John Robertson: THE DARK ROOM – EDINBURGH FRINGE

robertson

by Anne-Louise Fortune

The Dark Room, the inter-active text-based adventure game show that emerged from the stand-up comedy of Australian John Robertson. John is a frequent fixture on our entertainment schedule here at Starburst Towers, where we’ve seen the show in every sort of venue, from comedy clubs to the vast arena of the Sci-FI Weekender, and it has made a triumphant return to this year’s Edinburgh Fringe.

John’s journey is a fascinating one. 2020 was a brutal year for the live entertainment industry. The effect on performers, many of them freelancers, was devastating. John is one of a growing number of performers who have established themselves on Twitch, the streaming platform most well-known as an outlet for gamers. We sat down with John to find out more.

How did the Pandemic change your career?

Hehehehehe, I went mad – and monetised it! I’d always thought I was kinda lazy, but around about the time we did a 48-hour marathon online stand-up show for charity I thought maybe I was wrong… then the 50 hour one we did confirmed it. Me and my audience have made some very funny, very beautiful, very strange things together. I definitely got to finally give my imagination free reign – so I’m very happy, but the house is a mess and the neighbours are surprisingly tolerant of me screaming “YA DIE! YA DIE! YA DIE!” at all hours of the night.

The Dark Room visits a lot of different venues. Is it a challenge getting an audience to attend a show that isn’t ‘traditional theatre’?

The UK has such diverse tastes in live entertainment, so I think as long as it’s good for somebody, they’ll come out. I’ve been at the end of the pier in Blackpool with comedians who I thought died in the 70s and whose material dies nightly, and in the middle of London with glittery nude acrobats. Any country that thinks pantomime is normal definitely has a huge imagination.

How did the move to online spaces change things for you?

It changed everything! I can do things I’d never imagine doing in a live show. I’m like 40 different characters these days. We’ve got in-jokes built on a solid foundation of more in-jokes. Somebody’s having a bad day in the Twitch chat? You can wish them well, and then get back to the usual carnage. It really builds a connection with a crowd – the underlying sense that everyone involved just wants everyone else to be happy. Unless you’re a troll, in which case, my God, we’ll tear you to bits.

What’s the key to your comedy?

I like to play with people. And if that means we all build some big silly idea together, that’s great. And if that means I’m shirtless and screaming and crowdsurfing, well, that’s good too.

How would you describe the Twitch Channel?

The slogans of Twitch channel Robbotron are “We are diverse, perverse, wholesome, yet awful” and “SDNS – Sex, Death, Nerd Shit”. We’re an interactive, inclusive space where one minute we’re discussing science fiction with Adrian Tchaikovsky, then I’m playing a game where I’m a shark. We do a new thing about every 10 minutes, so if my live coverage of the news isn’t tickling your pickle, you can come back for when we play the weird games I’ve built, like The Dark Room, my parody of Japanese romance games – L.A.D.S – Live-Action Dating Simulator or the sad clown text adventure
I Am Pagliacci, or literally anything else we all come up with. It’s hugely community-driven.

On the Twitch Stream, John has multiple characters. We asked him about the anime fanboy, Kevin. Where does he come from?

Super Genki Neko Kevin-Chan comes from a lifetime of going to anime conventions and meeting twelve million Super Genki Neko Kevin-Chans. Yatta! uWu etc.

Another character is called D.A.D – Divorced Aussie Dad…

Seriously the most intense show I do! Divorced Aussie Dad is a down-on-his-luck father cooking for his children – so most Sundays I stand in my kitchen as this guy, the Twitch chat are my kids, and he makes them lunch. It’s become a legitimate improv soap opera, with stepfathers going missing, suspicious friends with odd packages, and his on-again, off-again relationship with the kid’s mum. One of the greatest surprises of my life is how moving this show is. And the food is terrible.

What’s it like to be back at the fringe?

Phenomenal. I’ve done 11 of these, and this is low-key the best Fringe I’ve ever had. My team are great, the crowds have been terrific. I’ve played music and had a saw vs clothes horse duel with one of my heroes, crowdsurfed a comedian to celebrate the legalization of homosexuality in Singapore, and thrown a LOT of bread at people. I’m a very lucky man to be indulged in this manner.

How does the streaming balance with the live shows?

Usually pretty well! I’ll stream Mon – Thurs, then Fri + Sat nights I do live shows, which I’ll stream if I can. Then it’s more streams on Sundays. Been a bit hard at the Fringe, but people have enjoyed my streams of wandering the streets and having comics come up for chats, so that’s been grand.

Was it different returning to the stage after building such a following?

Let’s put it this way, when you go onstage and the crowd bellows your catchphrases out as you say them, it’s hard to feel more included. Then they crowdsurf you, and goddammit, they found a way.

John’s show The Dark Room is at the Edinburgh Fringe until the 28th of August 2022. Tickets can be found here and Kid’s show tickets here. Outwith the Edinburgh Fringe, Tour Dates can be found here.
You can join John’s Twitch channel via:  twitch.com/robbotron

The Most Famous Houses from Movies and TV Shows Students Can Visit In Free Time

movie houses

Houses from movies are one of the centerpieces of the movie industry globally. While not all films focus on residential structures, there are house movie productions that feature amazing homes even viewers could not take their eyes from. The fact is that some of the structures were real homes and not superfluous edits. 

This is especially important for architects and artists studying acting. Moreover, it is interesting for self-development to learn something new about the culture. Studying this subject is quite time-consuming, so there may not be enough time, for example, for homework. A student can write “write a research paper for me” and get the help of a professional to do something really interesting in their free time.

The role of houses in films cannot be underestimated, as many works focus on this area of movies. For example, there are currently essay and free writing samples on houses, and other topics related to the cinema. Of course, you can find more samples available for the most popular movies than other films and TV shows.

This article reveals some of the most popular houses featured in movies that were indeed real homes.

Kelvin McCalister Family House – Home Alone

The Home alone movie is an interesting holiday flick that everyone watched, admiring the wonderful home used. The house is located in Winnetka, Illinois. The massive residence of little Kelvin McCallister, protected from burglars, is admired for its beauty. The mansion on a half-acre land has about 4200 feet of space. As of 2021, the beautiful house sold for a reported $1.5 million.

Father of the Bride House – Father of the Bride

The Father of the bride’s mansion is a must-mention when speaking of massive show houses that you can visit in real life. The beautiful homestead building is located in Pasadena, California. The building looks exactly as it is in the movie except for the interior designed for just the film—the Father of the Bride videotape residence measures about 4300 feet of space.

The Brady Bunch House – The Brady bunch

The Brady Bunch house is one of the most iconic homes in the history of TV shows. The Brady Bunch residence was built in 1959, and it stands in the spot even today. The beautiful mansion is located in the Studio City of, California. The building is spacious with a beautiful interior, the kind you’d like to visit.

Mork and Mindy House 

When discussing wonderful video houses, this gorgeous home used in the Mork and Mindy series comes to mind. The movie residence is located in Boulder, Colorado. The building that helped launch Robin Williams to stardom is still there, standing firm with its beauty, as in the videotape series. Fans of the TV series go there to pose for photos, the kind of place you would like to visit during vacation.

A Christmas Story

The beautiful “A Christmas Story” movie house is one of the most beautiful buildings seen and used in flick history. The gorgeous home is located in Cleveland, Ohio, where it still stands to date. The beautiful TV show mansion is one of the few houses that allow fans to tour it. The building looks well decorated and exactly as it was in the movie.

10 Things I Hate About You.

The house in the “10 things I hate about you” is one of the homesteads (seen in videotapes). The beautiful building is situated in Tacoma, Washington. The home was built in 1907, and it is still there, looking exactly as it was in the film. As of 2018, the house was put up for sale for $1.6 million.

Ferris Bueller’s day off

The home used in the “Ferris Bueller’s day off” film is one of the houses you would love to visit. The homestead is located in Highland Park, Illinois. The house built a long time ago (1953) still looks charming to date. The residence, as of 2014, was sold for a reported amount of $1 million. 

Nights in Rodanthe

Speaking of beautiful cottages used in videotapes, the house used in the “Nights of Rodanthe is a must-mention. It is located in Rodanthe, North Carolina. The home was used in a romance movie in 2008 and is one of the most beautiful homes ever featured on-screen in TV history. It is one of the real-life buildings used in movies you would love to visit.

Charmed

The “charmed”  TV show homestead is one of the most attractive structures you would love to visit. The home was built in 1887, located in Los Angeles, California. Fans and lovers of the Sister Witches film (Charmed) still go there today to pose for photos. 

Mad Men

Talking about TV series buildings, the gorgeous home used in the “madmen” movie is one of the residences you would love to visit. It is located in New Rochelle, New York, 20 miles away from Ossining, where it was said to be in the film. The homestead was used in the first episodes of AMC’s madmen.

Conclusion

Movies appeal to everyone, including high school kids, college students, and the busiest adults. This article has focused on one of the important yet widely ignored parts of movies. Ten most famous real homes from movies were fully considered to inform readers that their favorite movie structure is more than just a fantasy and could be near them.

Five Films to Check Out on Legend This Week – 220822

legend picks thing

Legend has another bumper week ahead, so here are our picks you shouldn’t miss…

 

 

Tuesday August 23th, 10.45pm – Revenge (2017)

A getaway with her boyfriend turns into a nightmare for a young woman (Matilda Lutz) when his friends turn up. Interesting rape-revenge thriller directed by Coralie Fargeat.

 

 

Wednesday August 24th, 4pm – Warlords of Atlantis (1978)  

Doug McClure and Peter Gilmore find themselves in the lost continent and have to face hostile locals and giant beasts. Fun fantasy from director Kevin Connor. (Also screening at 11am on Thursday and 6.35pm on Sunday.)

 

 

Friday August 26th, 11pm – From the Dark (2014)

Irish scares from Stitches director Conor McMahon. A couple are stranded in dark rural area and are stalked by a creature that doesn’t like the light.

 

 

Saturday August 27th, 9pm – Codename Geronimo (1967)

Inspired by real events, this action-packed drama focuses on a group of Navy SEALS who are hunting Osama bin Laden.

 

 

Sunday August 14th, 9pm – 12.50am The Vintage Vault

Legend continues to celebrate the Golden Age of genre cinema with a season of double bills. This week, there are a pair of superb gory shockers starting with John Carpenter’s shape-shifting alien classic The Thing (1982), starring Kurt Russell. This is followed by some David Cronenberg’s body horror in Videodrome (1983), in which TV producer James Woods discovers an underground show that alters his reality.

Find out more information at https://www.legend-tv.co.uk/

Tune into Legend on Sky 317, Virgin 149, Freeview 41, Freesat 138.

STARBURST’s Top Picks for Arrow FrightFest 2022

frightfest poster trophy

It’s known as Christmas for horror fans, and this year’s line-up for Arrow FrightFest is packed with wonderful gifts and gruesome surprises. We’ve chosen some films that might not have the spotlight but we feel you should check out…

 

 

Eating Miss Campbell

Liam Regan (My Bloody Banjo) returns with a sequel of sorts, embracing its Troma roots with gleeful abandon. If you want blood… you’ve got it. Expect to laugh, wince, and be offended. Probably in equal measure.

 

Walking Against the Rain

The eagerly-awaited debut feature from Scott Lyus (Black Mass) doesn’t disappoint. A post-apocalyptic tale of hope and perseverance with added monsters.

 

 

Orchestrator of Storms: The Fantastique World of Jean Rollin

Documentaries at FrightFest are always a draw, and this one covering the career of the French director is a standout. Drawing from those who worked or knew the man, it’s a mesmerising journey through a legendary artist’s life.

 

 

H4Z4RD

A real curveball here; from the director of Cub comes this high-octane comedy action film that will certainly please those watching. Filmed almost entirely from inside a flash car, this is one ride you won’t want to miss!

 

 

Powertool Cheerleaders vs the Boyband of the Screeching Dead

Director Pat Higgins reinvents the musical with a meagre budget in this splatter-filled comedy. It’s self-aware and all the more enjoyable for it.

 

 

The Leech

Christmas isn’t going well for one priest (Graham Skipper) when he takes pity on a homeless man (the always brilliant Jeremy Gardner), who makes himself at home. A comedy of frustration that packs a wallop.

 

 

The Eyes Below

Alexis Bruchon follows up his superb debut The Woman with Leopard Shoes with this literal nightmare of a film that will have you sleeping with the light on.

 

 

Wolf Manor

Director Dominic Brunt’s films are always worth a watch and this homage to werewolf movies and low-budget filmmaking is certainly going to raise a laugh.

 

 

The Once and Future Smash

This mockumentary about a forgotten ‘70s slasher is on-the-money and features Michael St. Michaels from one of STARBURST’s favourite films The Greasy Strangler, as well as a host of well-known talking heads getting in on the gag. Wait around afterwards to see what remains of End Zone 2! Touchdown!

 

 

Terrifier 2

The one in the list we haven’t seen yet, which makes it even more enticing! We loved the first film and Art the Clown (David Howard Thornton) is a great bogeyman. We’re expecting plenty of gore in the unprecedented almost two-and-a-half-hour running time!

What are you looking forward to? Let us know on Twitter.

Arrow FrightFest runs from August 25th – 29th, 2022 at Cineworld Leicester Square and The Prince Charles Cinema.

Tickets & passes are now available to buy online: http://www.frightfest.co.uk/tickets.html

For full programme details: http://www.frightfest.co.uk/

Kat Coiro | SHE-HULK: ATTORNEY AT LAW

Tatiana Maslany as Jennifer Walters in silver dress in She-Hulk: Attorney At Law

Kat Coiro directs six of She-Hulk: Attorney at Law’s nine episodes (Anu Valia helms episodes 5-7) and serves as executive producer on the Disney+ Marvel series starring Tatiana Maslany. Ahead of the show’s much-anticipated premiere, STARBURST had the pleasure of speaking with Coiro about finding the series’ comedic tone, controversies surrounding She-Hulk’s physicality and design, and what the hero’s journey has to say about women’s lived experiences.

STARBURST: She-Hulk is the MCU’s first outright comedy, and it’s also the first time an MCU character has broken the fourth wall. What can you tell us about creating the show’s tone and how it differs from the rest of the MCU?

Kat Coiro: Well, the scripts lean very heavily into comedy, and I always felt like my job was finding that balance between this very new, fresh, comedic world and also ensuring it fits into the MCU visually – that it has cinematic scope. In some ways, those two things are very different from an execution point of view because, for comedy to work, you need looseness, and you need to let actors play, improvise, explore, and go off-script.

But when you’re dealing with big action sequences and CGI characters, that requires a lot of preparation and some rigidity. And so, it was always about, where can we find these big cinematic moments? And where can we find these little, intimate moments of banter and character development?

Tatiana Maslany as Jennifer Walters/ She-Hulk: Attorney at Law with Bruce Banner

 

An exciting aspect of Jennifer Walters’ transformation into She-Hulk is how she enjoys her sexual power in her new body. How did you ensure that her transformation and expression never played to the male gaze, which often defines her comic book portrayal?  

So much of She-Hulk’s journey is about how, unlike the Hulk, she maintains her self-consciousness, self-awareness, and a general sense of self and identity. But then you take this woman, who is very happy with her existence and lives a pretty rigid life, and suddenly she is perceived entirely differently by the outside world. There’s a moment we explored in the first episode – after she transforms inside Bruce’s machine and steps out – where she feels out this new body and this long hair and starts to enjoy the idea of being in a new form.

We questioned: what does it mean to retain your sense of identity while also being perceived in a wholly different way? Part of her journey is enjoying that, enjoying taking up space, enjoying turning all heads when she walks into a room and having people take notice of her in a way they never did when she was a regular woman.

 

And in your mind, what’s that saying about women at large?

I think it’s just an extreme version of what we all experience. If you put on a great outfit and do your hair, you feel very differently than you do wearing your sweatpants and having just rolled out of bed. Neither is good nor bad, but how you walk through the world is different. And so, Jen’s She-Hulk transformation is an extreme version of what we all experience on a daily basis.

There was one scene I think many women will enjoy, where a guy spends the night with She-Hulk, wakes up in the morning to Jennifer’s human form and goes, “who are you?”. Moments like that clearly telegraph women’s presence behind the camera.  

There were so many discussions about the female gaze versus the male gaze. We wanted her to be sexy and fun and to start to enjoy this liberty and this ability to live life differently. I always thought it was fascinating to see how She-Hulk affects Jennifer Walters, because you don’t need to be big and green and have long hair to feel that inner confidence and to feel like you can walk into a room and take charge. And so part of the conversation was also, how does this affect Jennifer?

In a similar vein, what would you say to people who have complained about She-Hulk being too small or not muscular enough in their eyes?

I would say it’s part of the systemic tearing apart of women’s bodies. I guarantee that if we had made her bulkier, we would have gotten complaints about that. We drew on real-life, strong women and Olympic athletes. Misty Copeland was someone we talked about a lot. We also had on our set a woman who is six-foot-seven, who was our body double and reference. We’re not used to seeing women who are that tall and take up that much space, and we wanted She-Hulk to feel like she fit into the real world.

Ginger Gonzaga as Nikki with Tatiana Maslany's Jennifer in She-Hulk: Attorney at Law

 

The Hulk is a monster. He’s not on a human scale. However, She-Hulk had to exist on a human scale, and we talked a lot about strength versus aesthetics. It was never about making her this or making her that; it was about, how can she still go on dates at a restaurant, sit at a regular office chair, and live a very normal life despite being a superhero? And so, it’s damned if you do, damned if you don’t. I think it’s a window into how people feel the liberty to call women too fat, too skinny, too big, too tall, too short, and I hope they watch the show and all that goes out the window. Just enjoy the ride.

One can hope. We’ve talked a lot about the representation of women and women’s bodies and how She-Hulk breaks a lot of new ground. In your opinion, what’s the most exciting thing that the show and character are adding to the broader MCU?

My goodness, there are so many. There are so many themes that are really interesting and fascinating. I love the idea that this is a superhero coming-of-age story and that she starts completely resistant, because Jennifer is someone who doesn’t want ever to feel like things were handed to her or like she received something she didn’t deserve.

We talked a lot about the idea of imposter syndrome and how many women struggle with this idea that they don’t deserve the power they have or are not worthy of this power. Watching her come into her own and accept that this has happened to her and that it’s okay to take it to great heights and use her powers for good, that’s a journey I find fascinating. So many superheroes start raring to go while she is hesitant. That’s the kind of character development that I look forward to watching unfold.

She-Hulk: Attorney at Law is available to stream on Disney+ from August 18th, with episodes releasing weekly. 

Read our review here, and check out our interview with Tatiana Maslany’s co-star Ginger Gonzaga, who plays Jennifer/She-Hulk’s best friend and confidant, Nikki Ramos. 

Ginger Gonzaga | SHE-HULK: ATTORNEY AT LAW

Ginger Gonzaga as Nikki Ramos with Tatiana Maslany in She-Hulk: Attorney at Law

Ginger Gonzaga is Nikki Ramos in Disney+’s latest Marvel series, She-Hulk: Attorney at Law. The actress and comedian plays opposite Tatiana Maslany as Jennifer Walters/She-Hulk’s best friend, colleague, and bona fide sidekick, bringing much of the laughter and warmth to an already hilarious series.  STARBURST spoke with Gonzaga ahead of the She-Hulk series premiere, discussing female friendships, making the character her own, and her place in the future of the MCU.

STARBURST: What most interested you about the role of Nikki?

Ginger Gonzaga: Well, a couple of things: I love that she has a genuine friendship with, and love for, her friend. I want to show genuine, female, adult friendships on camera, friends that feel like family and have ups and downs. But I also love that she was so much of the comedic relief, and I feel like there’s been a lot of male characters who have been allowed that reckless, fun role. I wanted to do that. That’s what’s fun for me. I wanted to put my flavour on what comedic relief can be.

Ginger Gonzaga as Nikki with Tatiana Maslany's Jennifer in She-Hulk: Attorney at Law

 

Absolutely! And how did you feel about the fact that Nikki wasn’t based on a character from the comics? Was that perhaps a little disappointing, or did you find it freeing, being able to make her your own?

It ended up being an honour! When you audition for these Marvel shows, you don’t know what you’re auditioning for. You’re scouring the audition lines, like some paranoid person trying to get to the bottom of something or an insecure girlfriend deciphering her boyfriend’s texts [laughs]. So, I had these lines to read, but I also improvised a lot of my audition – and then because I did that, they kind of created Nikki for me. They wrote the role based on what I was doing, which was an honour. I remember hearing that – Kevin Feige told me when I met him for the first time, he was like, “so you’re Nikki! We made this for you”. And I just couldn’t believe that. I played her a little weirder and different, which was very special. I also get to infuse a lot of what I wanted her to be into the show. Marvel did give us a lot of freedom, so it was great.

It must have been great participating in the character’s creation, especially given your comedy background and Nikki’s role providing much of the comic relief.

Yeah! It was a character that Jessica Gao had written, but once I’d auditioned, they kept adjusting it to be more like that. And Jessica is so smart, and she gets people very quickly; she sees what they’re doing and knows how to write for them. It was so much fun.

You touched on it in the beginning, but it’s true that in the MCU, we rarely get to see female friendships – especially between a hero and a ‘civilian’ if you will. Can you tell me more about Nikki and Jennifer’s friendship?

[Laughs] Right, I know. What’s funny is that we started as civilian friends, and then it’s almost like all of a sudden, my friend became a celebrity, and I’m her plus one and getting all the benefits. It was really important to Tatiana and me to continue to show friends who really love each other and women who support each other, have flaws, make fun of one another, and have their own friendship love language. Nikki likes to make Jennifer laugh; my goal in every scene is to make Jennifer not so serious, for her to be free and a little more reckless. Then Jen is my friend who reminds me to, “yo, maybe obey some laws of the land!”. It’s a wonderful dynamic, and I always want to see really emotionally evolved women.

Ginger Gonzaga as Nikki Ramos in She-Hulk: Attorney at Law Marvel series

 

Nikki is funny and silly, but they’re both still respectful people who know how to have a conversation with each other and talk out their grievances. They’re friends to the point that they’re family – and work colleagues! I want to see women who work together! One minute it’s “let’s do this thing!” and the next, it’s “let’s joke about the weird attorney that we work with.” You know? Just silly stuff that friends would do. Their friendship is just supernatural, and I love it.

Speaking of silly stuff, we’ve seen what Tatiana has to wear on set when she’s She-Hulk. How did you go about filming those scenes and keeping a straight face?

We definitely would end up giggling a lot. Sometimes she’s in her – or what I call her – little motion capture jammies while I’m dressed all normal. And she has dots all over her face, and sometimes she wears a little green alien that’s hoisted above her head, and that’s who I have to talk to in those scenes. Other times she’d be on a riser. They’d build these long, tall risers so that she could walk through an entire scene, which meant that she had to follow the exact path or else fall off, but it meant I could actually look at her, and she’d be She-Hulk height.

We even did one with a moving treadmill, where Tatiana is walking on the treadmill, which someone is pushing. It works really well to show how small I am because I’m scurrying after her, trying to keep up. But it’s amazing, the second Tatiana becomes She-Hulk, her whole body changes, so it felt weirdly natural because I would feel like I was in the scene with She-Hulk. The MCU requires so much imagination, which is fun, but Tatiana made me believe that my friend was 6-foot-7. She’s just a really good actor.

And as the last question: should She-Hulk be renewed for a second season, where would you like to see Nikki’s character go?

Oh my god, I love when Nikki takes the initiative and gets into trouble and just mixes with every group possible. Nikki can be friends with anyone, whether they’re toxic or they’re good. And she can hang out with those toxic people in order to get secrets out of them! I would love for her to really take advantage of the fact that she likes to be in disguise sometimes, has dumb ideas, or she’s always doing things that are borderline illegal to get good intel. Jen would never want her to do it, but Nikki’s always willing. I love her will and her ability to blend with any group, human or superhuman. It’s really funny to me because she’s not afraid of anyone or anything. I’d love to see her buddying up with people to get information.

A spy arc for your character, then.

[Laughs] Yes, that’d be great!

She-Hulk: Attorney at Law is available to stream on Disney+ from August 18th, with episodes releasing weekly. Read our review here

Tom Crosbie: PERFORMING NERD

Tom Crosbie’s is better known to fans as the Performing  Nerd, and his new show, Nerd’s Eye View, is currently at the Edinburgh Fringe. We caught up with him to find out more.

What is Nerds Eye View? How would you describe it to someone who has never been to the Edinburgh Fringe?
I struggle to describe it myself! It’s a collection of useless skills, presented in a way that (I hope) is vaguely entertaining

Why Rubik’s Cubes?

Everyone, at some point, has tried to solve a Rubik’s Cube. Everyone inherently knows how difficult they are, while still probably having one sat in a drawer somewhere. There aren’t many things as universally recognised as the Rubik’s Cube

You say you’re not a magician, but what you do looks like magic to most of us. Which of your many feats of memory took you the longest to learn

Longest to learn and longest to perfect are two different questions. Memorising a deck of cards takes an afternoon to learn but the lifetime to master. Learning all of Trivial Pursuit has taken about two years, and it’s still an ongoing challenge.

What’s been your favourite moment so far with the Fringe?
Walking out on stage and seeing my A-level physics teacher sat in the front row

What’s your favourite prop from the show so far?

There is a stuffed elephant on stage on one of my shelves. I never make reference to it. It’s never discussed. It doesn’t even feature in the show. But it makes me really happy that the elephant in the room is there. His name is Herbert for those that are wondering.

What’s  the oddest Rubik’s thing you own?

I own a Rubik’s cube in the shape of Darth Maul’s head from Star Wars. It’s not especially difficult but it was the first puzzle in that genre I ever tried to solve. My original one has been lost time, but this replacement was a gift from a friend and it certainly means a lot.

What’s the biggest challenge facing theatre today?
Convincing audiences that it’s safe to go back. Some people are understandably still very hesitant. And I think it’s up to us to make sure that they feel as comfortable as they can.

What’s the nerdiest thing you’re into?

I once represented Spain at the International Pokémon card game championships. As nerdy as that is, I wear it as a badge of pride

If you could meet any fictional character, what would it be?

Artemis Fowl from the eponymous book series (NOT the Disney film adaptation…) teenage criminal mastermind. Make of that what you will.

Which performers inspire you?

In terms of structuring a show? Mike Birbiglia is a true masterclass. Demitri Martin the same. In terms of material? Robin Ince & Richard Ayoade really hit that nerdy button for me.

What tropes / gags do you personally avoid the most?

Hack lines. I throw one in – semi ironically – but I’ve worked with enough hack comedians that make a living off material that was out of date in the 80s.

Would You Pick:

Picard or Discovery?

Picard. Though I was never a huge Star Trek fan.

Dungeons and Dragons or Blades in the Dark?

Dungeons & Dragons all the way. It’s a classic for a reason.

Doctor Who or Doctor No?

Doctor Who all the way.

Borg or Cybermen?

Cybermen.

Stargate, Star Wars or Stars In Their Eyes?

Star Wars. I’m so glad they never made more than 4 films.

Truth or Beauty?

Truth. People will see the beauty in it if it’s there, and sometimes people need to hear it.

Tom Lenk – LOTTIE PLACHETT TOOK A HATCHET

Tom Lenk is best known to Starburst Readers for his role as Andrew Wells in Buffy The Vampire Slayer. He’s currently starring as Pansy in the hilarious queer comedy, Lottie Plachett Took a Hatchet.

How would you describe Lottie Plachett Took a Hatchet.

it’s kind of like a queer, a hilarious queer, um, parody of the Lizzy board. Murder case, but like if the Muppets were doing a production of the crucible as directed by John Waters,

What drew you to this project?

The author of the play, who’s also starring in it, Justin Elizabeth Sayer, drew me to this. I think that they had always been fascinated by the Lizzie Borden case. But the tone of the play is very much a modern take on comedy. It’s inspired by John Waters, Charles Bush, that sort of thing.

It’s very what’s the word I’m looking for? Rawkus. It’s very vulgar at points. The  tongue is very, very far up  and around the cheek. It. It’s looking at the outside of the cheek, it’s up on the inside.  love that I’m talking about this all very seriously.  When I keep forgetting, like it’s an insane over the top comedy. We’re having a great time and there’s a bit, there’s a reveal for my character that I won’t spoil but it does involve tiny hands.

It’s just stupid and funny show  but it also has this message that is quite timely. If you are paying attention to what has happened with the American, Supreme court ruling recently you know, so much has changed for women. Since the eight, eight late 18 hundreds.

Why a show inspired by Lizzie Borden?

It’s become popular mythology even though it is based on an actual thing. She was acquitted and she was not found guilty of the crime and they never solved the case. It is to this day, an unsolved mystery. So, um, yeah, it’s interesting. There’s been a few movies and TV shows made about this character.

So who do you play in Lottie Plachett Took a Hatchet?

Well, his full name is Panton, though everyone calls him Pansy, and he’s Lottie’s only friend. In the same way she’s being oppressed as a woman in the late 18 hundreds, he is being oppressed as a Homosexual. in the 18, the late 18 hundreds. They’re both these sort of powerless characters that are struggling to find their power.

The show is running until the end of the Edinburgh Fringe. Tickets are here. 

Is “The Gambler” Movie Based on a True Story?

gambler

gambler

In 2014, Paramount Pictures released The Gambler, a crime drama directed by Rupert Wyatt, based on a screenplay by Departed writer William Monahan. It tells, or more precisely, re-tells the story of a gambling-addicted literature professor who ends up owing vast sums of money to dangerous people, debts incurred through betting activities in a high-stakes underground gambling ring.

The movie, starring Mark Wahlberg, who also co-produced it, was not a hit at the box office and with critics. It grossed $39.3 million on a budget of $31 million and received mainly modest praise, with most critics applauding Wahlberg’s acting but condemning the film’s structure and pace. Moreover, this remake suffered from getting compared to the superior 1974 original, which featured one of James Caan’s best performances.

The 1974 film was the debut feature by writer James Toback, who earned an Oscar nomination for his work on the 1991 Warren Beatty biopic depicting the life of gangster Bugsy Siegel. Toback is also best known as the man behind another quintessential 1970s movie, Fingers, starring Harvey Keitel. According to him, The Gambler is a loose adaptation of Fyodor Dostoevsky’s 1866 novella by the same name, which reflects on Dostoevsky’s roulette compulsion. In Toback’s film, Axel, Caan’s character, prefers betting on poker, sports, and blackjack, a game you can play with live dealers online.

Hence, it is accurate to say that the 2014 Mark Wahlberg film is based somewhat on a true story. It derives elements from Dostoevsky’s gambling experiences. Plus, it is a semi-autobiographical account of what Toback went through before writing the 1974 feature as an English lecturer at the City College of New York while struggling with his wagering issues.

The Development of the 1974 and 2014 Films

Initially, James Toback started writing The Gambler as a novel. Nevertheless, halfway through the process, he decided to morph what he already had put to paper and continue the story in screenplay format. The script got finished in 1972, and Toback showed it to actress Lucy Saroyan, who used it as a tool to introduce Robert De Niro to Toback. De Niro liked the script and showed interest in playing Axel Freed, the story’s protagonist. Slowly, the screenplay made its way to Karel Reisz, the director of Saturday Night and Sunday Morning, who did not want De Niro in the lead, despite the then-trending actor lobbying hard for the part. Peter Boyle’s name also got thrown in the mix as a potential candidate, but Reisz insisted on casting James Caan as the title character. Caan ironically hated working with Reisz and proclaimed after filming that he would never set foot on a Reisz set again.

Reisz’s infatuation with Toback’s story stemmed from the fact that – “it did not make judgments. It only showed what this man (Axel) is like and how he feels.” In his opinion, Axel acted out his compulsions similar to how 18th Century Romantics did.

Reisz spent six months with Toback polishing the script, adding his touches, and making it equal part a character study and thriller. Therefore, his contributions to the narrative end product should not get underestimated.

In early 2011, Toback got a 3 AM call from director Brett Ratner, with who he was collaborating on a project, that news had broke that Paramount would remake The Gambler with Martin Scorsese directing and DiCaprio starring. Toback claims to have replied to Ratner in a state of shock – “Not my Gambler? That’s not possible!” Nevertheless, the realization quickly shows that Paramount owns the rights to it, and they can do with them as they please, without informing Toback about their intentions for the material.

Eventually, Scorsese dropped out and got replaced by Todd Phillips, who then also left the project. Rupert Wyatt and Mark Wahlberg stepped in in September 2013, and cameras began rolling in January 2014. The film hit theaters ten months later.

Is the 2014 Gambler Any Good?

First off, the Gambler is available for viewing on various streaming services. Anyone curious about checking out this flick can do so on Apple TV, Amazon Prime, Google Play, Vudu, YouTube, RedBox, and Direct TV. Since it is an older release, renting it should not cost more than $4.

Per most analysis, the main problem with the 2014 iteration of Toback’s story is that it lacks the grit and desperation of the 1974 movie. It also refuses to acknowledge Bennett’s (Wahlberg) gambling addiction. Instead, it attempts to justify his actions by tying them into the existential works Bennett teaches in his lit class. Unfortunately, this comes off as a poorly constructed fable-slash-parable. Nonetheless, Wahlberg fans may enjoy the 2014 Gambler, but it does not live up to the cinema standards set by the original.

This article was written in collaboration with online gambling experts.

The Best Gambling Movies of All Time

Best gambling movies in Hollywood

Drama is an essential part of any gambling endeavor, as randomness is the main culprit behind many of the thrills associated with chasing chance-based riches. Hence, the seventh art more than has its fair share of legitimate casino scenes in movies that raise audiences’ adrenaline levels, providing many of the same stimulations individuals enjoy on land-based gaming floors. Below, we will rattle off what many cinephiles believe are the ten best films featuring gambling while also answering:

  • Who is the biggest gambler of all time in films?
  • What is the most money ever lost gambling?
  • Who is the number one gambler in the world?
  • Who is the most successful gambler in cinema?
  • What is the best gambling movie on Netflix?
  • What is the best true story gambling movie?

1. Casino

Martin Scorsese’s Casino is likely the first movie that pops to most people’s minds when they think of gambling on film. Popular belief is that all the events shown in this crime flick did happen. While some did, many only got inspired by historical occurrences. For example, the Japanese high-roller K.K. Ichikawa got based on Tokyo real estate investor Akio Kashiwagi, renowned as one of the most prolific US casino gamblers. He got murdered in 1992, leaving more than $9 million in debts at Nevada/New Jersey gaming establishments. There is no evidence that Casino’s Ichikawa plane story occurred.

2. Rounders

Directed by the underrated John Dahl, Rounders is a glimpse into the underground world of high-stakes poker. It follows gifted card maven Mike McDermott (Matt Damon), who dreams big about winning the WSOP. Many think that this film dramatically aided in creating the 2000s poker boom, as evident by the fact that players like Hevand Khan and Brian Rast credit it for getting them into the game.

3. The Hustler

No movie duel is more tension-heavy than the one between Fast Eddie Felson and Minnesota Fats, iconic characters played by Paul Newman and Jackie Gleason. It may not be the preferred gambling game for most, as its one that requires tremendous skill. Still, The Hustler is a film everyone can enjoy, showing it in all its glory via a marathon game between pool sharks Fats and Felson.

4. The Gambler

Based on the experiences of its writer, James Toback, Karel Reisz’s 1974 The Gambler, starring James Cann, shows a glimpse into the mindset of a person suffering from a gambling disorder who cannot stop betting, hooked on the exhilaration that this pastime delivers.

5. Uncut Gems

The Safdie brothers’ sixth feature, Uncut Gems, is another tale of a problem gambler who cannot stop wagering on sporting events, despite a long streak of bad luck. Several critics have noted that this film likely features Adam Sandler’s career-best performance, with the National Board of Review listing it as one of the top ten movies of 2019. It is available on Netflix.

6. California Split

Robert Altman’s comedy about the adventures of Bill Denny and Charlie Waters, played by George Segal and Elliott Gould, is a film that has aged like fine wine. Vulture.com called it the greatest gambling movie ever made, and it supplies dozens of memorable moments, from Bill and Charlie’s gambling escapades in card rooms, seedy bars, and various sports venues.

7. Croupier

If someone wants a detailed view of the inner workings of a low-end casino, there is no better choice than Mike Hodges’ 1998 cult neo-noir Croupier, starring Clive Owen. It is one of the best blackjack movies, even though it does not explicitly focus on the game.

8. The Cincinnati Kid

The Cincinnati Kid was likely the top poker film before Rounders got released. Its protagonist, Eric “The Kid” Stoner, played by the legendary Steve McQueen, is undoubtedly one of the best and most famous gamblers in movies. The film’s plot revolves around The Kid trying to prove his card savvy against a long-time master, Lancey “The Man” Howard.

9. Molly’s Game

Here is a film based on a true story that depicts events that happened accurately. It tells the tale of Molly Bloom, an ex-skier that ran a high-stakes poker game in California for mafia members and prominent movie stars, her arrest by the FBI, and her subsequent trial.

10. Let It Ride

There aren’t many on-screen tales about horse racing. So, we can safely say that Let It Ride, starring Richard Dreyfuss as a nosy cab driver who stumbles upon a hot tip on a horse race, is the best. It is a comedy classic based on the 1979 novel Good Vibes.

Final Thought

We listed what many think are the top ten gambling movies, but here are some other quality picks to consider. These are 21, Mississippi Grind, Owning Mahowny, and The Runner.