RETURN TO MAGONIA: INVESTIGATING UFOS IN HISTORY

Passport to Magonia was a groundbreaking book by computer scientist Jacques Vallee, who looked at the links between folklore and modern-day UFO sightings. The title of his 1969 study highlighted the mythical land of Magonia, a country or region beyond the clouds that people in the Middle Ages believed was the home of flying ships seen in our skies. Since then ufologists have used the term Magonia to take account of the historical and cultural context of UFO sightings.

Return to Magonia follows Vallee’s lead (it even includes a foreword by him) but this time it employs the latest Internet and research tools to examine whether these cases have any reality to them or not. For over a decade Chris Aubeck has been responsible for sharing digital information about historical aerial anomalies on the private Magonia Exchange Yahoo group, which has trawled the immense mass of documentary material made available through the Internet. As he notes, we can now easily search for these reports without having to physically visit libraries and archives, plus the authors employ digital planetarium software, online genealogical records and digital maps to pinpoint further information about these cases.

The British Mirabilis Annus (Year of Wonders) trilogy published between 1661 and 1662 or the Spanish El ente dilucidado. Tratado de monstruos y fantasmas (‘The entity elucidated. Treaty on monsters and ghosts’) published in 1676, proved to be useful early sources for stories about all types of miraculous events. However, many of these accounts were used for political or religious reasons to indicate “God’s opinion of current activities on earth.”

Some are pure inventions or rumours, so the authors have concentrated on cases that provide specific names, times and locations. They were surprised to find “many accounts recognisably depicting a planetary conjunction and other natural phenomena, despite their origin as religious superstition, and despite the publishers’ political agenda.”

The following chapters look at clusters of similar types of sightings, such as flying triangles, discs and saucers, fiery exhalations, UFOs emerging from the sea, globes of fire, unusual clouds, lunar conundrums and flaming objects associated with entities, dark objects, mystery balloons, aerial machines, graveyard UFOs, airborne coffins, oblong lights and mystery airships. This just shows the huge scope of aerial visions since the 17th Century right up to pre-flying saucer era that began on 24 June 1947. They also examine in detail some specific cases like the report of an electric disc seen in October 1899, a huge starfish UFO observed in 1901, the Aldeburgh Platform sighting of 1917 and the wave of giant flying eggs seen in February 1947 over Australia.

In Chapter 2, they unearth an early example of a ‘flying saucer’ sighting. Fishermen on 8 April 1665 near the Baltic city of Stralsund, said they saw ships battling in the sky above them, and then they observed “…a flat round form, like a plate, looking like the big hat of a man… Its colour was that of the darkening moon, and it hovered right over the Church of St. Nicolai. There it remained stationary until the evening. The fishermen, worried to death, didn’t want to look further at the spectacle and buried their faces in their hands. On the following days, they fell sick with trembling all over and pain in head and limbs.”

The authors look at different explanations for this sighting, from flocks of starlings, sun dogs, clouds, smoke, tornados to ice crystals. In the end they conclude, due to the length of time it was seen, that it is a “remarkable case” that given the association with physiological effects can be easily equated with saucer sightings of today!

This is an excellent collection of reports that shows the rich variety of aerial anomalies that have been seen (or imagined) flitting about our skies. In an attempt to penetrate the cloud of religious, political, folkloric and superstitious interpretations that have been attached to them, they do a good job of trying to scientifically explain these sightings. Despite this they do find it hard to pin down mundane explanations for some of these cases, which might indicate as yet undiscovered or poorly understood natural phenomena. Some UFO enthusiasts will be sad to learn they were unable to detect any concrete evidence for the “work of an alien intelligence” behind these sightings.

A great book showing that flying saucers are nothing new.

RETURN TO MAGONIA: INVESTIGATING UFOS IN HISTORY / AUTHOR: CHRIS AUBECK, MARTIN SHOUGH / PUBLISHER: ANOMALIST BOOKS / RELEASE DATE: OUT NOW

 

MGM BRITISH STUDIOS: HOLLYWOOD IN BOREHAMWOOD

Filmmaking in the UK has a rich history, with many huge blockbusters having been shot in one of the studios on our fair shores. Between 1948 and 1970, MGM British Studios in Borehamwood was the biggest, with films like 2001: A Space Odyssey and Where Eagles Dare being shot there.

MGM British Studios takes a look at the studio and the making of some of the biggest films that were shot there, using accounts from people from both sides of the camera and some rare and unseen photos from the sets and more.

The book is full of information, but is a little too dry and plodding at times to be completely engaging. Where the book really succeeds is in the selection of photos that are in it, with some great behind the scenes shots. The format of the book would’ve been better suited to a larger coffee table book with sharper glossy pictures rather than a wordy paperback with grainy pictures.

If you’re a fan of the golden age of the British film studio, there is a lot of information in the book, but overall it feels like a missed chance to do something great with the subject.

MGM BRITISH STUDIOS: HOLLYWOOD IN BOREHAMWOOD / AUTHOR: DEREK PRYKETT / PUBLISHER: BEARMANOR MEDIA / RELEASE DATE: OUT NOW

 

CRASHING HEAVEN

Al Robertson’s debut novel is a disturbing yet engrossing vision of a cyberpunk-flavoured future, full of sordid characters and bleak emotions, wrapped up in a desolate tale of murder and treachery. Crashing Heaven follows Jack Forster, a former fighter for the Pantheon, a cluster of sentient corporations formerly at war with the rogue AI’s of the Totality. Now that the war has ended, Jack is keen to uncover the truth behind the death of his lover, even if it means stirring up old grudges from both sides. Armed with his menacing AI puppet Hugo Fist, Jack has just weeks to find out the truth before Fist is able to claim Jack’s body for himself, killing Jack in the process.

Robertson has pieced together a book not without humour, but still a fairly morose read that strikes a deft balance between crafting a true sense of the horrific world Jack is lost in with the character-driven nature of the story itself. Within those characters are the darkest of emotions, and Robertson wrenches them out, engulfing Crashing Heaven with an atmosphere that’s drenched in an inescapable darkness, but makes for riveting reading.

Through all of its confident execution and engaging narrative, Crashing Heaven has a desperate feel to it. It feels that way because its story has such a finely crafted feel to it, and yet the nagging reminder of Jack’s impending doom casts an effective downpour on the book, making it all the more fun to read. Crashing Heaven takes familiar concepts and blasts fresh life into them, but it’s a life that paints a vivid picture of the deadly underbelly of war and love. A spellbindingly rugged addition to cyberpunk and science fiction literature in general.

CRASHING HEAVEN / AUTHOR: AL ROBERTSON / PUBLISHER: GOLLANCZ / RELEASE DATE: OUT NOW (HARDCOVER), MAY 12TH (PAPERBACK)

 

AN ANDROID AWAKES

From author Mike French and illustrator Karl Brown, An Android Awakes is a fascinating collection of short stories, set in a world where autonomous machines now create the arts.

Android Writer PD121928 is in dire straits. Employed by the Android Publishing Program, PD121928 only has 14 attempts left at creating a story that will be accepted by the company or he will be deactivated. With his wife taken away from him, PD121928 lives in solitude, resorting to his allowance of prostitutes and drugs to assist him.

Accompanied by Karl Brown’s intricate drawings, An Android Awakes is a wonderful little read. Each one of PD121928’s stories is documented throughout the book, and almost every single one feels like it could be extended into its very own novel. Several themes are tackled in each tale, from android detectives, to great explorers, and even frozen cats – Mike French’s book has it all.

There are some truly memorable storylines in An Android Awakes that will possibly haunt the reader for some time to come. It can be brutally violent and sexy, meshing together modern life with some surreal futuristic themes. Some submissions may even resonate with readers, particularly Inside Richard Steinberger, where brain implants have killed any passion for life.

Each story has some link to previous entries, and PD121928’s creative struggle is brilliantly written. It’s extremely easy to pick up as well, as every submission is limited to roughly 1,000 words. Fans of 2000 AD and dystopian sci-fi will be doing themselves a disservice if they don’t read An Android Awakes, as it really does hit all the right notes.

Karl Brown’s illustrations perfectly capture the narrative too, with a style that harks back to traditional 2000 AD. Taking his inspiration from heavy metal music, Brown’s artwork completely nails Mike French’s vision. He’s definitely an artist to look out for in the future.

Perhaps PD121928’s career as an Android Writer could be explored a little more, but that’s only due to a desire to see Mike French expand on his ingenious ideas even more. Hopefully in the future French will explore some of the submissions in greater detail, because it would be criminal to not utilise some of the amazing ideas presented throughout the book.

An Android Awakes is a delightful read which boasts a truly unique concept. It is not to be missed by fans of pure sci-fi escapism. It’s unlike anything else available right now as it’s undoubtedly one of the coolest and most fascinating reads out there.

AN ANDROID AWAKES / AUTHOR: MIKE FRENCH / ARTIST: KARL BROWN / PUBLISHER: ELSEWHEN PRESS / RELEASE DATE: OUT NOW

 

MULTITUDE OF MOVIES ISSUE 3

Billed as ‘a magazine by movie lovers for movie lovers’ this digest-sized gem certainly lives up to that boast.

Now on its third issue, MoM covers all different genres, but more than enough to appeal to STARBURST readers, particularly as the editors and many of the writers are vocal fans of sci-fi and horror. Even the non-genre features have a distinct appeal to cult film lovers.

Among the standout features – and there are so many gems with the 100 pages – include an in-depth look at Sean Connery’s James Bond films. Sure, they’ve been written about many times before, but Stephen Jacobs (author of the recent Boris Karloff biography More Than a Monster) brings a reasoned focus and some interesting background titbits. Naturally, with the recent release of SPECTRE and its similarity to several of these early 007 outings makes the feature apt, but since it was written before anyone had seen the new film, these parallels are not discussed, unfortunately.  There is plenty of information about the films for those not overly familiar with Connery’s films, or indeed why Never Say Never Again appeared many years after his tenure ended.
Elsewhere, there’s a fascinating look at the non-horror films of legendary Italian master Mario Bava. This would have been of interest anyway, but the fact it’s written by Troy Howarth, who has already published a book on the great man’s work, makes it all the more captivating. It’s a brilliantly reasoned approach to the rarely-discussed westerns, low budget peplum ‘epics’ and the like is refreshing, and there’s plenty of fun anecdotes that the author has come across during his meticulous research.

An interview with the brilliant Francoise Pascal is equally engaging, which sits alongside a small feature on the superb Jean Rollin film La rose de fer (The Iron Rose). Another piece focuses on the Spanish horror icon Paul Naschy (although the title, The Man Who Made Frankenstein Cry is a little incorrect since it should be Saw instead of made… N.B.: although we now acknowledge it was titled for effect), all personal favourites of this particular writer, so were heartily enjoyed.

With such a wide scope, MoM is never dull. Nor does it stretch itself so thin that it loses focus, the passion of the writers is evident, and the attention to detail applaudable. If there’s any negative to be brought, it’s simply that with the size of the magazine, the text is rather small and could prove difficult for some readers. It’s a small niggle (pun intended), and well worth purchasing along with a magnifying glass should you require it.

MULTITUDE OF MOVIES ISSUE 3 / EDITORS: DAWN DABELL, JONATHON DABELL / RELEASE DATE: OUT NOW

THE MASKED CITY

Irene the Librarian is back and we are very glad to see her. The Masked City is a sequel to Genieve Cogman’s debut novel, The Invisible Library. The essential conceit of the novels is rather fun; the multiverse is split between Order (controlled by Dragons) and Chaos (controlled by the Fae). In the middle is The Library, a pan-dimensional realm filled with books from everywhere possible. Its agents, the Librarians, use the power of words to gather essential books and attempt to keep balance.

The Masked City begins in the same world as the last one; a steampunk world where the incursion of the Fae means that they are zeppelins dotting the sky and that incredible things are done with the right sort of clockwork. Our favourite book botherer, Irene, is put in a pickle when her companion and crush Kai is kidnapped by the Fae and dragged off to another world. Not only is this terribly inconvenient for Irene, it could also mean war between the Dragons and the Fae, because of Kai’s connection to Dragons.

This results in a quick tour of other parts of the multiverse. Worlds at the far end of Chaos are high-fantasy style mashes of magic and strangeness, whereas those realities with too much order are all about sharp suits, skyrise buildings and surveillance. This, mixed in with a clever (and simplified) meta-narrative on the nature of stories makes for highly entertaining reading.

There is a growing sub-genre of fantasy that seems to be rather British. Stories in which fantastic things lurk beneath the everyday and only a handful of specially trained people can deal with the strangeness are pretty standard fare, but the twist is that our heroes are hobbled by layers of bureaucracy and human resource management that tends to get in the way. Charles Stross’s Laundry series and Ben Aaronvitch’s Rivers of London books both do this, but Genieve Cogman’s books mix high-fantasy with bureaucratic charm quite effortlessly to form what is essentially a thrilling crime drama. With Dragons and Fae thrown into the mix for good measure.

The Masked City is an exercise in world-building and enchanting storytelling. Cogman’s style is to throw ideas at you at a reasonably high pace, making it very hard not to turn the page. Charming and spectacular fun.

THE MASKED CITY / AUTHOR: GENIEVE COGMAN / PUBLISHER: PAN / RELEASE DATE: DECEMBER 3RD

 

DARK SKY

Dark Sky isn’t a novel for the ages. It’s a novel for now. It might not be a ground-breaking achievement in sci-fi adventure, but it is a brash, barroom brawl of a novel. Mike Brook’s galloping actioner centres on a rag-tag group of space travellers who have a constantly hard time of trusting their former pirate of a captain. They’ve even less reason to trust him when the captain, Ichabod Drift, is unexpectedly presented with the mission of a lifetime, if he and his crew don’t get killed along the way that is.

Brooks has a sharp if brief manner of narration, and ultimately this is what can make or break Dark Sky depending on the reader’s choice of storytelling. Nevertheless, the story told here has balls, guts, and any other robust internal organs you can think of. The characters are full of life and the story gallops along with more than enough candy-coated fun to reward multiple readings.

Dark Sky may not be a truly riveting piece of literature, but it’s a whole heap of fun. Brooks radiates a genuine sense of adrenaline page after page that can keep the reader hooked throughout. His lively characters and rollicking story make for perfect entertainment, even if that’s all they strive to be. Overall, Dark Sky is an unapologetically two-dimensional blast. What it may lack in substance it makes up for with energy, charm and heart.

DARK SKY / AUTHOR: MIKE BROOKS / PUBLISHER: DEL REY / RELEASE DATE: OUT NOW

 

THE DARK FOREST

Hauntingly gentle in its delivery and gorgeous in its own wondrous atmosphere, The Dark Forest is a quiet slice of lovely science fiction. The Dark Forest centres on the impending doom of the Trisolarian fleet, who are prowling towards Earth to lay devastation. However, their own missionaries, the sophons, are already here, and are quietly altering the future of humanity for the Trisolarians. All that stand in their way is Luo Ji, an unassuming astronomer who becomes caught up in something called the Wallfacer Project, a desperate tactic designed to combat the aliens.

The Trisolarian’s own slow journey towards the Earth is reflected in the mood of The Dark Forest. It’s almost as calm and unassuming as Luo himself, but it has a delicate, self-assured swagger that entices the reader page after page. That general flavour of The Dark Forest might not be as effective for some readers however. Its smooth, unruffled pace compliments the tangled nature of the story, but it also means that this is a novel you should take your time with.

For those who enjoy cosmic literature that unfolds with grace, The Dark Forest is one hell of a treat. Thanks to an abundance of characters and locations being peppered throughout the story, a vast maze of emotions exudes from the pages. This is a world of a novel, and one that shouldn’t be taken lightly.

The Dark Forest has the ability to slither into your mind and find a snug place for it to rest, knowing that its own addictive self is something that shan’t leave you anytime soon. Its sheer scale and multi-layered storytelling may not suit everyone, but it’s bursting with character and ingenuity.

THE DARK FOREST / AUTHOR: CIXIN LIU / TRANSLATOR: JOEL MARTINSEN / PUBLISHER: HEAD OF ZEUS / RELEASE DATE: OUT NOW

 

MOONSTRUCK: HOW LUNAR CYCLES AFFECT LIFE

Lunar cycles are important to witches, who regard the full Moon as the most powerful time for casting spells and divination, and it’s when they gather to hold their Sabbath meetings. It’s the time when tainted humans turn into werewolves, and Steven Spielberg projects the silhouette of E.T. and Elliot on a bicycle flying on the night of Halloween against the backdrop of the full Moon.

With Moonstruck, Ernest Naylor takes a look at the extensive folklore and myths surrounding our celestial neighbour and compares them to the findings of science. In his opening chapter, he points out that when Galileo used a telescope to view the lunar surface he identified mountains and craters, which dispelled the long-held view that it was a perfect sphere. In turn, this discovery led writers like Francis Goodwin, the Bishop of Hereford, to imagine visiting its surface. From then onwards, the Moon was regarded as a place of seas and huge rugged mountains, and it is surprising to learn that it was not until 1968 that Kubrick’s 2001: A Space Odyssey was the first film to portray it correctly as having a relatively smooth and cratered surface. As this shows, old ideas, like John McClane, die hard.

In 1687 Isaac Newton scientifically established the gravitational influence between the Earth and the Moon, especially in terms of how this affects the rise and fall of ocean tides. What has taken much longer is an accurate appraisal of its influence on biological behaviour. Research has found some of this behaviour is indirect, with organisms responding to the changes in tidal heights and pressures which are influenced by lunar gravitation.

Experiments on direct influences have shown that, for example in the case of the bristle worm, spawning is put in motion by the intensity of the light given out by a full Moon. It is only in this century that a study of sandpipers showed that they orient their direction of travel to the position of the Moon, indicating that they possess a lunar-day biological clock. A similar mechanism also seems to trigger the spawning dances of the Platynereis dumerilii marine worm.

In the last chapter, The Moon and the Human Condition, Naylor shows the problems in pinning down how it affects us. Most human research has been conducted using statistics, and the findings seem to always contradict anecdotal evidence and assumptions about these linkages. Studies have found that there is no link between menstrual and lunar cycles in humans or related species, natural childbirths do not occur more often at the time of the full Moon, or that it causes ‘lunatics’ to go out of control. Equally, violent crimes, instances of epilepsy, and suicide rates do not conform to lunar cycles.

Studies have, however, indicated that death rates peak in the first and third quarters of the Moon, and that there are better survival rates for people undergoing aortic surgery just after a full Moon. Another significant survey has found that in laboratory conditions volunteers slept best at the time of a new Moon and less well during a full Moon.

The difficulty of determining a causal link between the Moon and behaviour has led to widespread scepticism by scientists. Despite this, Naylor is optimistic that we will find evidence for circalunar clock genes in more organisms, and that perhaps they are also embedded in our genes. If so, some of the ancient folklore, beliefs and legends about the Moon might have some truth in them after all.

Naylor provides a clear survey of the latest findings in this subject area, and a useful glossary is supplied for those not familiar with the terminology. The affects on humans bookend the body of the text that mainly concerns itself with marine organisms, not surprisingly, given that Naylor is Professor Emeritus at the School of Ocean Sciences, Bangor University, Wales. It would have been good to have a bit more detail on the human studies and some speculation on future research and what links might be feasible, but you can’t blame him for sticking to the facts rather than howl at the Moon.

MOONSTRUCK: HOW LUNAR CYCLES AFFECT LIFE / AUTHOR: ERNEST NAYLOR / PUBLISHER: OXFORD UNIVERSITY PRESS / RELEASE DATE: OUT NOW

 

KATERINA

UK-based author Erik Hofstatter’s third book is an engrossing and intriguing novelette that haunts the mind as you’re reading, and for long afterwards: quite an achievement for such a short tale, and one that bodes well for the future of this promising young writer.

Set in present day Prague, Katerina tells the story of Kamil, a thirty-something mediaeval weapons trader who resides in the red-light district. Picking up whores is his favourite past-time, an activity that bespeaks his misogyny, a hatred fostered by his mother who was herself a prostitute. One night he solicits a nineteen-year-old who calls herself Ginny: real name Katerina. After a night of rampant sex, Kamil catches Katerina doing something very bizarre in his kitchen, and promptly kicks her out. But her disturbed mind seems to connect with Kamil’s in some strange way and obsession grows, as Kamil tries to uncover the nature of Katerina’s weird behaviour. It’s a journey that potentially leads to the darkest recesses of the human mind, but also promises redemption of a sort.

Katerina is billed as erotic horror and it certainly lives up to that description. Hofstatter tells his story in first person from Kamil’s point of view and immediately sets him up as a believable character, if not exactly a likeable one. In his own way, Kamil is a damaged as the whores he uses and abuses, and Hofstatter presents his world as one where callousness hides deeper turmoil. Katerina is a more overtly disturbed individual, and we can’t help but feel sympathy for her. Katerina is a love story of sorts, but one shot through with a very dark vein of dread that comes on like a pornographic Edgar Allan Poe.

At 42 pages, Katerina is a brisk, absorbing read, and Hofstatter keeps you guessing until the final moments. Sure, there’s the odd bit where the characters feel slightly inconsistent but Hofstatter’s writing style is strong enough that you forgive the occasional bump in the storyline in terms of plausibility. The ending is a bit abrupt – the author being keen to wrap up the loose ends, when with a bit more development this could easily have become a full length novel; the main enigma being strong enough to sustain a longer story. Having said that, Hofstatter leaves us wanting more. Maybe one day he’ll return us to these characters, as this reviewer, for one, would be happy to spend more time with them. Twisted though they are.

KATERINA / AUTHOR: ERIK HOFSTATTER / PUBLISHER: CREATIVIA / RELEASE DATE: OUT NOW