there’s always going to be moments to celebrate and to have hope and have light.

Charlotte: Ultimately, it’s a celebration of hope, which I think is sorely needed at the moment.

Perhaps the single most surprising things about Season Two, however, is the way that F. Murray Abraham’s character – the washed-up, sci-fi author C.W. Longbottom – forms its emotional backbone. Those familiar with the show’s first season will no doubt be shocked to discover that the alcoholic braggart takes centre stage for a couple of this season’s standout episodes and – amazingly – provides the show with a startling degree of tear-jerking emotional resonance.

F. Murray: First of all, thank you for that compliment. I like those two episodes too, very much. I think that it gave me an opportunity to do everything: I was able to make people laugh and cry and make myself laugh and cry.

Megan: I think it’s a very hopeful story that, at any age – at any point in your life – you can decide to make the decision to try something new and stretch yourself and make mistakes and fall on yourself, but that is what living is.

F, Murray: You were able to see a real human being, which I think is one of the key aspects of this series. Each character is real – is a human being. There’s a great sense of humanity here, but I think that everybody dearly loves C.W. I like him. I want to be his friend. I want to hang out with him. I’m having such a great time with this show. It’s just a sheer pleasure… and they pay me!

Megan: When we were looking for an actor for C.W., we said to our casting director, Jeanne McCarthy, “We’re looking for an ‘F. Murray Abraham type’. Obviously we can’t get him but someone like that” and she came back to us and said “What about F. Murray Abraham?” We were like “Oh yeah, right. Like he’d ever…” The casting of Murray was beyond our wildest dreams so we tried to make the second season rise to the level of actor that we had.

F. Murray: Oh!

Megan: He’s blushing now.

Mythic Quest’s creator and star Rob McElhenney recently made headlines for buying Wrexham FC with friend, Ryan Reynolds. Despite his interest in British football and the Apple TV connection, don’t expect him to turn up on Ted Lasso anytime soon.

Rob: What’s Ted Lasso? I’m not aware of Ted… Ted Lasso? Is that a television program? Look, we spend enough time working on Mythic Quest and we don’t need to help out a small, little thing – what is it? Ted Lasso? That sounds silly. What’s that about?

A new Mythic Quest special, Everlight is available on Apple TV+ now and Season Two (featuring a truly magnificent pair of C.W. Longbottom episodes) will be released in its entirety on May 7th.

Since his acting debut in 2000, Matt Bomer has had a very successful and wildly varied career. Shooting to global recognition as con-artist turned FBI criminal informant Neal Caffrey in White Collar, he went on to star in Ryan Murphy’s cult series American Horror Story and The Normal Heart (for which Bomer won a Golden Globe), Steven Soderbergh’s Magic Mike, Amazon’s historical drama The Last Tycoon, crime-mystery The Sinner, the popular sitcom Will & Grace, and is currently portraying as Larry Trainor/Negative Man in the DC Universe series Doom Patrol.

Now the voice of Barry Allen/The Flash in DC Universe’s Justice Society: World War II, Matt Bomer speaks with STARBURST Magazine about his kids’ influence in selecting his roles, his love for voice acting, and which other superhero he’d like to add to his acting repertoire.

STARBURST: Taking into consideration the many spoilers, how would you describe Justice Society: World War II?

Matt Bomer: Gosh, it’s really hard to describe without spoilers! It’s maybe easier to describe Barry’s arc – not that I want to make everything about Barry, but I can do that without spoilers. He’s someone whose mind is in a million places, who’s trying to be a hundred things for a hundred different people, who’s racing around and can’t be present for the folks in his life. And it’s only by being thrust into this extraordinary circumstance where he meets the Justice Society, and sees their relationships and what they’re fighting for, and collaborates with them, that he’s able to really appreciate and be present in his own life in a way that he wasn’t before.

What was it that attracted you to this role specifically?

Matt Bomer: Well, you know, I always blame my children, but that’s really just a cop out [laughs]. It’s for me as well. I mean, these characters have been iconic for me as long as I can remember. The Flash in particular was a big hit in our home, especially with our oldest son, who was the Flash for one or two years for Halloween, and has always loved to run and be fast; he’s into sports now. It’s a character he’s always loved. And one of our kids is also a huge DC fan. As soon as he’s done with his homework tonight, we’re going to watch the Snyder cut together [this interview took place the day of Zack Snyder’s Justice League release]. So getting to have a great creative experience with characters that I have loved and getting to watch it for the first time with one of our sons who loves these characters as well… you don’t always get to do that as an actor.

And it’s a great role! I loved the arc the character went on and I loved his sense of humour, and his rhythms that were really specific to him and were different from what I’ve been able to do with other roles, like Superman (Bomer voiced the title role in Superman: Unbound) and Larry. It was challenging and intriguing, I love the story and I think there’s a romantic aspect to it that I particularly loved and, yeah, it’s kind of a no-brainer.

It’s a good time for your son to be obsessed with The Flash right now, what with so many iterations of the character existing simultaneously, right now.

Matt Bomer: Yeah, it’s pretty wild!

And you’ve been involved in the superhero genre for a while, having voiced Superman and working currently on Doom Patrol. What do you enjoy most about the genre, that keeps you coming back?

Matt Bomer: Typically, the characters are really well-rounded. And they’re each really specific in how they came to have their powers, how they came to be where they are, what their relationship is to those powers, what they feel their particular responsibilities are to society – those are all wildly different. So, even though I guess they could all be classified as superheroes, they’re extraordinarily different roles, and their circumstances are all wildly different. I don’t view it as doing another comic book character. I really just view it as an actor, and just looking at the circumstances that a particular character is experiencing and dealing with themselves.

It’s such a massive genre. You look at your role in Doom Patrol and then your role in Justice Society, and they have practically nothing in common.

Matt Bomer: I mean, they couldn’t be more different. If this genre continues to afford roles that are so nuanced, and well-written, then you can count me in!

If you could pick any other superhero to play in the future, who would you go for?

Matt Bomer: Gosh, that’s a tough one. You know, there’s so many iconic ones that I could list that are off the cuff. One of the roles I really loved in this piece and that I didn’t know at all, is Hourman. I thought he was such an interesting character, and I thought his powers and how fallible they are, and how human they are, made him really relatable. I don’t know, it was a really interesting character to me.

Justice Society does bring in a number of characters that aren’t all that well known, which is always exciting.

Matt Bomer: And I wasn’t really familiar with the Justice Society in general, other than just peripherally. So getting to meet a lot of these characters was really fresh and new for me, and I thought they were given such great life by this cast of actors.

Absolutely. And you’ve obviously done voice acting before, but what do you most enjoy about it versus live action?

Matt Bomer: You know, in many ways, they’re not that different. You’re approaching the work and the text in the same way, but there is a lack of vanity in them, in that you don’t go through hair and makeup, and you’re exploring and finding a lot of that character in the booth with these incredible creatives – Butch Lukic and Wes Gleason were really instrumental in getting everyone on the same page.

And you also have to let go of a certain sense of self-consciousness and vanity in general, because oh my God [laughs], I don’t know that I’ve ever left one of these recording sessions – particularly after we record fight sequences and things – where I haven’t been sweaty and red-faced, panting for breath! Everybody thinks it’s really easy work, but it is work.

You know, I love that I don’t have to think about how I look or how I’m perceived, and can really just focus on finding the rhythms and cadences of this particular character. I just love voice acting. And obviously, I’ve gotten to do it for some time now, and I’ve loved that creative process. You can’t rely on a lot of physical or behavioural cues that you get used to when you’re on set and in person. Instead, you really have to find different registers and nuances of speech pattern, and rhythms that are unique to whoever you’re playing. I think that’s a fun challenge as an actor.

And what are you most excited for fans to see with Justice Society?

Matt Bomer: A lot of things, honestly. I think the animation style is gorgeous. I already had high expectations and they were still vastly exceeded when I saw it, starting with the credit sequence which has this amazing noir feel. And there’s this great patina to the world that Barry finds himself in when he encounters the Justice League, which I love, versus the world we initially find him in.

I think there’s that aspect of things, and there’s also the action sequences – which I’ve always loved in these films – that are incredible. I also found a lot of moments that were really moving, particularly with the romantic aspect between Wonder Woman and Steve, moments which I think long-time fans of these characters are going to love.

Justice Society: World War II is available on Digital from April 27^th. You can also read our interviews with Wonder Woman actress Stana Katic, Hawkman actor Omid Abtahi, and Hourman actor Matt Mercer.

Matt Mercer’s voice acting career has been long and diverse, with credits including the likes of Attack on Titan, Thundercats, Marvel’s Spider-Man and Resident Evil Damnation.  He’s also the voice of McCree in Overwatch amongst many other video game roles. Mercer is also one of the world’s most well-known Dungeons and Dragons Dungeon Masters as he is the host of cult smash, Critical Role.  In Justice Society: World War Two, Matt is the voice of Rex Tyler, aka HourMan. We caught up with him to find out more.

Starburst: How would you describe Justice Society: World War II?

Matt Mercer: This story is kind of an alternate take on the Golden Age superhero era during the World War Two time period. So without going to much in to the story it deals with modern day Barry Allen discovering the speed force and going back in time to Golden Age DC and encountering the Justice Society of America. One of the heroes he meets is the character I play, HourMan, a bad-ass scientist who developed a particular kind of pharmaceutical system, something called Miraclo, that for an hour makes him superstrong and basically on parr with all, the great superheroes around him but just for that hour, otherwise he’s a regular dude, is trying to survive.

Starburst: How would you pitch the cartoon to your grandmother?

Matt Mercer: Hey, back in World War Two how would it have been if we had a bunch of awesome, colorful superheroes that were just beating the crap out of Nazis and I got to be one. It would be the quickest way  I could describe it to her. *laughs*

Starburst: How familiar were you with Rex Tyler, HourMan before you did this movie?

Matt Mercer:  I was familiar with some of the more modern day versions. I knew about him but didn’t have an extensive knowledge of his presence in the Golden Age of comics. So it was really fun to kind of dive in and do the research and discover this aspect of the old school comic era that I wasn’t quite as familiar with and kind of build a character and performance off of that. So it was a really fun exercise and it is always fun to go into a job and have an element of discovery. And even for me, at least, deepening your nerd cred.

Starburst: How do you create a voice for a character like Rex Tyler?

Matt Mercer:  For me, it involves kind of imagining what the other characters around him sound like in my head, and then finding a unique imprint for him and trying to think what would make him stand out and make me feel like he belongs uniquely amongst this menagerie of larger than life characters and in finding a place of an honest point of connection between myself and him.
So it largely starts with my natural voice and then I begin to kind of push and tweak and add aspects that I feel kind of best represent the character where he is emotionally, where and how he is driven and kind of let those things like texture and volume intensity come together. It all creates a unique imprint that is kind of an offshoot of my natural voice, which still feels natural to me and still feels casual. Keeping it kind of natural and more human in order to ground it. I talk to myself a lot when I’m doing this so it was just an externsion of that process. I’m a weirdo. *laughs*

Starburst: If you got to choose one of the less well known heroes from the DC Comics, who would it be?

Matt Mercer:  Oh, man, that’s a good question. I would. I’m going old school, where do I go? I mean, it’s a little more recent, but there’s the Gog and Magog story line from about a decade or so ago and I don’t know, I ‘d like to voice both Gog and Magog and just kind of make it cool, with a weird duality. I’d also like to voice Mister Mxyzptlk, he’s a fun kooky character that pulls away from the classic hero, it would be fun to do odd little sprite like character of chaos and weirdness. He’s not so much little known but he’d be a lot of fun.

Starburst: You’re also famous for long running D&D stream, Critical Role. If you got to be the Dungeon Master for a bunch of DC characters, who would you want around that table?

Matt Mercer:  I mean really, any of them. But Green Lantern would be awesome. A person with the power to turn their imagination into reality would be a real asset to the table. I think Wonder Woman would be an awesome person to have to be that kind of front- line protector for the rest of them and they’d be a bad-ass and a driving force. I wouldn’t put Superman in their, he’d be a little too powerful. And Batman would be a pain in the butt at the table because he’d be telling everyone else what to do. They would focus too much on the rules and would fight me on the rules, so no to Batman. Barry Allen would just be fun, he’s a fun guy to hang out with so I’d definetly want him, does it have to be all heroes?

Starburst: Not at all, would you have some villains as well?

Matt Mercer:  Oh then I’d pull from Gotham at that point. I think Joker would be a little to intense at the table and probably break the game and make everyone uncomfortable. The Riddler would be fun because then he could go ahead and actually find his way through all the puzzles that really confuse all the other players, so I’d go with the Riddler.

Starburst: What are your favorite DC comics, which are the ones that would inspire you to do gigs like this?

Matt Mercer:  Oh, man, I really like a lot of the DC Universe, but I would say in my my core heart should squarely in Gotham since growing up. But even though I just said I wouldn’t play with Batman, I think it has to be the atmosphere of Gotham and the rogues gallery. I really like the unique kind of all shades of grey that a lot of the characters have, the heroes, antihero and villains. So that universe really has a huge part of my love. Rex Tyler is amongst all the bigger heroes, one of the more human and complicated figures. Based on his history and what his power set is as well. Definetly Gotham would be my biggest inspiration.

Starburst: How can we expect to hear your dulcet tones in a Warner Brothers production sometime soon?

Matt Mercer:  I certainly hope so. That’s really up to Warner Brothers but I’d love to come back and do this sort of thing again.

Starburst: Critical Role is huge right now; how does that affect gigs like this? Is it seamless or is there a jump between your voice work and the work you do on the Critical Role show?

Matt Mercer: It’s a challenge when it comes to scheduling, I’ll tell you that. I’m a little more picky and choosy with the projects, which is a wonderful place to be, you know, after being a starving actor for a large part of my life and saying yes to everything it’s nice to be at a point now where I can be a little more choosy with the projects that come my way. But it is challenging, just trying to schedule it all together and make sure that I’m able to facilitate the project that I’m inspires to be a part of so. But beyond that, the one of the things that I was just getting lost in the imagination and trying to tell a story that began with the collaboration of many other people. So I’m really enjoying the way the two things fit together very well.

Justice Society: World War II is available on digital from April 27th. You can also read our interviews with Stana Katic , who plays Wonder Woman, Matt Bomer who plays The Flash, and Omid Abtahi who plays Hawkman.

Best known for her lead roles in television series Castle and Absentia, Stana Katic has her latest turn as Wonder Woman in the upcoming Justice Society: World War II. Having previously lent her voice to Lois Lane in 2013’s Superman: Unbound – which also co-starred Matt Bomer, who voices Barry Allen/The Flash in Justice Society – Katic rejoins the DC Universe Movies as another iconic comic book heroine.

Ahead of this latest DC release, STARBURST spoke with Stana Katic about Justice Society, finding Diana’s voice, and what being Wonder Woman means to her.

How would you describe Justice Society: World War II?

Stana Katic: This movie is like watching a feature film from the 1940s; it just has this beautiful vintage vibe. The artists behind it did a really lovely job of bringing that World War II feel to the forefront, so I think it’s a nice piece of animated art.

What attracted you to this project and the role of Wonder Woman?

Gary [Miereanu], Butch Lukic, and Wes Gleason were kind enough to offer me the role, and for me to be able to be a part of that team and to play in their world for a while, that was a no-brainer. I’ve been a fan of Butch’s work since Batman: The Animated Series, I’ve worked with Gary in the past, and Wes is just a dream to voice for. That was part and parcel of the decision and then, of course, Wonder Woman is such an iconic character! Getting to participate in that legacy in a small way was a gift.

Like you say, Wonder Woman has a long history and has had a number of iterations. What direction did you have in mind for this version of the character?

Butch and Wes were clear on wanting to honour Wonder Woman’s mythology by having her have an accent. And they offered a range within which they felt that this character’s accent could fall. I think that for me it was really interesting, because I had the task of imagining what one of these Scythian, Illyrian, Grecian warrior women might sound like today.

I got to do a deep dive and figure out the geography of where the Amazon’s history is founded, and it’s something I’ve been interested in in the past. I’ve read books on the origins of the Amazon mythology like the one by Jeannine Davis-Kimball [Warrior Women: An Archaeologist’s Search for History’s Hidden Heroines], and then it was just a matter of playing around with that, figuring out what the character might sound like.

I was also working in Bulgaria at the time when we recorded the first session, and it’s believed that the Amazon culture started somewhere near the Black Sea. So that was easy to grab at. And for me also, it was a matter of adding a touch of my grandmother’s voice, who survived World War II. So, you know, small shout-out to my girl!

What did you love most about your character arc in Justice Society?

She’s one of the leadership elements of the Justice Society at this stage, and being faced with a threat as damning as the Nazis is all-encompassing. And while there’s a sincere and deep affection and love between her and Steve Trevor, it’s something that she doesn’t necessarily allow herself time for because she’s so committed to her mission. I think that there’s a huge learning curve in being able to balance saving the world and living her life.

And this isn’t the first time you’ve done voice acting. What do you enjoy most about it that you don’t get in live action?

You know, it’s like performing but you’re not able to rely on gestures in any way, other than to help create that sound. I’m a fan of comics, I’m a fan of animated artwork, I’ve been exposed to it and watched it since I was really, really young. So to be able to jump in and play a character in that world feels like something that I’ve been practicing for since I was four.

And then the other factor for me is, in the interim of this pandemic my house was sort of ground zero for a lot of nieces and nephews. And so, other than studying permaculture, I was taking care of little children. And you know, things happen, and I had to take my niece to the emergency room. And while we were there, I could tell that she was nervous. And so, I just randomly started playing her Wonder Woman clips from the different films and TV shows, and it truly boosted her spirits. It gave her a tremendous amount of confidence to face what we were facing in that moment, and I was especially touched by how much seeing a young Wonder Woman empowered her

So, we have our own Wonder Woman’s salute, and we’ve had it since long before she saw or knew anything about the Amazons; and that day, it become our own kind of physical battle cry. To know that we’re participating in a story that has the potential to embolden and empower people, and especially young girls, that’s just a real treat for me.

Having played iconic heroines like Lois Lane and now Wonder Woman, what would be your next dream role?

Honestly, I’m just game to play in this world – period. I would do anything, especially with this team. It’s so much fun to play and explore, and sort of be in this sandbox, that they could ask me for anything and it would be an automatic “yes”.

Stana Katic is Wonder Woman in Justice Society: World War II, releasing April 27th. You can read our interview with Matt Bomer, who plays The Flash, Omid Abtahi, who plays Hawkman, and Matt Mercer, who plays Hourman.

Main image credit: Sebastien Nogier/Shutterstock

Known for playing Homes in The Hunger Games franchise, Dr Pershing in The Mandalorian, and Salim in American Gods, actor Omid Abtahi has played a long list of diverse and exciting characters, but he has never played a superhero, until now! As Hawkman, he is part of Justice Society: World War II, a new DC animation that throws iconic characters into an emotional, time travelling story, with a classic war torn setting as its backdrop. STARBURST talks with Omid to uncover how he approached portraying Hawkman, and MUCH more!

STARBURST: This is the first animated superhero film that you’ve been a part of, so how exciting was that for you, and how did it compare overall to the voice acting projects that you’ve done before?

Omid Abtahi: I was very excited about it because, whether on screen or as a voice over, I’ve never played a superhero before, and as an actor I never anticipated playing a superhero. So just to have this opportunity was very special. It wasn’t too different to the voice over work that I’ve done before, because specifically with this project and this character, I had worked with the casting director Wes Gleason before on another project. The reason that he had me in mind for Justice Society: World War II was because of this prior project that we’d worked on. So when I got the offer for this, I was like “What do you have in mind, Wes?” and he said “What you did on that other project, let’s go ahead and bring a lot of that into this. I thought it was this deep, brooding, thoughtful character. So let’s apply it to Hawkman.” So, I was able to use that as a jumping-on point into a world that I wasn’t very familiar with going into it.

Hawkman has an extensive history, going all the way back to the 1940s. How much research did you do beforehand, and how did you approach putting your own spin on this classic character?

I knew who Hawkman was from growing up, and from the comics that I did read, I remembered him. He was very memorable, just because it’s a guy with wings. I wouldn’t call myself educated by any means. I went on the Internet and watched videos, and I started reading about him. I have to be honest, it was very overwhelming, and it was rather confusing. The more I read about him, the more confused I got, because he had so many different backgrounds, iterations. I even tried to watch a cartoon with him in, but I turned it off after three seconds because somebody else’s voice got in my head. That’s something that I didn’t find helpful. My main takeaway for Hawkman was that this is a man who has lived many lives, and he has access to those lives. He is deep, thoughtful, and powerful. I just wanted to bring that kind of wisdom to this character first and foremost.

The World War II setting seems to capture how we see superheroes in a unique and gritty way, what did you personally find the most interesting about playing a superhero within this historic time?

I’m a huge sucker for history, so I love that this took place in the past. I also love the animation choices that they had for this project. It’s cool to live in that world, but it didn’t really effect how I approached the character necessarily.

Justice Society: World War II has its fair share of emotional moments, especially for Hawkman. Is there a scene that really stood out to you when you worked on the film?

100%. There are two major scenes with Hawkman and Black Canary, where they’re able to take a breath in all of the action, and there’s this moment for them to have a really deep conversation over the span of two minutes. It was those two big scenes that I really gravitated towards. I was able to place who Hawkman was from those two scenes. Especially the last scene, which I’m afraid to talk about!

Hawkman can be calm and collected, but then switch to angry within a heartbeat. He gives a good balance to the Justice Society team. What do you think that he brought to this film in particular?

He is very much the quiet, brooding type. He talks very little, but when he talks it means something. A lot of the other characters are very expressive, and they vocalise their feelings. Hawkman just seems to be less like them. So I think that he brought a different dynamic to this ensemble piece. So when he speaks, people listen.

This film can stand on its own, as in you don’t have to know too much about DC beforehand to get to the story. Would you agree with that? The fact that it could appeal to a wide audience, instead of being just restricted to die-hard DC fans?

Yeah, because to be honest with you, I don’t have a huge knowledge of DC or Marvel. I was able to just read the script and enjoy it for what it was. I could lose myself, and immerse myself in that world straight away. So I guess I’m a living example of that.

Finally, why should STARBURST readers check out Justice Society: World War II?

It’s a fun movie. At the end of the day, it’s just a really good time. There’s definitely some touching moments in there. If you’re looking to be entertained for two hours, then this is that movie for you.

Justice Society: World War II is available on digital from April 27th. You can read our interview with Matt Bomer, who plays The Flash, Stana Katic , who plays Wonder Woman, and Matt Mercer, who plays HourMan, here. 

(Main image by Gage Skidmore)