Netent and the History Behind Starburst Slot Machine Game

starburst slots

NetEntertainment, also known as NetEnt, is the largest gaming developer in Scandinavia. The company has been around for almost two decades and has published more than 600 titles in that time. While they have experience developing top quality slots games, they have recently released a new game called Starburst which is one of the most popular slots games on the market.  Well, 2012 is “just the other year” to most of us even though kids born in that year will be turning seven this year. It’s easy to see why when you take a look at the game. This is an exciting and fast paced game that is fun to play and will appeal to a wide range of players. The major reason for its popularity is that it has very eye-catching graphics, but there are also other reasons… Let’s look at what made Starburst a winner.

1.  There’s a candy (Starburst candy) by the same name

No one can resist this old-time favorite—it was first introduced in 1964, but has remained a universally loved treat ever since. The chewy candies, which come in six original and five fruit flavors, are available at most retailers and can also be ordered on Amazon. A single serving of Starburst contains a whopping 31 grams of sugar, so keep that in mind! But the bright colors and wonderful taste will make you forget about anything else.

 

2. There’s another slot with a cunningly similar name

It’s a storytelling slot that has fairies in an enchanted forest. Stardust Slot features a magical experience with fairies, gnomes and elves. The game’s design is one of the most colourful out there thanks to its whimsical graphics. It’s refreshing to see a game that doesn’t take itself too seriously and embraces the childlike joy of imagination. The fairies are the main characters of this slot. They live in a forest and you can see them dancing, singing and playing with magical butterflies. You can also hear the songbirds singing in the background.

 

3. Norwegians have their own version of Starburst

And no; it’s not just a variation of this online slot.

In Norway they have an additional meaning of the word, as the Norwegian Starburst is also a knitting technique.  This is a fun, easy pattern with an eye-catching result that consists of just two rows of knitting and can be completed in just one hour! What’s more, it’s amazingly versatile. It’s a pattern that has been around for years in various guises. You may have seen it as the Cloud Lace Scarf pattern by Maggie Righetti in the book ‘Dazzling Doilies’, or as the Starburst Shawl by Clara Parkes in her book ‘Knitting Nature’. That might be a reason why playing the Starburst slot game or “spilleautomater spill” how it is called by Norwegians became so popular in the country.

 

4. Almost all casinos give free spins at this slot

Imagine you’re sitting at home, and all of a sudden there’s free money on your screen. No strings attached. That’s what online casinos give their players, in the form of free spins and bonuses that are given away with every deposit. All decent casinos let you play Starburst for free; because they’re sure you’ll love it.

 

5. The online version of Starburst has better payouts than that at online casinos

Online slot games are great for a number of reasons. The first of which is that they are available 24 hours a day, 7 days a week. This means that you can play them whenever you want, whichever way suits your lifestyle. They also don’t require any download or registration (although this is often necessary for the casino itself) and many offer free play to allow you to try before you make a deposit.

However, there are lots of other good reasons for playing online slot games. For example, the payouts are much better than in a land-based venue, play is faster (as there is no need to wait for the reels to stop spinning) and you don’t need to dress up.

The Legends of Folklore That Have Inspired the Best Movies

Myths, legends, and fantasies have always made for good movies. They transport you to a different world. A magical kingdom that immerses you in the world of make-belief. When it comes to folklore, there have been many fantastic movies down the years, from comedies to cartoons and action to adventure. But what are the best movies inspired by folklore? With so many to choose from, we’ve narrowed down our favourite legends and explored the movies based upon them…

Robin Hood

He stole from the rich and gave to the poor. A working-class hero that’s long been a favourite of people worldwide. The story of Robin Hood dates back to the 13th century and such is the power of the outlaw, he’s still as popular today. You’ll find all manner of things paying homage to him, from games to comics, and even a bingo site is named after the hero. Yes, https://www.robinhoodbingo.com/ has become one of the most popular bingo sites in the UK thanks to its charming mascot. This example looks at the nicer side of Robin, in much the same way Robin Hood Men in Tights and the animated movie does. Even Shrek features the legend.

The best Robin Hood movie is perhaps Kevin Costner’s version though. Prince of Thieves was released in 1991 and has since become a modern classic. Starring Costner alongside Morgan Freeman, Christian Slater, and Alan Rickman, it follows the full tale of Robin Hood and even features a cameo appearance from Sean Connery, who has himself played Robin Hood in Robin and Marian.

Loch Ness Monster

Nessie has long been a favourite with tourists, and in particular US tourists, so it’s no surprise that the Loch Ness Monster has been given the Hollywood treatment a number of times. The Water Horse: Legend of the Deep is perhaps the most critically acclaimed of these movies, with this inspired by rather than a carbon copy of the monster. The movie has a 74% rating on Rotten Tomatoes and stars Emily Watson and David Morrissey.

Other films about Nessie include Scooby-Doo! and the Lock Ness Monster, where the gang look to seek out the monster that’s been terrorising Blake Castle, while Incident at Loch Ness is a mockumentary that earned rave reviews and even picked up the New American Cinema Award at the 2004 Seattle International Film Festival.

King Arthur

You could spend all day watching movies about the legend of King Arthur, and many famous Hollywood stars have played the English king down the years. Charlie Hunnam most recently portrayed him in the Guy Ritchie effort, while Clive Owen, Sean Connery, and Richard Harris have also played the legend. All genres have covered the legend of King Arthur, with action and adventure movies the most frequent, while the likes of Monty Python and the Holy Grail have pretty much nailed it when it comes to comedy. 1967’s Camelot is often considered the very best, based upon the Broadway musical of the 1950s. Released in 1967, it’s a sweeping romance that includes a love triangle with Guinevere and Lancelot, and features all the most popular characters from the story of the Knights of the Round Table.

Five Films to Check Out on Horror Channel This Week – 010221

horror 010221

To save you getting lockdown blues, we’re going to be giving you our picks of what to watch on Horror Channel each week. Here are some of our favourites this week:

Tuesday February 2nd, 9pm – Night of the Living Dead (1990)

Special makeup effects legend Tom Savini takes the director’s chair for this remake of George A. Romero’s seminal zombie film. Savini brings the gore and puts horror legend Tony Todd front and centre. It’s a fresh approach to the original that respects and updates the story.

Wednesday February 3rd, 10.55pm – I Spit on Your Grave (2010)

Another remake, this time of the rape/revenge exploitation classic. This version was just as controversial and was banned in New Zealand. It’s disturbing viewing but very well made.

Thursday February 4th, 10.50pm – The Burning (1981)

Speaking of being banned, this classic was on the DPP Video Nasty list in the dark old days of VHS. It’s a superior summer camp slasher that features the first screen appearances from Holly Hunter, Fisher Stevens and Jason Alexander. The soundtrack by Rick Wakeman is brilliant, too.

Saturday February 6th, 9pm – Eat Locals (2017)

Here’s a fun, low budget British vampire film directed by Lock Stock’s Jason Flemying. It stars familiar faces such as Charlie Cox, Freema Agyeman, Dexter Fletcher, Mackenzie Crook, Eve Myles, as well as horror stalwarts [you what? – Ed] Ruth Jones and Annette Crosbie, who give it their all and don’t take the subject matter too seriously.

Sunday February 7th, 9pm – Matriarch (2019)
When a couple crash their car in the remote Scottish countryside, they are taken in by a local farmer. The couple then realise that the farmer’s daughter looks remarkably like a young girl who went missing a few years earlier. Be warned, this one’s as dark as they come!

Tune into Horror Channel on Sky 317, Virgin 149, Freeview 68, Freesat 138.

Combined Ratings Reveal Top 21 Gambling Movies

James Bond Poker

A relatively undiscovered ‘standalone’ movie genre is perhaps one that you might not have even realised. For decades, movies have been a great way to while away a few hours and unwind and there hundreds, if not thousands to choose from.

This genre is particularly niche; gambling. Around the world, there are millions of gambling fans, though it could well be the case that many might not know that they can also choose from a number of gambling-themed movies.

Movies with a gambling theme though, have existed for decades and many are just as popular today as they have ever been, with some making for a highly gripping watch.

In a recent study by NewCasinoSites which took data from official sources and combined this to get an overall percentage, you can now see how each one ranks. Let’s take a look at some of the most interesting findings!

Top four separated by narrow margins

The gulf between the top four from the findings of the study was almost too close to call. Ranked in first place though, with 87 percent was James Bond blockbuster Casino Royale with the main event of this movie being an intense poker game, featuring 007 facing off against the movie’s villain; an accountant with a head for figures with much more at stake than the £100 million plus prize fund.

Just missing out on top spot was Mr Lucky with 86 percent – a considerably good achievement, based on the fact that it was released 1943 which really demonstrates how well it was written, as well as the plot and casting, with Cary Grant as the lead.

With 85.50 percent and in third place, came Rounders; released in 1998 and starring Matt Damon and Edward Norton. This was particularly popular due to the intense nature of the movie which centred on two characters, one being an ex-gambler, now law student returning to playing poker to help out his friend who owed a substantial amount of money to a loan shark.

Rounding off the top four was Croupier with 84.50 percent and like Rounders, this was also released in 1998 and starred Clive Owen. The plot is based on a struggling writer who takes a job as a croupier and is approached by a gambler who wants his help planning a heist on a casino.

Notable Inclusions

Others of note in the study was Ocean’s 11, again starring Damon, which finished in eight with 80 percent. It featured main character Danny Ocean putting together a team of 11 people to plan robberies on Las Vegas casinos.

The Hangover, which ws released in 2009 came in a creditable 13th place, however it could be argued that this was more of a comedy. With Bradley Cooper playing the lead and set mostly in Las Vegas, it is fair to say that this had a gambling element, though it perhaps was not as intense as other movies in the study.

Finishing last by 11.5 percentage points was the movie ‘21’ which starred Kevin Spacey about a group of mathematics students and professors from Stanford University who set out to cheat Las Vegas casinos, using their card counting skills. Despite being based on true events, this failed to impress.

Link to study: https://www.newcasinosites.me.uk/top-21-gambling-movies/

[ENDED] WIN the Classic Terence Stamp Film LINK on Blu-ray

win link

Cult classic LINK starring Terence Stamp and Elisabeth Shue is heading to Blu-ray, DVD, and Digital on February 1st, 2021 and we’ve teamed up with Studiocanal to giveaway two copies of the Blu-ray to a pair of lucky readers. You can pre-order LINK here.

STUDIOCANAL is proud to announce the release of a newly restored version of the anthropological horror gem, LINK. Starring the inimitable Terence Stamp (Song For Marion, Superman) and 80s stalwart Elisabeth Shue (The Karate Kid,The Boys’), this oft underappreciated tale incorporating director Richard Franklin’s (Psycho II, Road Games) trademark Hitchcockian style has gone on to achieve cult status since its release in 1986.

Underpinned by a chilling score form the legendary Jerry Goldsmith (LA Confidential, Star Trek: The Motion Picture), this brand new 4k restoration will be available to own on Blu-Ray for the first time in the UK, as well as on DVD and Digital, from February 1st complete with brand new bonus content.

Jane (Elisabeth Shue), an American zoology student, takes a summer job at the lonely English cliff-top home of one of her lecturers, the single-minded anthropologist, Dr. Steven Phillip (Terence Stamp). Dr. Phillip, whose work explores the link between man and ape, suddenly vanishes, leaving Jane to care for his three chimps alone. Voodoo is a savage female, Imp is affectionate and child-like whilst Link is a circus ape trained as the perfect servant and companion.

A disturbing role reversal rapidly begins to take place between master and servant and Jane rapidly finds herself a prisoner in a simian house of horror. In her attempts to escape she finds herself up against an adversary several times her physical strength with the instincts of a bloodthirsty killer.

Inspired by scientific research on violence amongst chimpanzees, the film wasn’t originally intended to be a fantasy but, instead, to reflect the reality of what chimps could be capable of whilst challenging the ’60s anthropological theory that man was the only species capable of making war with itself. LINK is also notable for being one of a very small number of films to be made with animals not to have received a single complaint of cruelty due, exclusively, to the work of legendary animal trainer Ray Berwick.

DVD / Blu-Ray Extras

  • New: Audio Commentary by Film Historian Lee Gambin and Film Critic Jarret Gahan
  • New: Interview with film programmer and horror expert Anna Bogutskaya
  • Deleted workprint scenes
  • Audio interview with director Richard Franklin
  • Jerry Goldsmith demo of the LINK theme
  • Original UK Theatrical teaser trailer

To be in with a chance of winning, just enter below!

a Rafflecopter giveaway

You can pre-order LINK here.

Terms & Conditions:
STARBURST does not accept any responsibility for late or lost entries due to the Internet or email problems. Proof of sending is not proof of receipt. Entrants must supply full details as required on the competition page, and comply with all rules to be eligible for the prizes. No responsibility is accepted for ineligible entries or entries made fraudulently. Unless otherwise stated, the Competition is not open to employees of: (a) the Company; and (b) any third party appointed by the Company to organise and/or manage the Competition; and (c) the Competition sponsor(s). This competition is a game promoted STARBURST. STARBURST’s decision is final in every situation and no correspondence will be entered into. STARBURST reserves the right to cancel the competition at any stage, if deemed necessary in its opinion, and if circumstances arise outside of its control. Entrants must be UK residents and 18 or over. Entrants will be deemed to have accepted these rules and to agree to be bound by them when entering this competition. The winners will be drawn at random from all the correct entries, and only they will be contacted personally. Prize must be taken as stated and cannot be deferred. There will be no cash alternatives. STARBURST routinely adds the email addresses of competition entrants to the regular newsletter, in order to keep entrants informed of upcoming competition opportunities. Details of how to unsubscribe are contained within each newsletter. All information held by STARBURST will not be disclosed to any third parties

NO LAUGHING MATTER: 36 ESSENTIAL CLOWNS

“What’s the matter, don’t you like clowns? Don’t we
make you laugh? AREN’T WE FUCKING FUNNY?”

– Captain Spaulding, THE DEVIL’S REJECTS

To the millions of coulrophobia* sufferers around the world, the answer to that question is a resounding “NO!” on all three counts, so at the risk of further alienating half of our readership, it’s time to take a trip to the Big Top to meet the best of the best! Read on for STARBURST’s guide to our favourite face-painted pranksters, from the benevolent children’s entertainers of our youth to the murderous stars of many a slasher film, and worse. Are you down to clown?

CAPTAIN SPAULDING

The creation of musician turned filmmaker Rob Zombie, this foul-mouthed clown was first introduced in House of 1000 Corpses as the patriarch of the infamous Firefly family and was named after a character in the 1930s Marx Brothers movie Animal Crackers. He owns and runs a gas station/museum/haunted house ride that focuses on serial killers, sideshow freaks, and the local legend of Dr Satan. When a group of teens arrive at the gas station and go on the ride, Captain Spaulding gives them directions to where Dr Satan was reportedly hung, but unbeknownst to them, they end up heading straight into the Firefly residence, which houses a family of serial killers and maniacs. Two of the Firefly family joined Captain Spaulding in the 2003 sequel The Devil’s Rejects, and all three are set to make a return later this year in 3 From Hell. As Captain Spaulding himself would say, “Howdy folk! You like blood? Violence? Freaks of nature? Well then come on down to Captain Spaulding’s Museum of Monsters and Madmen. See the Alligator Boy, ride my famous murder ride. Most of all, don’t forget to take home some of my tasty fried chicken. It just tastes so darn good!” | SP

BUBBLES

There is a generation of people who, after waking up on the sofa in the wee small hours, will forever be haunted by the transmission tone of Bubbles the Clown, the sidekick who accompanied little girl Carole Hersee on the Test Card used by the BBC during broadcast shutdowns. Originally included to test the use of secondary colours when they were first introduced in 1967, up until BBC1 went 24 hours in 1997, Bubbles’ frozen grin creeped out unexpecting viewers during the dead of night for thirty years. Bubbles briefly reappeared with the Test Girl during the BBC’s time travel cop show Life on Mars to haunt John Simm’s detective Sam Tyler, losing absolutely NONE of his creepiness! | NB

BOBBLES

Bobbles is introduced in the 2014 Alan Moore scripted-anthology Show Pieces in a sequence where he describes his broken-down marriage. Yet this tragic story is somehow amusing, a brilliant example of black comedy that only someone dressed like a clown could pull off. He takes great joy in his sick jokes and taunts, grinning with yellowed teeth and dreaming up sexual encounters with his latest prisoner, Jimmy (Darrel D’Silva). Played with menace but often for laughs by a fantastic Andrew Buckley, Bobbles emerges as Show Pieces’ highlight; the demented and strangely funny centrepiece of Alan Moore’s first purpose-written film project. He looks, acts and sounds exactly the way a dungeon clown should, skulking around the low places of Nightampton with nothing more than clownish decadence on his mind. | JH

SHAKES

The titular Shakes from Bobcat Goldthwait’s movie Shakes The Clown is less a figure of terror and more one of pity. The movie (which has been described as ‘the Citizen Kane of alcoholic clown movies’) is mostly a thinly veiled snark at the American stand-up comedy scene. Shakes also gets framed for murder and, of course, no one is surprised by the idea of a killer clown! | EF

DOINK

Weirdly the brainchild of Road Warrior Hawk, Doink the Clown debuted in the World Wrestling Federation in late 1992; a somewhat sinister clown, Doink would play pranks on his opponents and the announcers, to the delight of the audiences both live and at home, but to the dismay of his victims. After establishing his position, Doink – initially played by regional veteran grappler Matt Borne – turned babyface, attacking Jerry ‘The King’ Lawler and acquiring a midget sidekick, Dink. Around this time, Borne was fired for repeated drug abuse, and the gimmick passed to Ray Apollo, who didn’t quite have the skills, and Doink faded away by mid-1995. He has made sporadic returns since, and is prime material for cheap imitations on two-bit outlaw shows, including one very specific version, Alabama Doink, who sadly passed away earlier this year. | AB

CHIEF CLOWN

Doctor Who was on its knees towards the end of the 1980s, unloved by the BBC and unwatched by the British public, but it was still capable of moments of inspiration even in its dying days. In the 1988 serial The Greatest Show in the Galaxy, Ian Reddington delivered a memorable turn as the eerie, expressive Chief Clown, given to cruising the duney surface of the planet Segonax in a hearse with his robot henchmen in search of victims for the surreal Psychic Circus. Almost makes the catastrophic Seventh Doctor era worth a revisit. Almost. | PM

STITCHES

If there’s one thing worse than an incompetent bumbling clown, it’s an incompetent, bumbling clown who’s come back from the dead to wreak a hideous vengeance on a bunch of kids who wronged him in life and whose cruelty led to his premature expiration. This is Stitches, Conor McMahon’s 2012 comedy horror film, which saw Ross Noble’s undead clown resurrected and running riot at a sixteenth birthday party. Heads explode, brains are removed, heads are skewered by umbrellas. Maybe not recommended for those troubled by balloon animals and terrified by cars whose doors fall off. | PM

JOHN WAYNE GACY

Serial killers are prime material for popular culture but rarely do they package themselves so finely before they reach the silver screen or written page as scumbag rapist and murderer John Wayne Gacy. Gacy had a gimmick; he was a clown. Now there’s no proof that Gacy ever killed while dressed as the clown – he became Pogo (or Patches) for charitable fundraiser purposes, and even met the first lady in 1978 – but this hasn’t stopped the rumour seeping into pop culture. Gacy raped and killed at least 33 young men in the garage of his suburban home, burying them under the basement. He painted gaudy paintings of clowns, self-portraits really, and these sinister images have cemented the evil clown trope that has been used by many of the other entries in these pages… | AB

YOUNG MICHAEL MYERS

October 31st, 1963: the quiet town of Haddonfield, Illinois was shaken to its core as young teenaged Judith Myers was butchered to death in her own home on Halloween. The murderer was apprehended that same night, kitchen knife still in hand, dripping with the victim’s blood. Michael Myers was an innocent, ordinary six-year-old until that night when he dressed as a clown to go trick or treating – but something triggered him to mercilessly hack and slash his older sister to death. His blank expression made him unreadable, and he maintained his silence for years, patiently biding his time until something unknown summoned him to return to Haddonfield fifteen years later. Haddonfield now has its own bogeyman and the locals live in fear, knowing on All Hallows Eve he could come back again, his expression still as blank under his mask as it was back in 1963… | RP

CHUCKO THE BIRTHDAY CLOWN

Created by Charles M. Runyon, Chucko was a prominent local TV figure during the late ‘50s and early ‘60s in Los Angeles, California. His finely painted face that his wife did the makeup for, his happy-go-lucky laugh, and his spinning merry-go-round hat made him stand out. Kids waited years to appear on his show. Not only did Chucko make kids laugh, but he also promoted Chocks vitamins for good health! Krusty the Clown from The Simpsons was rumoured to be modelled after him. | WSB

ART THE CLOWN

Damien Leone’s Terrifier movies are gloriously uncomplicated in their premise, highlighting as they do the sadistic rampages of a murder clown called Art. This pale-faced horror doesn’t even try to look like a jolly balloon-twisting entertainer of children, with his bloody teeth and mad gleam. He’d much rather slowly whip you to death or stab you repeatedly with something sharp and pointy. With future Terrifier movies planned, except to see a lot of this monochrome horror for some time to come. | EF

ERIC

While Eric, the developmentally disabled and physically deformed son of Thea Pi house mother, Mrs Slater, is only seen in the waning moments of Mark Rosman’s 1983 slasher, The House on Sorority Row, it’s certainly an effective appearance. When Eric initially appears to take revenge on the sorority sisters he saw accidentally murder his mother, he’s only seen in shadows or dimly-lit profile, if at all. For most of the movie, he’s the bog-standard hack-and-slash shape, but when Katey (Katherine McNeil) ventures into his attic room, Eric appears full-dressed as his Jack in the Box clown, and it’s fairly terrifying. Obviously, Katey gets the drop on him and he’s out, but the ending leaves things open for a potential sequel that never happened. The movie was remade in 2009 as Sorority Row, but no creepy clown time took place in that film. | NS

KRUSTY

Krusty the Clown was originally conceived by Matt Groening as an alter-ego for Homer Simpson – the big twist reveal being that the father to whom Bart never showed any respect was also, unbeknownst to him, his biggest hero. That’s why Krusty and Homer’s visual designs are so similar and also, presumably, why they’re both voiced by Dan Castellaneta. Of course, this (along with many of Groening’s other bizarre original plans for the show) was quickly discarded as soon as Krusty’s personality began to take shape. Beyond the logistical problems it would cause, it probably wouldn’t sit well with viewers if Homer was quite that self-obsessed and self-destructive. Thankfully, Krusty was given the space to grow into a fully-fledged, three-dimensional member of Springfield and remains one of the most consistently interesting and funny parts of the show to this day. | SH

JANGLES

Lurking in Riley’s subconscious, Inside Out’s Jangles is like a child-friendly(?) version of Pennywise but without the carnivorous streak. Voiced with disconcerting pantomime by the film’s writer Josh Cooley, Jangles is a caricature of the nightmare clown. Radioactive green eyes, fat, giant and with freakish make-up, it’s no wonder he did enough to lodge himself in a small child’s nightmares. He is disturbing enough to shake anyone from a deep slumber! Yet you can’t help but feel for ol’ Jangles, who, as the credits sequence reveals, went through six intense years of drama school and really deserves better. Maybe it serves him right for being creepy. Anyway, who’s the birthday girl?! | JH

MR JELLY

In the wonderfully warped filmography of Reece Shearsmith and Steve Pemberton, the short-lived (it only had two series and a Halloween special) Psychoville gets sadly overlooked. The genius minds behind Inside No. 9 and The League of Gentlemen were on great form in this show, as a fantastic cast went all-in with some deranged characters – one of the very best being Shearsmith himself as Mr Jelly. Always being infuriatingly mistaken for his children’s entertainer rival Mr Jolly, Jelly has a dark past that lost him his hand and led to his act falling on hard times, and Shearsmith is an absolute joy in the part. Whether showing kids his “red raw stump”, insulting bewildered parents, or breaking up a Punch and Judy show with his fists, Jelly is a bonkers, angry, and hilarious creation, made even funnier by his eventual unlikely pairing with Vilma Hollingbery’s care home resident Claudia Wren. | JB

#6

In the late ‘90s, Slipknot exploded onto the metal scene armed with a slasher film aesthetic, a blistering debut album and a chaotic, violent live show. The media was rife with stories of backstage fighting, vomit-filled masks and carcass huffing – Hanson they were not. While their horror façade was worshipped by some and eschewed by others, there was one member that immediately stuck out – the Clown. ‘Clown’ (aka #6 or Shawn Crahan) was not only the band’s ‘unstable’ baseball bat-wielding percussionist and backing vocalist, but their unofficial spokesperson. While the music may not be to everyone’s taste, there is no doubting #6’s creepy persona or intensity on stage. For many of a certain age, he is THE quintessential clown of the last 20 years. | JB

BOZO THE CLOWN

One of the most popular clowns in history, countless performers played Bozo the Clown over the years. The character was created in the late 1940s by Alan W. Livingston and was first portrayed by vaudeville actor Pinto Colvig. At one time, there were over a hundred variations of the show, such as Bozo’s Circus and The Bozo Super Sunday Show. Performer Larry Harmon eventually bought the rights to the character and took the clown global. The show consisted of kids playing games in order to win prizes, circus performances, comedy sketches, and local entertainment. There was even an animated cartoon series. | WSB

RONALD MCDONALD

How have The Banana Splits got a horror movie before Ronald McDonald?! A legendary name in the fast food industry, Ronald became a mascot for the corporate giant way back in 1963, first portrayed on a series of TV spots by radio personality Willard Scott. But it was in 1966 that Michael ‘Coco the Clown’ Polakovs’ Donald first donned the now-classic yellow costume. Since then he’s appeared on numerous ads and been portrayed by hundreds of exhausted and pissed-off workers in Maccie D (that’s what the cool kids call it, we’re reliably informed) joints the world over. Known as Uncle McDonald in China and Donald McDonald in Japan, Ronald even has his own lore as coming from McDonaldland, accompanied on high-calorie escapades by Mayor McCheese, the Hamburglar, Grimace, Birdie the Early Bird, and The Fry Kids (that last one sounds like a threat). Through games, books, and even a Golden Raspberry award for appearing in the universally despised Mac and Me, Ronald has courted controversy. While some see the clown prince of fries as a figure of happiness and charity, others say he encourages childhood obesity and has a predatory look. Despite calls for his retirement by some, Ronald endures and da-da-da-da-da, he’s lovin’ it! | JB

GHOST CLOWN

Appearing in Scooby-Doo, Where Are You!, Ghost Clown is one of the most iconic villains that Mystery Inc. came across in the original series. In the episode Bedlam in the Big Top, Harry the Hypnotist is seeking revenge against the circus who caught him stealing and sent him to prison. He then took the persona of the Ghost Clown. Unfortunately for Harry, he is tricked into hypnotising himself by Scooby and Shaggy and is apprehended. A little known fact about Ghost Clown is that he was the first Scooby-Doo villain who actually attempted to kill one of Mystery Inc. “He would have gotten away with too if it wasn’t for those meddling kids!” | SP

TWISTY

American Horror Story’s version of a horror clown. Most clowns smile in some way, but Twisty can’t as he blew off his own jaw in an attempted suicide, so now he wears a terrifying ‘grinning’ prosthetic. He roams the Earth in his filthy clown costume, looking for mean parents to punish in order to free children from their oppressors. Only an idiot would hire him for a kids’ party, and you’re likely to get brained with one of his special juggling clubs if you try. | EF

DAVID BOWIE

Following his death in 2016, David Bowie’s back catalogue was critically re-evaluated, not just audibly but visually as well. Amidst the style that pushed social boundaries throughout the 1970s and 1980s, there was also a streak of his work which was able to creep the shit out of us! Case in point, the music video to Ashes to Ashes (1980), which features Bowie as a Pierrot clown. The expressionless stare of Bowie’s clown added an unnerving tone to an already haunting song. The Pierrot clown also featured as a character in the 2008 series of the same name, stalking Keeley Hawes throughout the entire first series as an Angel of Death. If you didn’t fear clowns before, this one may become a matter of life and death! | NB

THE NORTHAMPTON CLOWN

Despite token famous denizen Alan Moore’s belief that Northampton is at the centre of everything, the town hasn’t been in the news for too much in the past couple of centuries, since one of the borough’s MPs became the only Prime Minister ever to be assassinated. That all changed, for a moment at least, in the summer of 2013, when people began reporting sightings of a sinister clown in the town’s Phippsville area. The clown didn’t do much; he just stood, watching, sometimes holding a balloon, like Pennywise in Stephen King’s IT. The clown faded back into obscurity after a few weeks, with an aspiring student filmmaker claiming responsibility, but we may never truly know just who – or what – stalked the streets of Northampton that summer. | AB

INSANE CLOWN POSSE

Imagine a 10k-strong army of clowns at your command; shudder at the kind of chaos one could conjure in a world crippled by coulrophobia. Well, this is the kind of power musicians Violent J and Shaggy 2 Dope currently wield, having spent 30 years amassing a formidable fanbase (or Juggalos, as they’re better known) who hang on every word of their horrorcore stylings. Pray the Insane Clown Posse never get tired of music and move into supervillainy instead. It’d be no laughing matter. | KH

OBNOXIO

Legendary comic book writer Larry Hama is responsible for a lot of cool things, such as giving GI Joe/Action Force a cool back-story and inventing Bucky O’Hare. One of his less well-known ideas was Obnoxio the Clown, the slovenly and disgusting mascot of Marvel’s own satirical magazine, Crazy. Save for a few dated one-off gags and a random team-up with the X-Men, Obnoxio has pretty much vanished into obscurity. But you never know, with Disney producing so many Marvel-inspired shows and movies, it may only be a matter of time before they cast someone like Jack Black or Danny Devito in the inevitable MCU movie! | EF

THE ZOMBIE CLOWN

Some people are scared of zombies, some of clowns – so when one of Zombieland’s special infected was a combination of both, it’s no wonder our protagonists were terrified of it! From its face covered in paint and blood to a trademark squeaky nose, this clown is not to be messed with! | JP

CHEEZO, BIPPO, AND DIPPO

Cheeze, Bippo, and Dippo are probably three very nice gentlemen and have brought joy and laughter to a whole generation of children in their travels with a circus. However, those fine gentlemen aren’t our concern. In fact, we never even see them in action during the 1989 film Clownhouse… Instead, on their travels, a local mental institution decides to allow some of the inmates to attend the circus as part of their therapy. Somehow, three of their most dangerous inmates break free of the rest, corner and kill the three defenceless clowns, and take their make-up and clothing. Three young brothers are alone in their isolated farmhouse home; the youngest suffers an acute case of coulrophobia, and has already had the life scared out of him at the circus at the hands of his bullying intolerant brothers. His night of trauma is just beginning, as the new Cheezo, Bippo, and Dippo besiege the house, cutting off the power and phone, silently stalking their prey in their obsession to satisfy their homicidally maniacal urges! | RP

LUCAS’ CLOWN DOLL

Joe Dante’s The Hole 3D is a movie that deserves a much larger audience and proof that a horror movie aimed at a wider family audience can most definitely work. The film’s simple premise of two brothers finding a chained-up hatch in their new home’s basement, which contains truly devastating horrors that use their own fears against them, soon opens up into a chilling, funny throwback to Dante’s earlier work and classic ‘80s genre output. Among the really quite certificate-pushingly strong sequences this movie conjures, the one aspect that stands out above all else is that bloody clown doll. Long before that imposter Annabelle became cinema’s go-to deadly doll, this clown came to town. Technically a jester but far more dementedly clown-like in appearance, this doll terrorises Nathan Gamble’s 10-year-old Lucas relentlessly in the film and preys on his coulrophobia, even going as far as to attack him in a pool and try to drown the poor little bugger! | JB

ODDBOD

Nowadays he’s grieving Graham in the most recent (and next) series of Doctor Who, but cheeky chappie Bradley Walsh has previous form in the show’s expanded TV universe. In Day of the Clown, the second two-part story of the second series of popular children’s spin-off The Sarah Jane Adventures, Bradders turned up as Oddbod, borrowing liberally from IT as a sinister, red-balloon-brandishing clown, one of the manifestations of the deadly and legendary Pied Piper who, in fact, is an alien who feeds on fear. Sarah Jane and her junior Bannerman Road gang trap him back in the meteorite that brought him to Earth, doomed to present episodes of The Chase for all eternity. | PM

CLEAVER

Cleaver made his first appearance in the cult indie horror flick Slasher House (2013), as part of the Mycho Universe – an interconnected series of films all set in the same continuity – where he found himself in a Battle Royale against four other Slashers in a fight to the finish. Since then, the grease-painted maniac has gone on to have his own franchise, beginning with Cleaver: Rise of the Killer Clown (2016), uncovering the clown’s origins as he pursues a lonely babysitter on Halloween night, and leading to Cleavers: Killer Clowns (2019), which continues the meat-cleaving monster’s tale as he terrorises an All-American family on a cross-country road trip with his sadistic daughter while being hunted by one of the survivors of the original massacre. | GK

VULGAR

Director Bryan Johnson’s 2000 film featuring Clerks star Brian O’Halloran as a revenging birthday party clown is definitely not something one would expect from the dude who played comics nerd Steve-Dave in a series of Kevin Smith films. Will Carlson’s plans to become a bachelor party clown and make more money are ended when he’s gang-raped and tortured by a motel room of depraved men. After a suicidal Will saves a little girl, he becomes famous, the depraved men blackmail him with video of his attack, and he attempts revenge. It goes poorly, but he makes it out, and by the end, you’re in dire need of a shower. A sequel was announced in 2016, but nothing’s come of it, which is probably for the best. God only knows where it could go. | NS

THE PSYCHO CIRCUS

In the Marvel comic books, Rocket Racoon comes from a place called Halfworld, a colony for the mentally unstable (Rocket was head of security, rather than an inmate). One of the inhabitants of Halfworld was Judson Jakes, a sentient mole with a talent for technology. In a lunatic bid to take over this world-sized asylum, Jakes created a robotic psycho circus. Or to put it another way, an army of robotic clowns, all based on clown-themed children’s toys. This triggered the Toy War, a worldwide apocalypse ushered by pale-faced idiots, giggling and causing havoc. Rocket stopped them of course, but not before they wrecked the place. A timely reminder why clown toys are never a good idea. | EF

ADAM MACINTYRE

When the world went to shit at the Willamette Mall, a party clown completely lost his mind after having to deal with annoying kids – and the undead! Adam the Clown was first featured in Capcom’s hit 2006 video game Dead Rising and if you want to advance to the next level, then you’re going to have to contend with that maniacal laugh and dodge his dual chainsaws to defeat him in one of the title’s toughest boss fights! | JP

ROBBIE’S CLOWN DOLL

In Tobe Hooper’s 1982 film Poltergeist, the scares transcend pissed-off spooks to include a clown doll being possessed and lurking under the bed of the Freeling family’s young son Robbie, waiting to strike. Combining our fear of these painted pests and creepy toys coming to life, this particular clown was quickly etched into horror movie history! | JP

THE KILLER KLOWNS FROM OUTER SPACE

Nobody knows where they came from, but in true fifties sci-fi movie style, the aliens land just outside a small American town with an intolerant bully of a sheriff eager to arrest anybody who crosses his path. But these aliens aren’t just your ordinary extraterrestrials – their ship appears to be a garish circus tent from the outside, and they look like the most grotesque clown caricatures you’ll ever see in your deepest coulrophobic nightmares. Jumbo, Shorty, Rudy, Spikey, Slim, and Chubby will cocoon you in lethal candy floss, they’ll kill you with their deadly popcorn guns, or they’ll chase you down with their balloon dog that comes to life. And their shadow puppet dinosaurs are hungrier than anything we ever saw on Jurassic Park! We’re not sure why they’re here, but we know they’re hungry when they start to liquidise the locals and drink them with their crazy straws. We don’t know what their mission was (maybe they just dropped in while passing for a snack?) but keep watching the skies, folks – it’s been 32 years, but they could come back at any time… | RP

PENNYWISE

The Killer Klowns aren’t the only pasty-faced freaks originating from the furthest-flung regions of outer space, a creature named Glamour once called it home too, many billions of years ago. Here on Earth, however, this shape-shifting alien of the Deadlight species chose the form of Pennywise the Dancing Clown so he can appeal to children. And eat them. | KH

JOKER

Created in 1940 and going on to cause chaos in many incarnations over a multitude of mediums, it’s no surprise that the Clown Prince of Crime would have the last laugh on this list. Whether you prefer your Joker prioritising piss-poor puns or wrestling with his troubled mental state while dancing to Gary Glitter, there’s a variation to suit everyone’s tastes. In fact, so fractured has the character been over the last 80-plus years, that his DC Comics overlords have flirted with the idea that there isn’t actually just one Joker that’s been battling with Batman all this time, but three. He’s still only getting one entry though. | KH

Got a favourite clown that we’ve failed to mention? Well keep it to yourself, weirdo! Just kidding, feel free to let us know on Twitter @STARBURST_mag

Words: Jack Bottomley | Robin Pierce | Ed Fortune | Alan Boon | Stephen Pierce | Paul Mount | Kris Heys | Nick Spacek | Nick Blackshaw | James Hanton  | Whitney Scott Bain | James Perkins | Sol Harris | Grant Kempster | James Bridcut

[This article was originally published in issue 464, September 2019.]

 

Five Films to Check Out on Horror Channel This Week – 250121

horror 250121

To save you getting lockdown blues, we’re going to be giving you our picks of what to watch on Horror Channel each week. Here are some of our favourites this week:

Tuesday January 26th, 1pm – Torture Garden (1967)

A lesser-known Amicus portmanteau film, with stories written by Robert Bloch (Psycho). As usual, an all-star cast overshadows the actual tales, but it’s always fun to see the likes of Burgess Meredith, Jack Palance, Peter Cushing, and Michael Ripper hamming it up. The standout section involves a pair of collectors of Edgar Allan Poe – played by Palance and Cushing – arguing over the ultimate souvenir.

Wednesday January 27th, 12.35am – The Dead Zone (1983)

Christopher Walken is fantastic as the reluctant psychic in David Cronenberg’s superb adaptation of Stephen King’s novel. It stands up so well after nearly 40 years and the subplot of a politician who could start a nuclear war in the future is still as potent. Unmissable, even at this time of night.

Thursday January 28th, 1am – No One Lives (2013)

Another great reason to stay up – this gloriously gory, fun film is constantly surprising and has some of the best bloody action we’ve seen in a long time. Luke Evans is the mysterious psychopath who comes up against a group of thugs who have no idea what they are getting into.

Saturday January 29th, 4.50pm – Ghost Storm (2011)

We’ve had deadly hurricane films in the past, hell we’ve even had twister containing sharks, but this doozy outdoes them all. What we have here is an electrical storm powered by the spirits of a mass suicide. What have you got to lose on a Saturday afternoon during lockdown?

Sunday January 31st, 11.10pm – Another Wolfcop (2017)
Everyone’s favourite furry law enforcer is back for more in Lowell Dean’s hilarious sequel. This time, Lou Garou (Leo Fafard) takes on an evil businessman attempting to control the city by installing a new brewery and hockey team. That’s enough to please some people!

Tune into Horror Channel on Sky 317, Virgin 149, Freeview 68, Freesat 138.

David Arquette | 12 HOUR SHIFT

arquette 12 hour shift

Following a successful festival run, Brea Grant’s latest film as a director 12 Hour Shift hits the digital realm in the UK. We caught up with the versatile David Arquette, who acted as a producer as well as acting in the movie, to find out more…

STARBURST: For anyone who doesn’t know, what’s the concept of the movie?

David Arquette: It’s a 12-hour shift in the ‘90s at a hospital; a nurse’s experience of a night that goes way out of control. She’s involved in, at first it seems a crime without a victim really, when people die whether they’re donors or not donors, they’re taking their organs are selling them on the black market. But it takes a really nasty turn and really starts snowballing after that [laughs].

As you mentioned, the film is set in the ‘90s, where the significance of that era?

Well, especially in respect of what we’re living through right now, it does seem like a much simpler time where social media wasn’t a powerful force. There was just an element of fun and a carefree element that was going on back then, which really appealing to me.

You’re also producer on this film, what did that involve?

My wife, Christina Arquette, really did the heavy lifting in the producer department, and HCT media, Matt Glass, Jordan Long, and Tara Perry, they were the main producers. My thing was calling up Mick Foley and asking if he’d do us a favour and be part of a little independent film. I do the weird stuff, like trying to take the edge off a little independent film, like getting some craft service, different snacks, different meals, just helping move the ball forward really.

Did you and Mick Foley bond over your death matches/match?

[Laughing] He was really funny, I’m probably getting this wrong but I mentioned something and he said he was going to put it through his ‘instantaneous risk/reward calculation’ or something like that. In the moment, even though a lot of the things are planned, some of things are like “well I, uh, guess I’ll go for this”, even if it might be risky or something. He was really fun, he’s been really supportive, and he’s just an incredible guy. If you don’t know, he loves Santa Claus, he really loves Christmas and the beauty of that. So much so that he’s even got his own Santa stationary, and he’ll write these really detailed handwritten calligraphy letters from Santa to all the kids of his friends. He’s just such a generous guy and such a talented actor. He did such a great job and he’s just so effortlessly intimidating.

Your character in the film is a much grittier, bad ass than previous roles. How was this for you?

It was fun, I love playing the bad boy, a smouldering kind of character who’s tough. It was right along the run of all my wrestling, so I was in pretty good shape at the time and was just able to lean into it. He was a character who essentially wanted to get out of jail so he could get to a hospital, so he could get high. That is what was in my mind of what got him there. So that’s what I leant into.

Is that a role you’d like to play in future?

What going to a hospital and getting some drugs? [Laughs]

A sort of bad ass guy…

I’m just kidding. Yeah, right now I’m on a little independent pilot in Memphis and yesterday I had this scene where I’m this bad ass drug dealer. It’s weird, I’ve been acting for 30 years now, so it’s funny, the older you get, the more bad guys you play for some reason, or at least for me. I don’t know why that is, it’s kind of interesting, you get different opportunities, you know, it’s fun not to always play the goof character. I get it, it’s a part of my personal character and I really believe in drawing from what you know. But yeah, it’s fun. I like playing all different kind of roles and being in all different kind of films. I’ll do a kids film, and I’ll do a horror film, and I’ll do a dramatic film and a romantic film, so just being able to have those opportunities is a blessing and I feel very grateful for it. I haven’t lost the love for acting, I haven’t lost the love for being part of movie making, for that I’m really grateful.

What’s the longest shift that you’ve ever done?

We’ve done easy 18 hours on films, on something like this, an independent film, I was up until like 2.30am, woke up a 7am, got back to the set a 9am. Filmmaking, a lot of the time, there are really long hours, especially if it’s something physical. Or like in wrestling where you’ll do a match, you’ll hop in the car, drive 200 miles, get a little sleep, you wake up, you go to the place, you wrestle, get beat up, get back in the car. Sometimes the clock doesn’t stop, so I don’t know the longest shift I’ve ever had! On a typical job, I guess 12-hour shifts is typically what I’d do, but you know I started acting when I was 17, so I haven’t had a tonne of other jobs. I worked at newsstand, I worked for a delivery company, and I [laughs] sold maps to stars homes.

Currently in the UK we’re in lockdown, how has the situation affected you and how you work?

Oh man, right now we’re doing this little independent pilot, we got shut down twice because of COVID [sighs]. We had to test people, and contact trace and make sure everyone’s safe and that the set’s really safe. But on a personal level, I think it’s really had us all take a hard look at ourselves, and for me, it’s brought a lot up for things I still need to work on, as far as patience, or I tend to be moody at times. Just Figuring out how to navigate the world in way works for you, that’s also within the flow of what’s going on, then when obstacles come and how you address them. The older I get, I’m able to recognise “oh why am I feeling this” and “why’s this exchange with this person bringing up this thing in me”. Typically, if you’ve done therapy and you start looking into why you react to certain things, you can identify them a little easier, and then it gives you tools on how to not take things personally, to recognise that this might be what this person’s going through and it doesn’t really affect me personally even though it’s feeling like its personal.

 

 

I do a lot a lot of writing in the STARBURST video games section. You were in a couple of sport titles back in the early noughties, do you have any interest in video games?

I love video games, but I haven’t really had the time to play them recently. We have kids, so they play some games. We try to limit, but it’s been hard in lockdown because it’s like something they love doing, so you want to allow them to have and enjoy them but, you also have to parent what games they’re playing. And it doesn’t really allow me to play Call of Duty in the house. I haven’t been playing games recently, but I love being a part of them. I’m supposed to be a part of one coming up. I love the world of video games, there’s just so much that goes into it, the designing of them, the art, and the storytelling that’s involved. I love the evolution of them. And it’s not just video games, it’s films, too. People in general are becoming better storytellers, I believe. People are understanding the process even more. A lot of people who have never been part of making a movie are starting to understand what goes into it. A lot of people are doing stories on their phones, they’re starting to understand comic timing. It’s really interesting to see the way storytelling’s evolving. And then there’s these different niches; you can go to a horror convention and there’s the Evil Dead 2 fan base and The Evil Dead one fan base, who thinks it’s far better. You know what I mean, there’s all these niche groups and its fun. I love Comic-Con, you see all these people, I love that there’s Sonic the Hedgehog and The Mandalorian, and they bring these weirds things together.

You alluded in your last interview with us, that you’re never truly done with wrestling. Is there any chance we’ll see you wrestling in the UK, perhaps against STARBURST’s own Sean Only?

[Laughing] Oh gosh, I don’t know. It was such a weird thing, I’d done this movie and we were really excited about it coming out and it literally came out right as the world changed, and literally everyone got benched in that world. I don’t know if I’ll ever wrestle again to be honest with you, I love that it lives within that movie.

Yeah, he said you’d be too scared.

[Laughing] Yeah, I’m full of fear, that’s right!

Any good ribs played on you by wresters?  You must have done if you’re one of the boys.

I don’t know, I’ve always been this weird outsider. I kinda feel like I’m sort of one of the boys, but I still feel like I’m an outsider. I don’t know.

As an ex-wrestler and a wrestling fan, I feel as though what happened in the late ‘90s, you shouldn’t have been put in that position. I feel like the wrestling world owes you an apology, so….. sorry.

No, I’m a big boy, so I don’t need any apologies or anything. I love the experience of acceptance, but when the wrestling movie came out, WWE, AEW, no one wanted anything to do with me still [laughs] so…

When Scream comes out they will

[Laughs] I know, exactly.

Maybe a surprise Royal Rumble entrant next week?

Oh gosh, I don’t know. It’s such a painful thing, when you get a little distance from it, you’re like, “it’s probably alright that I’m not gonna wrestle again”. There are some pains that you go through and the sense memory of them, I think about certain things like breaking a rib and then taking bumps on it, it’s just like deep, deep pain.

12 Hour Shift is available on digital platforms from January 25th. You can watch our interview with the film’s director Brea Grant here.

KNOWING ME, KNOWING… KAIJU, ARRRGH!

[aka 20 ESSENTIAL KAIJU THAT AREN’T GODZILLA OR KING KONG]

While GODZILLA and KONG duke it out for the title of the true ‘King of the Monsters’, outside of their shared universe exists a mighty stable of giant creatures more than able to give the big lizard and his ape adversary a good run for their money in the city-stomping stakes. With this in mind, it’s our civic duty to prepare every reader for impending attack, so we’ve assembled STARBURST’s finest monster experts to guide you through our favourite kaiju outside of the Kings’ canon…

YONGARY, MONSTER FROM THE DEEP

Monster movies teach us that for every reckless action by the human race, there is a reaction which can’t possibly be foreseen and will rise up from the depths to bite us on our collective behinds and keep us humble. So, when a nuclear test was held in the Middle East in 1967, it resulted in an earthquake in Korea. The shifting tectonic plates then released the buried fury of Yongary, Monster from the Deep, named, so we’re told, after an ancient Korean legend. Yongary is a giant bipedal prehistoric monster, similar in size and appearance to Godzilla, but with bigger eyes and a horn on the tip of its nose which can change colours for no apparent reason. It looked perpetually confused as it made its way to the city of Seoul, destroying everything in its path as it searched for sustenance (oil and petrol). Despite having flamethrower breath and an appetite for destruction, it eventually befriended a child and happily danced to some swingin’ sixties guitar riffs. Far out, man. Fortunately, Yongary was put out of his (and our) misery when it was discovered he had no immunity to an ammonia compound. What can we say – it’s a clean kill. So, basically, if you have enough Harpic in your bathroom, you’re safe. Better stock up. | RP

GAMERA

A giant mutant turtle, Gamera is the original hero in a half shell. He made his monstrous debut in 1965, during the cold war, when a plane carrying an A-bomb was shot down in the Arctic. The bomb detonated and caused Gamera to awaken from his millennia of icy hibernation. At 60 meters high with the ability to breathe fire, he truly is a force to be reckoned with. Gamera also has the ability to fly by spinning in his shell and reaching speeds of Mach 3.5. Unfortunately for Gamera, he was lured into an unmanned spacecraft called Project Z and launched into outer space. This, however, would not stop the Guardian of the Universe. He would return (several times) to do battle with other giant monsters. Gamera’s main city of destruction was Tokyo, and despite being referred to as ‘a friend to all children’ he has, over the years, amassed a body count that could rival that of Godzilla’s. Here’s hoping that one day we see Gamera take on the king of the Kaiju himself – now that fight would truly leave the world shell shocked! | SP

THE DEADLY MANTIS

Who would’ve believed that millions of years ago, giant insects roamed the Earth and died out without leaving any fossil trace of their existence? Except for one such creature, in the North Pole all this time, frozen until a volcano erupted in the South Seas in 1957, causing a vibratory chain reaction that reverberated all the way to the Arctic, shifting the icebergs, releasing the cryogenically preserved and still living insect to wreak havoc in the twentieth century! Not keen on the cold arctic climate, the mantis destroyed some military installations and upset the locals before heading south to a more temperate habitat – North America seemed nice. And New York being the destination of choice for a lot of oversized monsters, it made a beeline for the Big Apple, stopping off to perch for a while on the Washington Monument en route. Frustrating the armed forces’ response with lethal weaponry, by being impossible to hit by fighter planes whose pilots seem to have the aim and skill of Imperial Stormtroopers (it’s two-hundred feet long, for goodness sake!), it settled in the Manhattan Tunnel, where it was gassed to death at close range. No special powers, other than being a giant flying mantis. Now extinct. | RP

QUETZALCOATL

Just when the beleaguered citizens of the Big Apple thought they’d seen it all, along came a new problem to hit Manhattan in 1982. Soaring above the city, and swooping down from the direction of the noon sun, comes a giant feathered, winged reptile with an appetite for unwary New Yorkers, be they cleaning windows, sunbathing, or just going about their business. This is Quetzalcoatl – an Aztec goddess, resurrected by a ritual of human flaying and sacrifice – and she wasted no time in making a nest for herself in the art deco splendour of the top of the Chrysler Building where she laid an egg. Ridding the city of this particular pest proved easier than most giant menaces though – some armed cops did the trick nicely with a hail of bullets while she circled the building to return to her nest. Just a case of “look out below” then, when the dead Q: The Winged Serpent plummeted to the busy streets. But a grim warning to New York – beware, she may just have a second nest. And another egg… | RP

THE CHEWITS MUNCHER

Nothing would satiate the appetite of the Muncher, who would devour landmarks all over the world in an attempt to fill that chasm in his belly. Even Barrow-in-Furness bus depot was not enough for him. It’s surprising, then, that a pack of tiny sweets would do the trick. Even as kids back then in the ‘70s (during the beast’s original rampages), we would polish a pack of Chewits off in minutes and still want more! We guess some kaiju are suckers for fruity flavours. We’re just grateful it wasn’t Opal Fruits he helped advertise, we couldn’t deal with that gag once more… | MU

KONGA

Produced by Herman Cohen and starring the legendary Michael Gough, 1961’s Konga raises the bar in terms of what we understand as ‘so bad it’s good’. Gough plays botanist Charles Decker, who returns to England after a year stranded in the wilds of Uganda. He’s brought with him a chimp called Konga and the secrets to a remarkable growth serum that, when injected into Konga, turns him, for reasons the script never addresses, into a giant gorilla. Decker embarks on a killing spree (using Konga as his weapon) to protect his secrets, but in the end becomes the victim of his own creation as Konga swells up to monstrous proportions and takes a stroll around London before being brought down by the army in a hail of bullets. The acting is staggeringly inept (apart from Gough, who is, of course, glorious), the script stiff and clunky, and the effects – rumour has it they took a year to complete – are the stuff of amateur school stageplays. Magnificent in its awfulness, Konga is a cult classic and required viewing for anyone interested in jaw-droppingly bad monster movies. | PM

FIN FANG FOOM

A giant green dragon wearing purple underpants, Fin Fang Foom is often referred to in giggled tones. But this belies the extraterrestrial origins of a would-be planet conqueror, who lay dormant while his fellow aliens infiltrated human society as sleeper agents. Upon awakening, triple F almost took over the world, forcing Iron Man to team with his deadly foe the Mandarin to defeat the alien threat, and periodically returned to threaten our world (and was once used as a host body for the Midgard Serpent). Fin Fang Foom first appeared in the pre-superhero Marvel comic Strange Tales, and his journey has been just that; after turning against his intention to subjugate the Earth, he found Buddhism and joined a rehabilitation program with three other Marvel Monster-era extants – the robot Elektro, the giant ape Gorgilla, and the alien Googam. Shrunk down to human size, they work in a restaurant at the base of the Baxter Building, but occasionally team up to save their adopted planet, even if they are not always happy about having to do so. | AB

THE GIANT CLAW

Somewhere in space, this may all be happing right now…. In 1957, electronics engineer Mitch MacAfee spotted a UFO as big as a battleship, but in reality, it turned out to be a giant, intergalactic half-plucked Christmas turkey made from anti-matter (and created for the screen on a budget that would make Roger Corman blush). America’s answer to Rodan was on its way to destroy the Earth! Global panic ensued (as seen in footage cheekily borrowed from Earth vs. the Flying Saucers and The Beast From 20,000 Fathoms), as the indestructible gooey bird with teeth planned to conquer the world and lay eggs for future generations to feast on us tasty humans. Coming to the rescue, Mitch developed an experimental anti-matter, ‘meson cannon’ and loaded it into the back of a B-25 bomber (aided by segments of 1944’s Thirty Seconds Over Tokyo), as his girlfriend Sally brought sandwiches and ordered a general to get his pants. And all the while with the world on the brink of destruction. How thoughtful! The final confrontation between Mitch and the obnoxious space buzzard took place around the United Nations building in New York (which magically turned into San Francisco), as the meson cannon shot puffs of what looked like talcum powder at it. Eventually, the Jim Henson reject fell defeated into the ocean, thankfully never to be seen again. | WSB

GODZOOKY

Bear with us. We know we said up front that these were the most dangerous monsters outside of Godzilla’s universe, but since the King’s juvenile nephew has been completely eradicated from canon since his last sighting in 1979, we believe the exception is of the utmost importance. After all, it’s hard to imagine another giant beast with a bigger beef. How would you feel if your mere introduction incited such ire in fans that they cruelly compared you to the likes of Scrappy-Doo? And once Hanna-Barbera’s Godzilla animated series came to an end after 25 episodes, how would you feel when your Scrappy-Doo-arse was relegated to the scrap heap, where you’d have to watch your uncle’s popularity continue to rise for decades to come? Fuelled by contempt and now forty years old, Godzooky is out there, somewhere, and god forbid he ever decides to take out his issues on us. Perhaps the first to feel his wrath were his buddies on the Calico. They were never seen again either. Suspicious. | KH

GEORGE

A giant albino gorilla who’s best mates with the Rock – now there’s someone you wouldn’t want to get on the wrong side of. When 2018 movie Rampage begins, George is an ordinary gorilla in the San Diego Wildlife Sanctuary, looked after by Dwayne Johnson’s ex-army primatologist Davis Okoye. But when a space station owned by a gene manipulation company explodes, a bit of bad science crash-lands in George’s garden, beginning the process of turning him really big and evil. This would be worrying enough on its own, but then other bits of bad science crash in other bits of America, and start the same process with a wolf and a crocodile. Lured to Chicago, all three wreak havoc over the city. Thankfully, Okoye finds some good science to turn George from big and evil into big and good, and the giant ape helps batter the crap out of the two other mutants. Rampage was based on a video game series in which you played one of the creatures; here, though, they were humans turned into giant animals, a grim twist on the story. You could release a lot of pent-up aggression smashing up cities, though – seek the games out to experience being a kaiju yourself! | KM

THE COLOSSI

In a land where the main inhabitants are giant monsters and there’s only one normal-sized guy going around killing them, are the giants really that monstrous? Perhaps they’re the normal-sized ones, preyed upon by one persistent little germ? The sixteen colossi of Team Ico’s beloved 2005 video game Shadow of the Colossus are seriously impressive beasts. No two are the same, but all share an aesthetic – the ‘giant statue come to life’ look is on fleek in the Forbidden Lands. From a distance, you could mistake them for architecture, with their green furry patches resembling grass. But get closer and you’ll realise that what you’re looking at is in fact an enormous stone minotaur, or bird, or eel – or one of thirteen other things to run away from. While one stomp of a colossus foot could kill, they do have a weak point, indicated by a glowing sigil (god knows why evolution allowed that to happen). The brave adventurer Wander has made a deal with a mysterious entity – slay the colossi, and his damsel in distress will have her soul returned. Little does he know about the dark force incrementally released as each colossus is killed. But at least he has his lovely horse. | KM

RHEDOSAURUS

Awoken from its aeons-long slumber thanks to nuclear bomb testing in the Arctic circle, this (entirely fictional) rhedosaurus made its way to New York City where it proceeded to terrify, trample upon or devour the populace, and smash up lots of stuff. Memorably brought to life by stop-motion genius Ray Harryhausen (the film is based on Ray Bradbury’s short story The Fog Horn and the film dramatises the story’s key lighthouse attack sequence), 1953’s The Beast From 20,000 Fathoms is generally regarded as one of the first – and classiest – of the ‘atomic monster’ creature features that became so prominent in the 1950s. As with many monster movies of the era, the human cast are entirely disposable and forgettable, but the proud and powerful rhedosaurus remains one of the most iconic and memorable creatures in cinema history and Harryhausen’s extraordinary and painstakingly realised FX bring the beast to life far more vividly than any creation dreamed up by today’s CGI animators. | PM

THE CYBERKING

The technical description of the CyberKing: a bipedal dreadnought used to front planetary invasions, operated by an organic controller, containing a cyber-conversion factory, and armed with a laser blaster on the port side and a mortar launcher on starboard. The colloquial description: ‘holy shit, it’s a giant Cyberman!’ CyberKings are used in cyber-armies throughout the Doctor Who universe; comic book Supremacy of the Cybermen saw three front an invasion of Sontar. But the most notable appearance came in the bonkers final act of 2008 Christmas special The Next Doctor. Stranded in 1851, a group of Cybermen kidnapped children and forced them to build a CyberKing under the Thames. Made of bits and bobs found in Victorian London, it was a steampunk affair, but they made it work – even the laser cannon! For the organic controller, they picked the sadistic Mercy Hartigan. It then stomped across London, making waste of haberdashers, blacksmiths, and other old timey-sounding businesses. Thankfully, the Tenth Doctor was on the scene, armed with a hot air balloon and a bandolier of the Cyber equivalent of USB sticks. Weaponising the data, he opened Hartigan’s mind to what she had become, causing the whole palaver to self-destruct. | KM

ABADDON

King Kong scaled the Empire State Building. Godzilla wreaked havoc over the skyline of Tokyo. Abaddon, the Great Devourer, came to feast on all the life that could be found outside a Nando’s in Cardiff. This giant demonic creature, apparently the son of the Beast encountered by the Tenth Doctor in The Satan Pit, has sharp horns, fangs, and claws, and a sheen of not-so-sharp computer effects. He also has the ability to suck the life out of anyone in his shadow, and a human servant – the time-travelling clock merchant Bilis Manger. Before his short-lived rampage, in the Torchwood episode End of Days, we saw the events leading up to Abaddon’s emergence. In true Torchwood style, it was largely the team’s fault. Driven to madness by his desire to see a woman from the 1950s he’d had a time fling with, Owen Harper starting pissing around with Cardiff’s time-space rift, leading to a series of temporal anomalies, Team Torchwood turning on each other, and the creepy Manger taking advantage of all this to summon Abaddon. But Captain Jack Harkness, conveniently immortal, was able to slay the devourer by stepping into its shadow and overfeeding it. Job’s a good’un. | KM

REPTILICUS

Nobody really knows the origin of this giant reptile. We don’t even know its name – it’s the news media who called it Reptilicus, presumably because it sounded Latin and scientific. It was buried deep underground in Lapland – or at least a part of it was – until a Danish team of miners found a frozen piece of giant tail in 1961. The segment of tail was transported to an aquarium in Copenhagen for study, where, unfortunately, they let it thaw out. We all know that certain species of lizard can regrow their tails, right? Well, what if the opposite happened? What if the tail regrew the monstrous reptile it used to be a part of? This is exactly how Reptilicus the giant reptile came into being, and rampaged its deadly way through the peace and tranquillity of the Danish countryside, destroying everything in its path. Naturally, it needed a landmark to wreck, and it decided upon Copenhagen’s Langebro Bridge. Not quite the Empire State Building, but you take what you can get. A deadly sedative delivered orally with a bazooka soon settled the scaled monstrosity – but there may yet be bits of it underwater, ready to regenerate. Rest in Pieces, Reptilicus. | RP

CLIFFORD THE BIG RED DOG

Hellhounds appear in mythologies from all over the world. Yorkshiremen talk of the Barghest, the black dog who preys on lone travellers. The blood-sucking Dip of Catalan folklore is the canine emissary of the Devil. Perhaps the most famous is Cerberus, the beast of Greek myth who guards the gates to the underworld. One lives among us. Summoned by an eight-year-old Satanist named Emily Elizabeth, this oversized blood-red beast escaped Hades in 1963 and entered our world. He has been terrorising the residents of Birdwell Island since. They call him Clifford. He prowls the suburban streets, the alpha of a pack of local canine converts, including brutal bulldog enforcer T-Bone and a greyhound named Machiavelli, a name betraying of the pack’s sinister intentions. The humans of the island largely succumb to his will – or his teeth. Sources vary as to the exact size of Clifford – those who survive an encounter usually recall him as approximately 7.5 meters tall, but in some cases he has manifested as far larger, indicating a concerning ability to increase his own size. Just how large could Clifford become if truly provoked? It’s a question we can’t know the answer to, but one thing’s for certain – we must be prepared. | KM

THE ZILLO BEAST

It’s not just Earth’s major cities that must be on high alert for kaiju attacks, the concern extends to the galaxy far, far away also. As if they didn’t have enough to contend with already, what with the Clone Wars continuing to rage with no end in sight, citizens of capital planet Coruscant had to live through a rampage by this 97-metre high creature after it escaped captivity at the hands of a curious Supreme Chancellor Palpatine. It’s easy to see why the soon-to-be Emperor wanted to study the space-kaiju so badly; for starters, its armoured plating was impervious to blasters and even the blade of a lightsaber… just think of the endlessly evil possibilities if weaponised! Naturally, the sneaky Sith got the ball rolling on cloning the creature before it was tragically gassed to death by desperate Republic forces. A heartfelt homage to Godzilla and King Kong, The Zillo Beast and The Zillo Beast Strikes Back both feature in the second season of the Emmy-winning Star Wars: The Clone Wars and, like many of the 121 episodes, the idea came directly from George Lucas himself. | KH

KNIFEHEAD

Knifehead is the largest category three kaiju who will emerge, we are told, from the deep sea rift in the not so distant future date of February 29th, 2020 (mark that down in your calendar, not long to go!). This particular kaiju was given his fearsome codename due to his long sharp pointed nose which has the capability of cutting through just about anything we use to defend ourselves. He has two pairs of arms – one small set emanating from his stomach and a larger, more powerful set which have three claws on each hand and are used to grab and tear. When Knifehead appeared, he was headed for Anchorage, Alaska, but as documented in the 2013 movie Pacific Rim, he was eventually thwarted by the heroic Jaeger Gipsy Danger, a giant human-operated robot. | SP

D’COMPOSE

The ’80s was a weird period for pop culture. It was a time when the best way to get your bizarre ideas into the hands of the general public was to convince a toy manufacturer that your fever dream would be the next big thing. D’Compose is one such nightmare, a zombie dinosaur-like monster that dwarves most buildings, smashing exhibition centres and causing carnage. This horrific creature was part of the Inhumanoids toy range, a high end set of horror-themed monsters that fought ‘adventure scientists’. Each toy had a gimmick, and D’Compose’s was that his exposed rib cage popped open and you could put most ‘hero’-sized toys into his stomach. In the comics and TV show, anyone given this rather intimate treatment usually felt ‘the touch of D’Compose’. This turned the victim into a sentient undead creature, fiercely loyal to D’Compose. He also had his own army of undead creeps, who dwelled in the underground kingdom of Skellweb. The curse could be lifted by exposure to ‘Whiteburn’, which turned out to be sunlight. The sun also burned D’Compose quite badly, so his rampages were rather limited to the night. This fact means that we can easily class D’Compose as the ‘most Goth’ Kaiju in this list. | EF

GORGO

If it isn’t atom bombs or radiation that causes these monstrosities, then the other usual culprit is volcanoes. Just off the coast of Ireland lies the tranquil isle of Nara, a nice quiet, unassuming place, home to fishermen and their families, until an undersea volcano erupted in 1961 and spoilt everything. The first sign that something was wrong was the floating carcasses of prehistoric fish. The second was the appearance of a 65-feet-tall dinosaur-like monster, which was caught and taken to London to be put on display in a circus. (This was before the Health and Safety laws prevented this kind of thing and kept us all safe from reckless Kaiju shows.) The monster was sensationally dubbed ‘Gorgo’ after the Medusa of Greek myths, and was a featured attraction at Battersea. However, what they didn’t realise until it was all too late was that Gorgo was but a baby, nowhere near its full growth. Worse, momma came looking for her child – and she was over two hundred feet tall and rightly vexed. She was willing to trample London and stomp on Battersea until she found her offspring, just like any mother would. No special powers other than a mother’s love for her son, the greatest power of all. [Awww – Ed] | RP

Have we missed one of your favourite giant beasts? Not to worry, just tweet @STARBURST_mag and we’ll start the evacuation protocols immediately!

WORDS: ROBIN PIERCE, KIERON MOORE, KRIS HEYS, PAUL MOUNT, STEPHEN PIERCE, ALAN BOON, MARTIN UNSWORTH, WHITNEY SCOTT BAIN

TOP 5 ARNOLD ALTERNATIVES

arnold

We all love the Austrian Oak and recognise that he’s made some fantastic films over his illustrious career. However, we thought it was high time we celebrated the less successful and more obscure Schwarzenegger films to show that there’s even more to enjoy from the former Governor… 

HERCULES IN NEW YORK (Dir. Arthur A. Seidelman, 1970)

Bear with us on this one! Arnold’s first starring role, where he is credited as Arnold Strong (Mr Universe) is a technical disaster. Mistakes are left in, we switch from day to night in a single shot and there simply isn’t enough footage to fill its 90-minute run time. Despite this, it is a complete riot, with Arnold’s Hercules popping over to New York after he gets bored with Mount Olympus (filmed in what looks like a communal garden). He teams up with Pretzie (Arnold Stang, who is channelling Woody Allen at every opportunity), acts like a fish out of water, loses his powers for about 5 minutes, and then beats up some thugs in a warehouse. The standout is Hercules fighting an escaped bear in Central Park – it is clearly a man in a suit, who throws a right cross at one point. Simply wonderful. Arnie was originally dubbed, which when you hear his voice is understandable, as he is like a stone with muscles, making his achievements over the coming decades even more remarkable. Enjoy responsibly with a group of like-minded fools.

Best Line: “Hercules doesn’t need any money.”

CONAN THE BARBARIAN (Dir. John Milius, 1982)

This adaptation of Robert E. Howard’s titular barbarian has been dismissed as ‘80s cheese, however it is hugely underrated. A lot of effort went into its production and it is written by John Milius and Oliver Stone. The ‘Hyborian’ age feels vast and unforgiving (Spain providing the exterior shots) and Arnold is perfectly cast, his body and mannerisms skilfully capturing the hulking barbarian. His adventures also feel suitably exciting and varied – from competing as a gladiator, having sex with a witch, and being crucified and returning from the dead – you certainly get your money’s worth. Conan’s quest to defeat the evil snake cult who made him an orphan, is a genuine struggle – well anything that involves being nailed to a tree would be! However, the film’s real genius is to concentrate on its action and soundtrack, with large swaths of the conclusion containing no dialogue (John Milius must have watched Hercules in New York). It is only with hindsight and after watching the woeful 2011 effort, that the quality of this film can be truly appreciated. Epic, brutal and fun, just like Arnie himself.

Best Line: “Crush your enemies, see them driven before you, and hear the lamentation of the women!”

COMMANDO (Dir. Mark L. Lester, 1985)

Even though this has become a cult classic with students and Schwarzenegger fans alike, it has largely always been seen as a cheap Rambo knock off. Well, it is, but a fantastic one. Retired Colonel – John Matrix – must rescue his daughter after a wannabe dictator attempts to blackmail him into assassinating the leader of Val Verde (a fictional South American country, used in several films written by Steven E. de Souza). John demonstrates superhuman strength by tipping a Porsche back on its wheels and ripping a metal padlock from a door. After bringing along Rae Dawn Chong’s excitable flight attendant for the ride, it ends with a bombastic rescue mission with Matrix in full military garb, taking out soldiers with guns, grenades, and a pitchfork. Despite all this fun, Vernon Wells maniacal villain, Bennett, is the star of the show. He was kicked out of Arnie’s old unit for undisclosed reasons, he is crazy and camp (wearing a kind of string vest and leather pants) and hams up every scene he is in. Hilariously he is shown to be an equal match to Matrix in a fistfight – Arnie’s Adonis pitched against a Dad bod. What is a strange casting choice turns out to be the films trump card, no one could match John Rambo, he clearly never came across Bennett.

Best Line: (After throwing a steaming pipe into Bennett’s chest) “Let off some steam Bennett.”

LAST ACTION HERO (Dir. John McTiernan, 1993)

Famously underappreciated and undervalued at the box office, this meta-action film is smart and fun. It fabulously sends up all the action tropes that Arnie had been displaying over the previous decade, maybe too soon for audiences to appreciate. Danny (Austin O’Brien) loves the action star Jack Slater (Schwarzenegger), he is a no-nonsense cop in a series of over-the-top action pictures, where he shoots first and asks questions later. When Danny receives a golden ticket from his elderly friend, who runs an old movie theatre, he is sucked into the film to meet his hero. With such ‘80s pedigree as John McTiernan and Shane Black, who direct and write respectively, it cleverly uses all the clichés from famous cop movies, from the shouting sergeant to the death of a partner. This is especially entertaining when Jack crosses over into the real world and finds the laws are a bit different, his hand bleeding when he punches a car window, for example. Throw in Charles Dance’s over the top but genuinely intimidating villain, who thrives in the infinite possibilities of the real world, where the bad guy can win, and you’ve got a unique post-modern take on action movies. Perhaps, as the ‘90s were still profiting from such films, audiences simply weren’t ready. With the benefit of hindsight, it’s certainly worth a re-watch.

Best Line: (Arnie as Jack Slater performing Hamlet with a cigar and grenade) “To be or not to be? Not to be.” (Throws the grenade)

THE 6TH DAY (Dir. Roger Spottiswoode, 2000)

Coming in the twilight of Arnold’s career, this Sci-Fi action flick may appear silly, but it’s wonderfully enjoyable and surprisingly raises some interesting philosophical questions. Released only a few years after Dolly the Sheep was cloned, the film takes this to the next level, stating that ‘In the near future’ cloning animals is commonplace, human cloning is possible, but has been banned by the ‘6th Day Law’ (referencing God creating man on the 6th Day). We meet Arnie’s Adam Gibson, a helicopter pilot and technophobe (a wonderful cliché for protagonists living in the future) he lives in a world of computer fridges and cloned pets, with his wife and daughter. When shady billionaire Michael Drucker (Tony Goldwyn) decides to take a ride in one of his helicopters, as it’s Adam’s birthday his best friend Hank (action stalwart Michael Rappaport) takes his place. This sets off a crazy chain of events, which results in a cloned Gibson and Drucker’s ludicrous cloned cronies, trying to kill the original Adam to cover up their illegal cloning activities. The film is a thrill ride from start to finish, but gravitas is added by Robert Duvall’s cloning specialist, whose grief over the death of his own wife overshadowed his judgement. He has some genuinely touching scenes that show us the true sanctity of life. With twists galore, broken necks, car chases, and the future of humanity on the table, what more could one want from a 21st-century action film. Hercules has come a long way!

Best Line: (As Drucker lays on top of his own clone) “When I told you to go fuck yourself, I didn’t mean it literally.”

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