Feature Category: Article

THE POSSESSION, the latest production from Sam Raimi’s Ghost House horror label, will be released in UK cinemas August 31st, and to get us in the mood we have an exclusive new behind the scenes featurette exploring the legend of the Dibbuk Box itself. Check it out below…

Official Synopsis:

Based on a true story, THE POSSESSION is the terrifying story of how one family must unite in order to survive the wrath of an unspeakable evil.

Clyde (Jeffrey Dean Morgan) and Stephanie Brenek (Kyra Sedgwick) see little cause for alarm when their youngest daughter Em becomes oddly obsessed with an antique wooden box she purchased at a yard sale. But as Em’s behavior becomes increasingly erratic, the couple fears the presence of a malevolent force in their midst, only to discover that the box was built to contain a dibbuk, a dislocated spirit that inhabits and ultimately devours its human host.

Starring Jeffrey Dean Morgan (WATCHMEN) and Kyra Sedgwick (“The Closer”), THE POSSESSION is directed by Ole Bornedal (NIGHTWATCH), written by Juliet Snowden & Stiles White, and produced by horror master Sam Raimi along with Robert Tapert and J.R. Young. Lionsgate and Ghost House Pictures present.

My favourite part of the movie calendar is without doubt the autumn and winter season. The summer blockbusters are a thing of the past and almost everything that comes out is more concerned with tickling your brain as well as your eyes. Of course there are also the simple pleasures of going along to the cinema on a cold, wet Sunday afternoon with someone you love (or at least like). It’s a feeling that the summer can never replicate no matter how much of a washout it turns out to be.

The word that comes to mind looking at the list below is (if you’ll forgive me) balls. You have the usual big blockbusters of the season (Skyfall, Resident Evil, The Hobbit) but then almost everything below it in terms of budget and buzz is extremely risky looking. I think that Looper is actually going to surprise a hell of a lot of people considering that it has a high concept plot but will be presented in a quirky, non-conformist way that will cross over to the mainstream. This is also true of The Master, Wreck It Ralph and Rise of the Guardians which have all the pedigree of a mainstream hit but all the ingredients of something outside of the norm. Cloud Atlas may well be the most risky project green lit since The Fountain and hopefully the intelligent people that made Inception a hit will come out for it in droves.

So will our multiplexes be packed this season or will they be a wasteland between Bond and Hobbits? We will see…

Looper

Directed by: Rian Johnson. Starring: Joseph Gordon-Levitt, Bruce Willis and Emily Blunt.

Rian Johnson’s follow up to The Brothers Bloom is a time travel tale that has Joseph Gordon-Levitt as a hitman in a world where time travel tech is illegal and is used by the mob in the future to send targets back to the past for disposal. He finds himself on the run (in a way) when his next target is his future self played by Bruce Willis sent back from the future. The film already has tremendous buzz from those who have seen it who claim that Johnson’s clever scripting has made its way unharmed into a time travel thriller which really delivers. The makeup job on Gordon-Levitt to make him look like Willis is also… creepy.

Released: 28th September

Resident Evil: Retribution

Directed by: Paul W.S Anderson. Starring: Milla Jovovich, Sienna Guillory and Michelle Rodriguez.

This is the fifth Resident Evil film but feels like it’s the ninth. It picks up after the part reboot of the fourth movie by the original director Anderson, will be in 3D and will no doubt be entirely in slow motion. The story this time finds Jovovich’s Alice taking the fight to the evil Umbrella Corporation with former franchise alumni Sienna Guillory and Michelle Rodriguez returning to the apocalyptic 3D landscape.

Released: 28th September

Frankenweenie

Directed by: Tim Burton. Starring: Winona Ryder, Charlie Tahan, Christopher Lee and Martin Short

Oh Tim Burton, after the awful Dark Shadows and Alice in Wonderland, Burton is actually doing something that seems less obvious and more in keeping with why we all loved him in the first place. Frankenweenie is a stop motion full length animated film of the short that Burton previously made in his early days. The plot revolves around a young man obsessed with horror films who brings back his recently deceased beloved dog using methods employed by the classic horror films he loves so much. Could be great but could go over the heads of many of this generations kids who only know Burton from Alice and Charlie and the Chocolate Factory.

Released: 17th October

Sinister

Directed by: Scott Derrickson. Starring: Ethan Hawke, Vincent D’Onofrio and James Ransone

Another film with massive early buzz is Sinister, the new horror film from the director of the visually interesting but not much else; The Exorcism of Emily Rose. This finds a man literally ‘finding footage’ in the attic of his new home which reveals the family who previously lived there were haunted by some kind of demon. The trailer is great and gives off a real Insidious kind of vibe so should scare up some good business.

Released: 5th October

The Master

Directed by: Paul Thomas Anderson. Starring: Joaquin Phoenix, Amy Adams and Philip Seymour Hoffman.

On the surface you probably shouldn’t care about this except that it is reportedly based on the life of science fiction writer L.Ron Hubbard who founded Scientology based on some really out there concepts. The enigmatic trailers haven’t revealed much thus far except that Paul Thomas Anderson’s style is present and correct. Will the film delve into the science fiction elements that could be present in the story? Or will this be all about the performances and characters? Either way it’s going to be fascinating and probably controversial if your name is Tom Cruise.

Released: 9th November

V/H/S

Directed by: Ti West, Adam Wingard, David Bruckner, Radio Silence, Joe Swanberg, Glenn McQuaid Starring: Calvin Reader, Lane Hughes and Adam Wingard.

Take some of the directors of some of the most interesting horror films of recent years, give them each the ‘found footage’ format and sit back and watch the results. This is the premise behind the ‘found footage’ horror anthology that has each directed a different segment with a wraparound story. Early word on this is stunning and it could reinvigorate both the ‘found footage’ and ‘horror anthology’ sub genres.

Released: 24th January 2013

Paranormal Activity 4

Directed by: Henry Joost and Ariel Schulman. Starring: Katie Featherstone and Brady Allen

Despite Paranormal Activity 3 actually being pretty good and a fitting end to the franchise, the film made enough money to guarantee another instalment so this autumn the directors of the third film return with the fourth. Not much is known about the plot apart from the fact that it takes place after the previous three films, oh and original star Katie Featherstone is in it so she probably crops up in her demonically possessed form somewhere. This could go either way right now.

Released: 19th October

Cloud Atlas

Directed by: Andy and Lana Wachowski and Tom Tykwer. Starring: Tom Hanks, Halle Berry, Jim Sturgess, Jim Broadbent, Hugh Grant and Susan Sarandon.

The return of the Wachowski brothers and Tom Tykwer is a massive cause for celebration, further rejoice because this looks like the most daring, provocative film of the year. Based on David Mitchell’s sprawling, centuries spanning novel, this finds an act of kindness ripple across the centuries with different actors playing different incarnations of characters before finally sparking a revolution in the future. The five minute trailer released recently was nothing short of breath taking and instantly became my most anticipated film for the remainder of the year.

Released: January TBC

Wreck it Ralph

Directed by: Rich Moore. Starring: John C. Reilly, Jack McBrayer and Jane Lynch

Disney’s holiday season animated film is something that will appeal to those nostalgic for their days playing the 8 bit consoles they were raised by. Wreck It Ralph is a Donkey Kong like character from a popular arcade game who along with other video game villains, feels misunderstood by the internal world presented within the games in the movie. Ralph longs to be a hero and unleashes a whole heap of trouble after sneaking into a first person shooter along the lines of the Halo franchise. It features recognisable iconic characters from a whole heap of other games which will make people chuckle, but will it actually be any good? Or another nostalgic misfire?

Released: 15th February

Branded (aka The Mad Cow)

Directed by: Jamie Bradshaw and Aleksandr Dulerayn. Starring: Leelee Sobieski, Jeffery Tambor, Ed Stoppard and Max Von Sydow.

The mind frying trailer for this US and Russia co-production has been doing the rounds for a while and it looks like the offspring of David Cronenberg, John Carpenter and William Gibson’s Pattern Recognition. The plot concerns an advertising exec who uncovers a conspiracy to control the population with corporate branding. The question of whether or not this will get a decent UK release remains in the balance, it will get a decent sized VOD and theatrical run in September stateside so if this becomes a word of mouth cult film like some have predicted, hopefully we won’t have to wait too long for a decent release here.

Released: TBC

Skyfall

Directed by: Sam Mendes. Starring: Daniel Craig, Javier Bardem, Ralph Fiennes, Naomi Harris and Judi Dench.

It’s been a long time coming but finally this Autumn James Bond will return in Skyfall. Four years since the mixed reception that greeted Quantum of Solace and an appearance at the Olympic opening ceremony have put the anticipation at an all-time high for this one. Thankfully despite the claims from the producers and Craig that they wanted to put the ‘fun’ back in Bond, it doesn’t look like Sam Mendes has abandoned the gritty aesthetic that helped make Casino Royale such a surprise. The plot remains fairly secret but does involve M’s past, a fatal mission and MI6 coming under attack. Javier Bardem plays the villain, which I think you’ll agree is the best thing to happen to a bond film in a while even if he does look fairly weird in a blonde wig.

Released: 26th October

The Man with the Iron Fists

Directed by: RZA. Starring: Russell Crowe, Lucy Liu, RZA, Dave Bautista and Pam Grier

Based on a screenplay written by Eli Roth and RZA, this feels like the film that former Wu Tang Clan man RZA has been building towards for a while. After scoring Tarantino’s Kill Bill and being involved with anime Afro Samurai, RZA takes the directorial reigns for this tale set in feudal china where a blacksmith must defend the small village he lives in from bandits. The first cut of the film was four hours long and has somehow been edited down to a mere 90 minutes and judging by the trailer this could be a great slice of live action anime and may even get Russell Crowe back in our good books.

Released: 16th November

Rise of the Guardians

Directed by: Peter Ramsey. Starring: Hugh Jackman, Alec Baldwin and Isla Fisher

Based on the book by William Joyce, Rise of the Guardians looks likely to continue DreamWorks Animation’s recent track record of improving quality. This tells the story of childhood figures Santa Claus, Jack Frost, The Easter Bunny and the Tooth Fairy teaming up to take on an evil spirit intending to take over the world. You can feel creative consultant Guillermo Del Toro’s fingers all over this one and the trailer seems to have a weight and a sense of scale to it that has been absent from DreamWorks’ previous films. Between this and Wreck It Ralph, it seems like the season is a good time to be an animation fan.

Released: 30th November

The Hobbit: An Unexpected Journey

Directed by: Peter Jackson. Starring: Martin Freeman, Ian Mckellen, Andy Serkis, Richard Armitage and Luke Evans.

The wind may have gone out of our sails recently due to the fact that Peter Jackson has decided to turn this 300 page book into another epic trilogy. This leads us to believe that either a) this is really tedious and dragged out or b) this is the first step in a larger expanded story beyond Tolkien’s original text. Either way the return to middle earth will be a welcome one even if it is in a slightly less dark more family friendly way. Jackson seems to have lost none of his skill in this universe judging by the footage seen thus far and for those worried about the whole 48 frames per second farrago, it seems as though this may only be in select screens after all. Probably the one to beat this Christmas although whether it will equal Rings’ Oscar glory remains to be seen.

Released: 14th December

Django Unchained

Directed by: Quentin Tarantino. Starring: Jamie Foxx, Christoph Waltz and Leonardo Di Caprio.

This may not exactly be Starburst material but a new Tarantino film is always a cause for celebration purely for the fact that he mixes and matches genres so easily and is a master of all of them. Django Unchained is his take on the Western (or in this case Southern) and finds Jamie Foxx’s freed slave becoming a bounty hunter and going after Leonardo Di Caprio’s evil plantation owner for revenge. This is reportedly loaded with the same stylish ultra-violence that Tarantino became known for and should be another masterpiece from the director.

Released: 18th January

Texas Chainsaw Massacre 3D

Directed by: John Luessenhop. Starring: Alexander Daddario, Tania Raymonde and Bill Moseley

Considering the fanbase and the fact that 3D was all the rage in the genre for a bit, it’s surprising that the Texas Chainsaw Massacre franchise is only now going 3D. This project is currently a bit of a mystery, it doesn’t look like it takes place in the new continuity established by the remakes in 2003 and 2006 and the cast list features lots of faces from the old franchise like Bill Moseley, Marilyn Burns and Gunnar Hansen. The screenplay however is by Adam Marcus, the man who made what many consider the finest movie in the franchise with Jason Goes to Hell and is also writing the upcoming Cabin Fever reboot. Director Luessenhop made the excretion that was Takers and the January release slot doesn’t inspire confidence but we will see…

Released: 4th January 2013

Hansel and Gretel: Witch Hunters

Directed by: Tommy Wirkola. Starring: Jeremy Renner, Gemma Arterton and Peter Stormare.

This film’s release date was moved by Paramount early in 2012 until one year later and alarm bells went off. It seems as though the film may have just not been finished as they have recently tested both an R rated cut and a PG13 cut. The R Rated and gore drenched cut won out and will be the one released in cinemas. This should still come out in time to capitalise on the fairy tale fad as well as Renner’s popularity after The Avengers and The Bourne Legacy.

Released: 15th March 2013

Warm Bodies

Directed by: Jonathan Levine. Starring: Nicholas Hoult, Teresa Palmer and John Malkovich

Another film with a shifting release date. Despite being saddled with a pretty well liked book and a unique premise with a zombie falling in love with the girlfriend of one of his victims, the imagery we have seen from this so far sadly evokes Twilight. I still have faith in 50/50 director Jonathan Levine who is still one of the most interesting directors to emerge from the indie scene in recent years. Although we also said that about Catherine Hardwicke and David Slade once. This may be possibly the most difficult film to market that’s coming out shortly. A decaying corpse isn’t exactly sexy is it?

Released: 8th February 2013

Beautiful Creatures

Directed by: Richard LaGravenese. Starring: Emmy Rossum, Emma Thompson, Jeremy Irons and Viola Davis.

Early next year another young adult book series will get the film treatment with a possible franchise in the offing. This time it’s the Caster Chronicles series in which a young man uncovers secrets with regards to his family and magic and the struggle between good and evil. There is a romance, there is magic yadda yadda, there is an audience starved of Twilight and Harry Potter films by the time this comes out. Richard LaGravanese has a fairly heavy track record with some acclaimed films as both a writer and director so we should be able to take this fairly seriously.

Released: 13th February

I, Frankenstein

Directed by: Stuart Beattie. Directed by: Aaron Eckhardt, Yvonne Strahovski and Bill Nighy.

Writer Stuart Beattie continues his directorial career after Tomorrow, When the War Began with this film which has a higher than high concept. Based on a comic book (of course) this finds Frankenstein’s monster as a private detective who finds himself in a battle between good and evil immortals. Kind of like Constantine mixed with Underworld hopefully with more of the former and not too much of the latter.

Released: 22nd February

Elysium

Directed by: Neill Blomkamp. Starring: Matt Damon, Jodie Foster and Sharlto Copley

If you saw District 9 then Elysium is no doubt your most anticipated title of the new year. Footage from the film recently shown at San Diego Comic Con blew people’s minds and it looks like another solid genre entry from director Neill Blomkamp. Set in the year 2159 Elysium takes place in a world where the super-rich live in an orbiting space station whilst the other 99% live on an overcrowded and polluted Earth. Matt Damon plays a guy who must go on a deadly mission on the ground to get up to Elysium for life saving surgery. It’s going to be violent, politically astute and above all one hell of a fun sci-fi ride.

Released: 1st March

OZ: The Great and Powerful

Directed by: Sam Raimi. Starring: James Franco, Mila Kunis, Michelle Wiliams and Rachel Weisz

A prequel to The Wizard of Oz going back to L. Frank Baum’s original books with nary a singing munchkin in sight seems like a major box office win in this post Alice in Wonderland world. Most of us would be ready to dismiss this sight unseen and the first poster released did few favours in terms of separating it from Alice. Then the trailer arrived and although it’s colourful, there seems to be some darkness to the film which Sam Raimi has brought with him as well as a tone of fun that was missing from Alice in Wonderland which was all about the Tim Burton aesthetic. It’s worth remembering that Return to Oz in 1985 was a box office dud, will this meet the same fate or will it end up being a big hit?

Released: 8th March

Jack the Giant Killer

Directed by: Bryan Singer. Starring: Nicholas Hoult, Ewen McGregor and Stanley Tucci

Another film with Nicholas Hoult that has been victim of a shifting release date. To be fair though Jack the Giant Killer shifted its June 2012 release date fairly early on and March isn’t exactly a ‘dump month’ like January or September. Although there was one negative test screening report leaked, it’s more than likely this needed time to finish the epic effects depicting the conflict between humans and giants in this re-telling of the Jack and The Beanstalk fairy tale. The first trailer released hasn’t blown anyone’s mind so far but the extra post production time should mean a solid, satisfying if unremarkable final product. Remember that before Superman Returns we all anticipated Bryan Singer directed films with much excitement.

Released: 20th March

The summer slump continues unfortunately with only the below titles really standing out as the genre offerings worth talking about in the last two weeks.

All signs are pointing towards some major developments over the next two weeks as Netflix get Breaking Bad season 4 which represents a major win. The other streaming providers can only respond with some content which will benefit the consumer and we will of course let you know about if it falls in Starburst’s remit.

Zombieland (2009) – Netflix

Zombieland was available on LOVEFiLM for a while but has now shambled its way on to Netflix. When it came out three years ago Zombieland was praised for being something new in the zombie genre which is looking even more tired now than it was back then. Although this is fun, inventive and likeable, on re-watches it becomes less and less so. The problem is that much like director Ruben Fleischer’s follow up 30 minutes or less, this is so lightweight and brief that it barely registers. The fact that this was once a TV pilot definitely shows at times but it rises above its origins due to the great performances from Woody Harrelson, Jesse Eisenberg and Emma Stone. Despite being flawed Zombieland is still an enjoyable hour and a bit if you haven’t seen it yet. Once seen you can join the debate on whether this should be continued either in film or on TV. I vote TV…

I Am Legend (2007) – Lovefilm

What has always baffled me is the fact that whenever anyone talks about adapting Richard Matheson’s seminal horror novel I Am Legend, they talk about 200 million dollar budgets which is what lead to this version working its way through development hell for over ten years. If you read the book then I’m sure you’ll agree that you could do a faithful, terrifying version for well under your typical budget of a blockbuster. This is actually the third adaptation of the novel and none has been as good or as spot on as Matheson’s source material. Charlton Heston’s The Omega Man probably came closest but was loaded with cheese. Will Smith’s version was the one that came out after Ridley Scott and Arnold Schwarzenegger failed to make it happen and Francis Lawrence took over in the director’s chair. This version is an incredibly frustrating film, for everything it gets right it gets an enormous amount wrong. The action has been moved from LA to New York City and seeing a deserted city is impressive and no doubt where most of the budget went. Will Smith gives possibly his best performance and his mannerisms and behaviour as the last man on Earth are spot on. The major problems which the film never gets passed is that CG bald fellas are not scary no matter how loud or angry they get and the last act sadly falls in to blockbuster formula despite a moving ending that thematically feels right. Worth watching just so you can see the production design and Will Smith’s performance but sadly it’s consistent with Smith’s run of flawed sci-fi blockbusters.

Snowtown (2011) – Lovefilm

If you fancy having your day ruined and are just too damn happy then give Snowtown a watch, it is the very definition of uncompromising and powerful cinema. Based on the true life case of Australian serial killer John Bunting this takes into account the people he surrounded himself with and who he influenced. Bunting, played by the mesmerising Daniel Henshall, bonds with abused and downtrodden youth Jamie (Lucas Pittaway) and gradually whilst trying to help him brings him into his depraved and murderous ways. Director Justin Kerzel did a very good job with some very difficult material. The film doesn’t shy away from the full horror and misery that was present in these people’s lives but it’s never in bad taste or exploitative. If you like your films raw and in your face and enjoyed Henry: Portrait of a Serial Killer then you must see Snowtown. It’s like looking into the face of evil for two hours.

Vanishing on 7^th Street (2010) – Netflix

Brad Anderson has made some very interesting films that are kind of like modern Hitchcock with Session 9, The Machinist and Transsiberian. With Vanishing on 7^th Street however Anderson seems to be entering an M. Night Shyamalan style slump. That’s not to say that the film is bad, in fact it’s a perfectly watchable Outer Limits episode stretched to full length. The problem is that none of the characters fully engage as average people in an extreme situation the way they should have, Hayden Christensen is the lead which should tell you all you need to know. As much as the central mystery of why people are disappearing is fascinating it’s also frustrating in its obtuseness and a little hint of an explanation would have been welcome. Now it’s available on streaming it’s probably a good time to check this out if you haven’t already.

The Matrix (1999) – Lovefilm

The original Matrix film from 1999 changed cinema forever and remains a masterpiece of cool sci-fi filmmaking. Even if you haven’t seen it then you know the set-up, the film changed action filmmaking and special effects forever and the film is a densely plotted and mythology rich cyberpunk classic. All these years on what’s amazing about The Matrix apart from how it hasn’t dated is how wonderfully written it is. The Wachowski Brothers manage to pack in an incredible amount of backstory, world building and plot into a screenplay that comes in at just on two hours whereas in other less skilled hands it would have been a bloated three hour mess.

The Matrix Reloaded (2003) – Lovefilm

The general opinion seems to be that The Matrix sequels were a let-down compared to the game changing first installment. There are also those who love what The Wachowski’s came up with to continue the story. Sadly the former are more vocal than the latter. Personally I enjoy the second movie although it has massive pacing issues and is the introduction of what ruins the sequels for me, namely the human settlement of Zion. Nothing about Zion convinces, not the council, not the inhabitants and worst of all some kind of rave/orgy sequence just feels really out of place. Regardless of your opinion of the second movie, it does have the freeway chase scene and an ending which subverts everything you think you knew about the trilogy which let’s face it, was massively ballsy.

The Matrix Revolutions (2003) – Lovefilm

So we come to the finale of the trilogy and it’s a massive improvement and a darker film than anything previously. The film is mostly set in the real world so you still get frickin’ Zion but the film is more thematically on the money than Reloaded. There is a debate here about Artificial Intelligence and where it would go once self-awareness or consciousness was firmly established. Again the ending divides people who don’t like it because it didn’t end in typical sci-fi blockbuster trilogy fashion but those people are not thinking about the enormity of the ending they wanted based on the world that was set up here. If you are only here for the eye candy then you get that with the final battle between Neo and Agent Smith as well as the journey to the machine city. For me the ending is the absolute ending that makes sense in the context of the world and I still remain hopeful that someday we will return to the world to see the implications of the new world created at the finale.

So he’s not really from the world of science fiction, but he might as well have been. It’s hard to imagine what it must have been like to have been the first man to step foot on the moon. As achievements go, it’s not really one any of us can ever conceive of equalling. It’s rather humbling just to know someone like Neil Armstrong even lived in our lifetime and if you’re not old enough to remember the moon landings, it might even be hard to imagine that we put people up there on a fairly regular basis, once upon a time. Armstrong wasn’t just someone who happened to be in the right place at the right time, riding the product of other people’s work into history books. He was an extraordinarily skilled pilot whose last minute decisiveness prevented the mission from being aborted while the LEM was under his manual control. While Armstrong had only rated the mission as having a 50-50 chance of success, it’s interesting that he only gave himself and his crew a 90% chance of returning successfully to Earth. Sounds a lot but most of us like to give ourselves better chances than that before we embark on a trip to the office, otherwise we just wouldn’t go.

Despite his iconic status, Neil Armstrong managed to live a fairly private life, allowing Buzz Aldrin to be the “public face” of that first mission to the surface of the moon. He shunned publicity and declined to join political causes. He refused autographs, disapproving of the money they were changing hands for; he even entered into a legal battle with his barber for selling his hair without his permission. Rarely giving interviews he surprised and puzzled many by doing precisely that last year for the Certified Practicing Accountants of Australia, of all people. This was apparently explained by his father being an auditor, but one cannot help but feel that such an enigmatic choice was typical of the man.

Neil Armstrong passed away on 25th August 2012 following complications from heart surgery.

Starburst salutes someone for whom the words “legendary” and “icon” are simply inadequate.

New Comic Book Day is upon us once again and this week looks like it’s going to be a special one. This Wednesday, traipse down to your local comic shop (or preferred digital retailer) to get your fill of questionable morals, radioactive heroes, punk rock vampires, and high-flying vintage vigilantes.

Before Watchmen: Dr. Manhattan #1

Written by: J. Michael Straczynski / Art and Cover by: Adam Hughes / Publisher: DC Comics

The first issue of Before Watchmen: Dr. Manhattan sees Adam Hughes taking up interior art duties for the first time in far too long. Hughes has worked primarily on cover art for the past few years and fans have been looking forward to this moment for a long time. Also included is the latest chapter of the Crimson Corsair backup, written by Len Wein, with art by John Higgins.

Justice League Dark #12

Written by: Jeff Lemire / Art by: Mikel Janin / Cover by: Ryan Sook / Publisher: DC Comics

Jeff Lemire’s homerun streak continues with Justice League Dark #12. Under Lemire’s direction, the series has gone from good to great and this month’s installment is set to answer some burning questions for fans following the series’ events. While Faust’s master will be revealed, the team must still go head to head with Blackbriar Thorn.

Flash #12

Written by: Francis Manapul and Brian Buccellato / Art and Cover by: Francis Manapul / Publisher: DC Comics

Flash continues to be one of the standouts of DC’s New 52 lineup and the creative team of Manapul and Buccellato continue to deliver the goods with Flash #12. The Fastest Man Alive has always had one of the most colorful rogue galleries around and in this issue, the Rogues have a mind to make themselves into a force to be reckoned with.

Batman Incorporated #3

Written by: Grant Morrison / Art by: Chris Burnham / Covers by Chris Burnham and Jason Fabok / Publisher: DC Comics

After being delayed due to the tragic shooting in Aurora, CO last month and DC’s concern that the book’s violent content would be poorly timed, this re-solicited issue is finally making its way to comic book stores. Morrison reintroduces Matches Malone, an alter ego that’s occasionally caused more harm than good for the Bat-family while Batman closes in on the identity of the person trying to kill Robin.

Amazing Spider-Man #692

Written by: Dan Slott / Art by: Humberto Ramos / Covers by: Humberto Ramos and Marcos Martin / Publisher: Marvel

What does one get the webslinger who (usually doesn’t) have it all for his 50th anniversary? A sidekick, of course! Ever since Marvel revealed that Spider-Man, long since a solo act, would find himself in the position to mentor a brand new sidekick, fans have been dying to learn more about Alpha, a boy who finds himself in an eerily similar position to Peter Parker when he becomes the victim of a lab accident that bestows super powers upon him. Alpha has great power, but is he ready for great responsibility?

Punisher #14

Written by: Greg Rucka / Art by: Mico Suayan / Cover by: Marco Chechetto / Publisher: Marvel

The unrelenting blood and violence that has marked Rucka’s time on Punisher shows no sign of slowing down, as Rucka’s run approaches its end. The series continues its slow crescendo to October’s Punisher: War Zone and we’re clinging to every word and panel in this captivating tale that has focused pretty heavily on Frank Castle’s sort-of-but-not-really sidekick, Rachel Cole-Alves.

Rocketeer: Cargo of Doom #1

Written by: Mark Waid / Art by: Chris Samnee / Covers by: Chris Samnee and Dave Stevens / Publisher: IDW

Genre fans of a certain age will remember the 21 year old charmingly faux-vintage film, The Rocketeer, but lest we forget, 2012 actually marks the 30th anniversary of Dave Stevens’ Rocketeer. What better way to celebrate than with a new mini-series by writer Mark Waid and artist Chris Samnee. Fans who have enjoyed the duo’s work on Daredevil won’t be disappointed with this delightfully retro romp through the skies.

Scalped #60

Written by: Jason Aaron / Art by R.M. Guera / Cover by: Jock / Publisher: Vertigo

It’s with equal parts sadness and joy that we bid farewell to writer Jason Aaron and artist R.M. Guera’s Scalped, a series that rightfully received a great deal of praise. After last issue’s epic standoff, Aaron is pulling out all the stops to give Scalped the sendoff it deserves.

Rachel Rising #10

Written by: Terry Moore / Art by: Terry Moore / Publisher: Abstract Studios

Terry Moore’s Rachel Rising has flown a bit under the radar for the past few months, but after upping the ante in issue #9, Moore is proving that this is a book not to be ignored. After a minor snafu with this issue’s cover art (a pendant that was meant to be a pentagram was printed as a Star of David, adding a potentially anti-Semitic bent to a cover featuring a witch about to be hung), Moore and Abstract Studios were quick to address the problem, which threatened to overshadow the issue itself. Rachel Rising’s subtly creepy brand of horror should appeal to indie and mainstream comic fans alike and issue #10 is a definite addition to this week’s must-read list.

Buffy the Vampire Slayer: Spike #1

Written by: Victor Gischler / Art by: Paul Lee / Cover by: Steve Morris / Publisher: Dark Horse Comics

After having his heart broken yet again by the Slayer, Spike leaves Earth behind and sets out on his own, accompanied by a crew of loyal insect-like aliens aboard his very own steampunk spaceship (you heard me). Join Spike and his unlikely allies on his journey of self-discovery as they visit the dark side of the moon, where evil most certainly awaits.

There are over 160 Big Finish Doctor Who monthly releases. This doesn’t include Jago and Litefoot, Dalek Empire, Gallifrey, Cyberman, Sarah Jane Smith, UNIT, Davros, Counter Measures, Bernice Summerfield and Graceless, Lost Stories, Companion Chronicles, new fourth and eighth Doctor adventures, special releases, stage plays, magazine releases, alternative histories and Iris Wildthyme. There are around 270 of these.

Then there are audio releases for Blake’s 7, Stargate, Highlander, Sherlock Holmes, 2000AD, Dark Shadows, Sapphire & Steel, The Tomorrow People, Robin Hood and others.

With such a stupefying amount of material to immerse yourself in the question is, “where to start?” Upon first inspection the Big Finish range feels quite impenetrable, but it isn’t. You simply need to decide what you are after and I guarantee that whatever you want, Big Finish can provide. So I’ve taken some liberties and second-guessed some starting points that may interest you. I’ve been ably supported by the good folks at the Big Finish forums on a couple of the titles. A smashing community who I would heartily recommend you get to know. If these choices don’t take your fancy they’ll be keen to help a new ‘un out.

I’ve limited most of the choices to the main Doctor Who range only because they provide an excellent entry point into the world of Big Finish. Executive Producer of Big Finish and voice of the Daleks, Nicholas Briggs has also been kind enough to supply a few words on each release. So we’ll start at the beginning:

In the beginning there was…

Sirens of Time (1999) – written by Nicholas Briggs

What a way to start by bringing in three Doctors. Sylvester McCoy, Colin Baker and Peter Davison slide effortlessly back into character in this epic Gallifreyan tale. Above all this shows the potential of things to come. The story is well written, the audio production is first class and the acting sublime. This was the first recorded programme since the TV movie and Big Finish had everything to gain, which they ultimately did. With three individual Doctor episodes all coming together in the final part this is a unique and worthy start to a run that is still going, with fervour, 13 years later.

Nick Briggs says, “Where it all began. Four adventures in one and a three Doctor get-together.”

The one that makes you go, “WTF”.

The Maltese Penguin (2002) – written by Robert Shearman

Firstly you need to get over the fact that the main character is a Penguin detective. Ready to move on? Good. Colin Baker puts an appearance in as the Doctor, that should help you out. Rob Shearman is one of the best Big Finish writers and brings the character Frobisher, that’ll be the Penguin, out from the pages of Doctor Who Magazine, where he made his début, into an excellent parody of film-noir, in particular, and obviously, The Maltese Falcon. The story is witty, well-paced and the perfect example of how far Big Finish are willing to push creative boundaries. Originally a free release to subscribers, this story is now available at a very affordable price. Why is it a ‘WTF’ and not a ‘Funny’? Because the protagonist is a PENGUIN! WTF!

Nick Briggs says, “Film Noir on audio, with the award-winning Rob Shearman’s wit.“

The one that makes you go, “OMG”.

Lucie Miller (2011), To the Death (2011) – written by Nicholas Briggs

If I tell you what makes this ‘OMG’ then it won’t be an ‘OMG’ moment, so I’m asking for a little trust here. What I can impart is that this is an excellent two-part companion piece to the classic Dalek Invasion of Earth story that now involves The Monk, Susan and her son Alex, the Doctor’s Great Grandson. This could easily be the story that turns Paul McGann’s Doctor into the oncoming storm tearing through the Time War. The first episode, being Doctor-lite, gives Sheridan Smith a great opportunity to articulate her commanding presence and for us to review this final series of Eighth Doctor adventures before he returned to the monthly releases. The second episode is where it all happens. But you have to listen to both; otherwise you won’t feel, with your very soul, the heartbreak, emotion and surprise that’ll give you OMG moments at every turn.

Nick Briggs says, “Paul McGann’s Doctor, Sheridan Smith’s Lucie Miller, invading Daleks and gut-wrenching emotions.“

The Marmite one.

Zagreus (2003) – written by Gary Russell and Alan Barnes

The big fortieth anniversary special was a multi-Doctor story. This was the longest, at nearly 4 hours, and most ambitious production to date. It included a plethora of actors from the world of Doctor Who not playing their traditional characters which makes it slightly problematic. Why would you have Sophie Aldred, Bonnie Langford, Nicola Bryant, Elisabeth Sladen and others not playing Ace, Mel Bush, Peri, Sarah Jane Smith et al? Davison, Baker, McCoy and McGann make the most of their alternative roles and the Jon Pertwee appearance, whose part was edited together from a fan made video project, is divine. We simply don’t have enough space to go into the ambitious plot but needless to say it is epic and mind-spanning. The problem with the project was that it didn’t deliver on fan expectations. Bringing this amazing cast together and then giving them new characters made people think it was a wasted opportunity. Sadly you aren’t going to please all of the people all of the time and to my mind this is a monster of a release and deserves to be listened to again and again. It will only be after several repeat listens that the true depth and nature of the story will be realised

Nick Briggs says, “An incredible star cast and imagination beyond belief.“

The one that will make you cry.

Spare Parts (2002) – written by Marc Platt

When you produce a story considered the definitive origin, by fans, of the Cybermen you have something very special indeed. As well as being the one that will make you cry this is the one that will make you believe in Big Finish. This is one of my top-five, perhaps top-three, Doctor Who stories of all time, including TV! It is a tragic masterpiece that returns us to the Cybermen of Mondos, with their Tenth Planet voices realised perfectly by Nick Briggs. Davison brings a new dimension to his Doctor, the emotion of the events even getting to him when he displays rare rage directed at Nyssa. Everyone is on their game, there isn’t a weak moment and the story ebbs and flows like the tears you will shed when the story hits its bitter, disturbed conclusion.

Nick Briggs says, “The human story of Cyber-genesis and Cyber-conversion.“

The one that will make you jump.

A Thousand Tiny Wings (2010) – written by Andy Lane

This production features one of the most divisive characters in the Big Finish range, Nazi scientist Klein from 2001’s Colditz. She appears alongside McCoy in this atmospheric base-under-siege story that would sit happily alongside the work of base-under-siege-master John Carpenter. Set in post WWII Kenya at the time of the Mau Mau uprising this character-driven piece has a fair share of twists and turns alongside the bumps and screams of some truly horrifying dispatches. The location is a dream come true for the sound designer who has an abundance of imagination, talent and dedication to atmosphere. It is with these production values we find ourselves in an immersive, challenging and truly scary story.

Nick Briggs says, “An alternative timeline Nazi as a Doctor Who companion?!?“

The one when HE came back.

Destination Nerva (2012) – written by Nicholas Briggs

Almost the perfect jumping on point for Big Finish. A recent release with first class production values, an hour running time and THE RETURN OF TOM BAKER! We follow directly on from The Talons of Weng-Chiang with Baker as the Doctor and Louise Jameson as Leela. It is obvious there are issues in finding the rhythm in the story, acting and direction. Understandable considering how many hopes and dreams rest on this project. However the magic of successfully recreating this elemental period of Doctor Who easily papers over any cracks. By planting the action on the familiar Space Station Nerva and keeping the plot and action tight and controlled it is a wonderful introduction, or continuation, of the Tom Baker years. The adventures that follow get more epic and creative and I for one hope Tom Baker has a long, happy relationship with Big Finish as I think the best is yet to come following this solid, enjoyable foundation.

Nick Briggs says, “Quintessential Tom Baker Doctor Who.“

The one if you love the Daleks.

Enemy of the Daleks (2009) – written by David Bishop

There are plenty of Dalek stories but I’ve selected one that stands apart from the crowd. McCoy, Ace and Big Finish companion Hex, played by Philip Olivier, meet the Daleks who find themselves under threat. The story develops the dichotomy of the environment and this feeds perfectly into moral debates associated with the grimmest war scenarios. The urgent, compulsive writing draws our gaze into a dark, claustrophobic story that has a lasting impact on Hex. By far his best story, the character develops a moral compass in reaction to this first encounter. Some of this has been done before but never better. With McCoy in masterful form, interfering and protecting simultaneously I can’t heap enough praise on this release.

Nick Briggs says, “A heavy-rock soundtrack and the nastiest race to challenge the Daleks – ever!”

The one that will make you laugh.

The Fourth Wall (2012) – written by John Dorney

Writer John Dorney has quite the imagination and I wish he were here with me now as I struggle to synopsise his outstanding Colin Baker adventure. It’s based around a game-show with virtual reality technology into which the Doctor’s latest companion Flip gets pulled. Then it starts to get weird. But we are here for the humour. If you are a fan of Robert Rankin, Tom Holt or Terry Pratchett this is for you. There is also a little of the subtle self-deprecating humour Douglas Adams was so great at. I struggled with this one. I like my Doctor Who humour-free but I felt this release provided just the right amount of hard sci-fi, unbelievable creative direction, fabulous audio production and nodding smiles. It’s a very clever story and I find myself marvelling at how well-crafted the story was but I think those of you who like stories humorous will enjoy this too.

Nick Briggs says, “TV sci-fi baddies come to life, complain about poor motivation but prove frighteningly ruthless.“

The one to get if you like historical drama.

Farewell Great Macedon (on The Lost Stories: The First Doctor Box Set) (2010) – written by Moris Farhi (adapted by Nigel Robinson)

Originally written for the First Doctor by Moris Farhi this story was first brought to light by the publication of the script book by those wonderful people at Nothing At The End of the Lane. Big Finish have produced it as part of their Lost Stories series and what a wonderful job they have done. Featuring the characters of Hartnell’s Doctor, Ian, Barbara and Susan and read by William Russell and Carole Ann Ford; this is in a more traditional audio book, with enhanced production values and format. It captures the essence of the era perfectly. The story encapsulates the final days of Alexander The Great’s reign. This is slower paced, rich in historical value historical – epic. It is a great shame it never made it to our screens or our DVD collection. However Big Finish serve the story well and the narrators do a wonderful job. In the faithful recreation of the Hartnell era sound-scape Big Finish have once again outdone themselves, this feels totally authentic and the long running time fills your mind with wonder and images of what could have been.

Nick Briggs says, “Incredibly touching, beautifully made Hartnell story that never was.“

The one if you fancy a spin-off.

Jago and Litefoot Series 1 boxset (2010) – written by Andy Lane, Jonathan Morris, Alan Barnes and Justin Richards

Who would have thought that Christopher Benjamin and Trevor Baxter as Henry Gordon Jago and George Litefoot, their characters from the 1977 TV story The Talons of Weng-Chiang, would spawn such a successful spin-off 35 years later? Yet here we are, four series in with a fifth on the way in 2013.  The gentlemen spin through this Victorian dream, weaving their way around stories, capturing moments and gently drawing us into their warm embrace. For me these are the most fantastic tales and rival any Doctor Who story for their originality and soul. The stories are engaging, the talent involved clearly have a deep love for the characters and we all win. Nothing even comes close. You don’t even have to know or love Doctor Who for this to work on you. Sheer delight.

Nick Briggs says, “The utterly beguiling Victorian ‘odd couple’ from Talons of Weng-Chiang triumph against infernal oddities, villains and monstrosities.“

The one if you don’t like Doctor Who.

Holmes and the Ripper (2010) – written by Brian Clemens

Although the characters of the The Doctor and Sherlock Holmes feel inextricably linked Big Finish do a sterling job in separating the two. This production, taken from the first season of Big Finish Holmes, is based on the stage play of the same name by Brian Clemens. Nicholas Briggs plays Holmes with aplomb and Richard Earl is perfectly cast as the buffoon-come-foil Doctor Watson. Big Finish treat the Holmes legacy with respect and inject their trademark sound design which results in magical atmosphere complementing a robust story. This is an exciting production that is as close to, and as far away from, Doctor Who as you can get.

Nick Briggs says, “Top script by Avengers creator Brian Clemens and my first, jolly well reviewed audio outing as Holmes.“

***

As a huge fan of the show I’d also like to give a mention to the excellent Blake’s 7 range Big Finish are currently working on. Well worth discovering.

I don’t think you will go far wrong with these suggestions and each one will hopefully open a new Big Finish pathway up to you. The joy of the range is the huge back catalogue; it is unlikely you will ever run out of audio adventures to explore. Releases come thick and fast, companion pieces like The Big Finish Companion book will keep you company and the legacy of classic Doctor Who lives on through a small, but perfectly formed bunch of creatively brilliant people.

Welcome to this week’s edition of Noteworthy New Comics (now expanded to ten great issues!), where I share my top picks for today’s new releases for the sake of the greater good (and also maybe your wallet). This week is all about fierce female leads, the fine line between heroes and villains, and of course, the zombie apocalypse.

Red Hood and the Outlaws #12

 

Written by: Scott Lobdell / Art by: Kenneth Rocafort 

From DC Comics: “Starfire has made it all the way to Tamaran only to find herself caught between the forces of The Blight and the political maneuvering of her sister, Blackfire. How will Jason protect Isbael on what has become an intergalactic date from Hell?”

Before Watchmen: Rorschach #1

Written by: Brian Azzarello / Art by: Lee Bermejo / Backup written by: Len Wein / Backup art by: John Higgins

From DC Comics: “’What made you this way?’ And don’t miss the latest chapter of the Crimson Corsair backup epic from writer Len Wein and artist John Higgins!”

Catwoman #12

Written by: Judd Winick / Art by: Adriana Melo and Julio Ferreira

From DC Comics: “The big finale is here, as Catwoman confronts Dollhouse! Don’t miss the fallout from Catwoman’s tryst with Spark!”

Wonder Woman #12

Written by: Brian Azzarello / Art by: Cliff Chiang 

From DC Comics: “WonderWoman faces a choice: Defend Zeus’ throne from Apollo – or defend her closest friend! Plus: Zola gives birth to something completely unexpected!”

Saga #6

Written by: Brian K. Vaughan / Art by: Fiona Staples

From Image Comics: “The epic hit series continues, as Alana and her baby finally reach the legendary Rocketship Forest, where everything changes forever.”

  

Walking Dead #101

Written by: Robert Kirkman / Art by: Charlie Adlard and Cliff Rathburn

From Image Comics: “SOMETHING TO FEAR continues! In the aftermath of the events of the monumental 100th issue… things are not going well.”

Captain Marvel #2

 

Written by: Kelly Sue DeConnick / Art by: Ed Mcguinness

From Marvel: “Captain Marvel can’t walk away from a challenge from her past!! Who’s the better pilot? Introducing the The Banshee Squadron! Avenger Time Travel Protocols: Engage!”

Deadpool #59

Written by: Daniel Way / Art by: Salva Espin

From Marvel: “Part two of ‘Blacklisted!’ The return of classic Deadpool Detractor, BLACK SWAN! Will the now-killable assassin get assassin’d?”

Daredevil #17

Written by: Mark Waid / Art by: Paolo Rivera

From Marvel: “The return of someone Matt thought was gone forever! The debut of a new menace in New York – the killer called Coyote! And just how sane IS Matt Murdock? The Eisner nominated creative team is reunited as Paolo Rivera returns!”

The Victories #1

Written by: Michael Avon Oeming / Art by: Michael Avon Oeming

From Dark Horse: “Not long from now, all that will stand between you and evil are the Victories—six heroes sworn to protect us from crime, corruption, and the dark. As one member cracks down on the violence, he discovers himself touched by a painful past through the psychic powers of Link. Will this trauma cause him to self-destruct or continue the fight?”

There was no column last week and for this I apologise. Sadly a column every week is not feasible because there will be times when there is simply nothing to talk about as far as what has been added goes. That was certainly true of last week and was nearly the case this week, so the below picks are the cumulative efforts of your streaming providers from the last two weeks.

The reason for the lack of updates is probably something to do with the kids being on their epic six week summer holidays. Once the providers have added the required cartoons and PG rated films then their job is done. The (assumed) good weather of August will do the rest keeping the kids outside and entertained.

Things are more likely to pick up again in September when the moppets are back in school and we can concentrate on entertaining mum and dad when the kids are tucked up in bed. For the time being though the picks of the best films added over the last two weeks are as follows:

Infestation (2009) – LOVEFiLM

Right off the bat let me say that Infestation is not a good film. The CG is poor and the concept is too grand for the straight to DVD budget. A low budget film where the world has been overtaken by giant insects is never going to live up to the scope of the premise. Having said that there is a fun playful atmosphere and the film feels like a celebration of giant bug films rather than a giant bug film to compare to the likes of Them, Mimic or even Eight Legged Freaks. Also has a great performance from genre veteran Ray Wise.

Hellraiser 3: Hell on Earth (1992) – YouTube

The third Hellraiser film may not be as good as the previous two but is still far better than most of the horror films that were coming out in the early nineties. This one feels more like a comic book than the previous two and transplants the action to the USA as Pinhead is revived by a seedy nightclub owner and goes on a massive rampage with some new cenobites he creates. Subtle it isn’t, and the claustrophobic tension of the first two is gone in favour of something that feels more ambitious and epic. Between this and Candyman, 1992 was a good year for Clive Barker.

Seven (1995) – Blinkbox

David Fincher’s second film after Alien 3 hasn’t aged a day and remains one of the best films of the ‘90s. Looking back it’s astonishing that something this powerful got made back then with little studio interference. Around the time of its release, studios were trying desperately not to label things as ‘horror’ instead using the label ‘thriller’ but Seven is a horror film through and through. The clever script keeps you on the edge of your seat and, despite the high concept pitch, the film feels authentic in its portrayal of two detectives on the trail of a serial killer and isn’t afraid to show you the tedium of waiting for something to happen. This film was massively influential; you can still see traces of it today in almost anything that features a serial killer plot. Seven is a must see.

Corpse Bride (2005)  – Blinkbox

When Corpse Bride came out there was a lot of excitement about it as it was a stop motion follow up from Tim Burton who had been involved with The Nightmare Before Christmas which was getting adopted like a badge of honour by teen goths everywhere. Corpse Bride didn’t quite live up to expectation, it’s not a bad film by any stretch but it’s just kind of lightweight and barely registers. The images and characters don’t imprint themselves into your brain the way Jack and Sally did. Later this year Tim Burton returns to this medium with Frankenweenie, hopefully that will be better than this.

The Mask (1994) – Blinkbox

Funny how times change, back in the early 90s The Mask was considered by many to be the pinnacle of comic based film entertainment and it’s not even that faithful to the anarchic Dark Horse comic on which it is based. If this was made now it would be absolutely faithful and probably have some extra grit thrown in its bulging cartoon eyes. This was Jim Carrey’s second big hit when he was on his roll following Ace Ventura. The good news is The Mask is still great, the cartoon character effects hold up and it’s a timely reminder of just how great Carrey was when he was on form and not being all serious and starting a pretentious website, the world misses you Jim.

The Shining (1980) – LOVEFiLM

I go back and forth on my opinions on this film. Each time I view it my opinion changes. First time I saw it I loved it, second time loved it, recent viewings I have found it to be a bit of a slog and decided the film is overrated. Kubrick creates a real air of menace and supernatural dread with his swooping camera shots and his framing of the corridors and wide open spaces of the Overlook Hotel but the film feels like it’s all about Jack Nicholson’s performance and when he finally cracks and turns up the crazy, it doesn’t feel like the film has earned it. Having said all this, I recently viewed the documentary Room 237 which has made me see the film in a whole new light and its nigh time for a re-watch.

Hostel (2006) – Netflix

Eli Roth is a massively divisive personality, he can talk a good game but he has never really delivered on his hype as the future of the horror genre. Roth seems too keen on frat boy humour and being friends with Quentin Tarantino which has done him few favours with internet pundits. The first Hostel film is probably his best work so far, once the frat boy crap in Europe is out of the way, the film becomes a pretty suspenseful and violent ride and the last twenty minutes are some of the most exciting in a horror flick from the last decade. Hostel was a big hit and was sadly labelled with the ‘torture porn’ label which it doesn’t really deserve as it’s far better than you think it will be.

Demolition Man (1993) – LOVEFiLM

This week’s celebration of the early ‘90’s continues with Sylvester Stallone’s own more successful take on the same year’s Last Action Hero. Demolition Man is all about John Spartan, a ‘90’s stock Silver Pictures cop who causes tons of carnage in his quest to get Wesley Snipes’ Simon Phoenix. On his last encounter Spartan ends up killing loads of innocent bystanders and he and Phoenix are sent to the Cryoprison. Un-frozen several years later as Phoenix has escaped, Spartan finds the world much changed with political correctness having gone mad to create a safe, dull world where everything that was good about life has been outlawed. This is where the comedy comes in, and boy is it funny. The film should have been a mess but somehow the action, satire and heart of the film all work together to create a film that is above all one hell of an entertaining two hours. Arguably Stallone’s finest film…

Tired of medal counts? Sick of sports? Over the Olympics? Turn off the television and reward yourself for sitting through entire competitions of sports you didn’t know existed with this week’s new comics, where epidemics rage, mercenaries go off the deep end, and hawks have their day.

Hawkeye #1

Marvel is ready to capitalize on the success of this summer’s blockbuster phenomenon, The Avengers, with this new ongoing title starring Hawkeye. It isn’t the character’s first eponymous series but after Hawkeye proved to be so popular in the Avengers flick, Marvel is expecting a homerun with this one. The creative team behind Clint Barton’s solo exploits, writer Matt Fraction and artist David Aja, will give readers a glimpse into the life of the Avengers’ resident archer.

Earth 2 #4

Not to be outdone, DC is shining the spotlight on one of its own Accipitridae-inspired heroes. Hawkgirl is jumping into the fray with the team in Earth 2, alongside the Flash, Green Lantern, and a revamped Atom Smasher. Written by James Robinson, the book will feature art by Nicola Scott and Trevor Scott, with covers by Ivan Reis.

Deadpool Kills the Marvel Universe #1

What it says on the tin. In this book by writer Cullen Bunn and artist Dalibor Talajic, Deadpool has finally outdone his usually trigger happy self and is cutting a bloody path through this alternate version of the Marvel universe. Bunn has promised to show readers that the Merc with a Mouth is just as insanely deadly as he is funny.

Infected #1

IDW ‘s four issue comic book adaptation of the 1998 novel Infected looks to be as chilling and unsettling as its source material. Writer Scott Sigler and artist Chad Minshew breathe life into the dystopian world of Infected, where a mysterious epidemic is transforming people into homicidal maniacs. Former linebacker, Perry Dawsey finds himself at the mercy of the disease, but the voices in his head seem to want more than mere bloodshed.

Harvest #1

Image Comics brings us a new five issue mini-series from writer AJ Leiberman and artist Colin Lorimer that explores the shady world of black market organ harvesting. When the book’s protagonist, Dane, finds himself framed for murder after being recruited for a black market surgical team, Dane tries to turn the tables by reclaiming illegal organs from the very powerful people whose bodies contain them.

Animal Man #12 and Swamp Thing #12

These two books from DC are like peanut butter and chocolate – they taste best when they go together. Writer Jeff Lemire (Animal Man) has delivered a consistently excellent title since the New 52 relaunch and this crossover event with Scott Snyder’s Swamp Thing is set to raise the bar even higher. In this post-apocalyptic vision, the DCU finds itself divided as an evil entity called the Rot threatens to consume them all. Artists Yanick Paquette (Swamp Thing) and Steve Pugh (Animal Man) join Lemire and Snyder as they explore a world shaken by the power of the Rot.

Look at the list below; do you see anything from Netflix this week? No. After a dynamite last month or so, Netflix have suddenly dried up their supply pipe again with not even one title this week. I’m not just talking genre titles either because they literally haven’t added any dramas, thrillers or comedies. They need to step up because when people ask me now, I have to recommend LOVEFiLM for the time being, but I so want Netflix to get going because I love the format and ease of use.

LOVEFiLM and Blinkbox and even freaking YouTube win the last week of July because although the titles added may not be new, they are all varied enough so that there is much to watch on whichever streaming service you prefer to use. Still no PS3 Blinkbox app that I am aware of though.

Return to Oz (1985) – LOVEFiLM

For many this was the childhood cinema going experience that scarred them for life. Walter Murch’s underrated mid ’80s sequel is an altogether darker affair which replaces the musical Technicolor fun of the original with a sinister sense of menace and a menagerie of bizarre creatures and characters. Oz is ruined when Dorothy returns and she sets out on a quest to revive the land she loves, it’s telling that this film begins with her in a psych hospital about to receive shock therapy. The film stands up surprisingly well considering how dated much of the special effects techniques are, this was a time when almost everything was done practically and an example of a lost art. It will be interesting to see how Sam Raimi’s film compares to this one.

The Philadelphia Experiment (1984) – LOVEFiLM

I’ve always been fascinated by the claim that this was based on a true story, it’s what really captured my imagination when I saw it on TV as a kid. The experiment on real life was something to do with invisibility but nobody knows what really went on. Two Navy men in this film in 1943 are catapulted to the future of 1984 after the invisibility experiment seems to work. The two of them try and find their way back and at the same time prevent an apocalypse with a black hole. It’s silly but it’s a heck of a lot of fun.

Justice League: The New Frontier (2008) – Blinkbox

Apart from Batman: Under the Red Hood, this is probably the best DC animated straight to DVD movie they have produced so far. Based on Darwyn Cooke’s limited DC comics series the story is set in the 1950’s and follows Hal Jordan as he becomes Green Lantern as well as Superman, Wonder Woman, The Flash and Batman as they all find their paths crossing and the Justice League is formed. There is no darkness here and it’s a refreshingly un-gritty adaptation of a great story and has a real retro vibe even in the animation. Great stuff.

Battle Royale (2000) – Blinkbox

A film that nobody would release in the United States for over ten years because of fears of copycat violence is now available to stream for free over the internet. Kinji Fukasaku’s film may not be as in depth as the novel it’s based on, but for sheer blackly funny, satirical, visceral thrills it works in spades. If you enjoyed The Hunger Games then this is like its demented older brother with all the violence that film wasn’t allowed to show.  I expected this to be an exercise in low budget misery when I first heard about it but it’s like a proper film with character development and stylish directing and everything. This is one of the best films of this century thus far so you simply must see it.

Waxwork 2: Lost in Time (1992) – Blinkbox

Funny thing is I have seen this film but still never seen the original Waxwork film that preceded it. From what I remember of this film when viewing it with a whole bunch of friends during the school holidays in 1992, this is an absolute riot from start to finish. The most fun element of this thing is the time travel plot which finds the hero and heroine launched back in time and into scenes which reference movies like The Haunting and Bride of Frankenstein. It’s like a horror based Bill and Ted’s Excellent Adventure. It also features one of Bruce Campbell’s most fun acting roles outside of the ones we all know. Looking forward to checking this out again.

Hellbound: Hellraiser 2 (1988) – YouTube

If you liked the first Hellraiser film and like much of Clive Barker’s work in general then there is much to like here. It doesn’t have the recognisable, suburbs set horror feel of the first film and instead expands the mythology a bit into a mental home, some more of the cenobite’s background and some returning characters from the first film. However compared to Hellraiser 4 onwards this is a masterpiece so if you like the franchise this is probably a high point for you. It’s interesting that even in these days of torture porn and real life violence on the internet, the violence in this film still looks painful.

Highlander 2: The Quickening (1991) – YouTube

I could possibly get hate mail for this, but I kind of enjoy Highlander 2 as a great bad movie. I know it’s rubbish and compared to the original it’s a crime but I have fun watching it. Where they went wrong was introducing the concept of the planet Zoosk or something where the immortals come from and essentially ruining all the mythology and tension of the first film but also giving them an excuse to bring back Sean Connery as the worst Spaniard in film history. Never mind though because the production design and violence are stylish and Michael Ironside is a great villain.

A Clockwork Orange (1971) – LOVEFiLM

Stanley Kubrick’s 1971 adaptation of Anthony Burgess’ seminal novel about violence and control was unavailable for so long in the UK that it got this kind of mythical status it could never live up to. Taken on its own merits the film is a brilliant morality tale about disaffected youth and the government’s ever futile attempts to control and maintain what can’t be contained. A career best performance by Malcolm MacDowell and it has all the style and detail you would expect from a Kubrick film. Arguably Kubrick’s most influential film after 2001 and an indispensable part of any film buff’s education.