Feature: New to Streaming Roundup – Week Ending January 13th

New to Streaming Roundup - Week Ending January 13th

It’s 2013! Happy New Year everybody! In the first two weeks of the New Year both Netflix and LOVEFiLM have added a lot of content. Not just films either, TV is really getting a look in, especially on LOVEFiLM. Netflix have also introduced a SUPER HD option which I haven’t seen myself yet but that I hear is super impressive.

Blinkbox’s free selection has yet to return sadly but below is a pick of the best stuff to make its way on to the streaming services over the last two weeks.

Let Me In (2010) – LOVEFiLM

Let Me In

People were all ready to write off this remake of the Swedish vampire film Let the Right One In. Matt Reeves broke through after directing Cloverfield so of course he would go and direct a horror remake and there was no way it could be good, only it is. Somehow Reeves made a film which is pretty close to the original but somehow makes it his own and the American version has a more heartfelt emotional core when compared to the rather detached and cold original. As a result the film feels like some kind of messed up bloodier version of E.T with a troubled kid discovering a friend nearby who threatens everything he knows. Don’t write this off as just another remake as it could end up being the best thing you see all week.

Dexter: Season 4-6 (2009-2011) – Netflix

Dexter

The general consensus seems to be that Dexter has run its course now and is jumping the shark with alarming regularity. Whatever your opinion is of everyone’s favourite serial killer, there is no doubt that Dexter is still, at its worst, one of the most compelling things on television. By the time you get to these later seasons the supporting cast has stopped being annoying and relaxed into their roles and you care about them as much as the lead. Many people proclaim season two but for me season four is the peak of the show. John Lithgow’s Trinity Killer is truly the most terrifying and damaged adversary that Dexter has faced and the season is loaded with jaw on the floor moments. Season Five introduces a new love interest/victim for Dexter to empathise with and does this well despite being a whole twelve episodes mainly taken up with recovering from the events of season four. Season six however is probably where it starts to feel a little less essential than before, the ingredients were all there but it doesn’t quite know what to do with them and is treading water. Haven’t seen season seven yet and I hope for the best but fear the worst.

Timecrimes (2007) – LOVEFiLM

Timecrimes

Nacho Vigalondo’s debut film is one of the best time travel films of recent years and on a limited budget too. Vigalondo makes the best of having no money and sets the film in and around one house but the film is so fiendishly clever and so inventive as events spiral out of control, that you don’t notice the lack of special effects and fireworks. Imagine if Alfred Hitchcock directed a time travel thriller and the result would be something like this. Vigalondo’s follow up movie Extraterrestrial remains frustratingly unreleased in the UK.

Mission: Impossible (1996) – Netflix

Mission Impossible

The first in the Mission: Impossible film franchise to some is still the best. Personally I think it’s the third movie but this first entry into the series is an almost completely different animal compared to what came later. This film, directed by Brian De Palma, has a lot of the director’s signature touches and flourishes and is concerned more with double dealing, backstabbing and all sorts of treacherous shenanigans rather than explosions (although there are two that are great) and disappointed a lot of people back in ‘96 as they had just gotten the first major Bond return with GoldenEye. Despite defying expectations it’s a supremely fun film that laid down the gauntlet for TV into film franchises for the rest of the decade.

Battlestar Galactica (2003-2008) – LOVEFiLM

Battlestar Galactica

Ronald D.Moore’s superb revamp of Glen A.Larson’s Star Wars inspired television series is one of the best works of science fiction from the last ten years. Not only does Moore create a show with all the memorable characters, spaceship battles and tension that you could ask for but he also manages to make you think whilst doing it. So the series asks lots of questions about religion, politics and the rights of living beings no matter their origins which feel out of place for a show funded by the Sy Fy channel but does so against all the tropes of a typical lost in space type show. Why Battlestar Galactica really stands above most of what has come before or since is because the makers had a plan that would last four seasons with a beginning, middle and ending and arcs and revelations aplenty and they didn’t divert and told the story they needed to, unlike some other things I could name. If this is your first viewing then stick with it through season one because by the middle of season two you will be well and truly hooked.

Caprica (2009-2010) – LOVEFiLM

Caprica

Sadly this prequel series was overlooked, undervalued and only lasted for one season. Many have labelled this a kind of ‘sci fi soap’ like Dynasty with robots but this is a little unfair. Set fifty years before the events of the masterpiece series, Caprica takes place on the titular planet and follows the fortunes of the Adama and Graystone families as tragedy and circumstance lead to the creation of the first Cylons who will eventually go on to rebel against the humans. Caprica has some cool plotlines about artificial intelligence and virtual reality where you can see the beginnings of what lead to the events of Battlestar Galactica and it’s a shame it didn’t get to play out fully the way it should have.

War of the Worlds (1953) – Netflix

War of the Worlds

The first film version of HG Wells’ classic alien invasion story is probably still the best version of the story despite there being numerous TV shows, remakes and re-interpretations. None of these have come close to this with its still scary moments of alien spacecrafts rising from beside a road and the fleeting glimpse of the hideous aliens. It probably doesn’t stand up to modern viewing but this still has enough B-movie charm to be a good hour and twenty of entertainment.

Heroes (2006-2010) – LOVEFiLM

Heroes

Ah Heroes, cast your mind back to 2006, Lost was in full swing and every other network was casting an ensemble cast around a central mystery and it’s an effect we are still feeling now. Heroes followed this template but combined it with a superhero story told without capes and costumes. The first season is brilliant television, there truly is a sense of wonder as the various special powers are revealed and we get to know the characters and it’s surprisingly violent for a network show. Then we get to the second season which was reduced due to the writers’ strike, it’s still good but merely good rather than great. Then come season three it’s all gone wrong, time travel is introduced and becomes a major part of the storyline and the show writes itself into a tangled mess of realities and parallel universes. I never made it to season four but I hear it got better – too little too late sadly.

Eternal Sunshine of the Spotless Mind (2004) – Netflix

Eternal Sunshine of the Spotless Mind

Not just Michel Gondry and Charlie Kaufman’s best work of cinema so far but also one of the best films of the last decade. ESOTSM is a trippy, heartfelt and thought provoking piece of work which is cleverly structured and beautifully performed by Jim Carrey, Kate Winslet, Tom Wilkinson and Kirsten Dunst. Also features Mark Ruffalo as a convincing dork and Elijah Wood as a true creep. So much of the film is hilarious and true and really asks yourself, when faced with heartbreak, if you’d really want to erase everything that lead to that moment. A film about facing your problems instead of running away but done in a way that Philip K. Dick would be proud of.

Martyrs (2008) – LOVEFiLM

Martyrs

As of time of writing I have not yet seen this film. Pascal Laugier’s breakthrough horror film is extremely popular with horror fans and it’s the one they point to when people try and dismiss ‘torture porn’ as exactly that because it has some kind of point to make. From what I understand this is not an easy watch but is rewarding if you can make it through and as soon as I grow a pair I am going to give it a watch.

Vampire’s Kiss (1988) – Netflix

Vampire's Kiss

Another one I haven’t seen yet. Oddly enough another writer for Starburst recommended this to me recently as a pretty hilarious film and then lo and behold it appeared on Netflix. Probably most famous for being the film where Nic Cage actually ate a live cockroach on camera but he wouldn’t get known for his ‘mega crazy acting’ for another twenty years or so.

Waterworld (1995) – Netflix

Waterworld

I make no bones about it, Waterworld is a bad movie but it’s a great bad movie, in fact it’s so great that I watched it a lot back in the ‘90s. Somehow this got labelled as a box office flop despite being at number one in the US charts for some weeks back in the summer of 1995. I think it was just around the time that everyone turned on Kevin Costner so people were all too happy to pile on the over budget film and the label just stuck. Despite some pacing problems around the middle, Waterworld is action packed fun with a nicely realised world that is waterlogged and has the survivors learning to adapt. At the time the action scenes were amazing but I suspect that viewed through the lens of what we get now they don’t compare.

Comics: Noteworthy New Releases For Week 2

The holidays are over and its back to the daily grind, but with shiny new comics raining down from the heavens, every Wednesday is a reason for celebration. This week’s offerings give us a little bit of everything, including Time Lords, beer floods, romps in space, conspiracies galore, and adventures a long time ago in a galaxy far, far away.

Ghost #3

Story by: Kelly Sue DeConnick / Art by: Phil Noto

From Dark Horse: Ghost finally discovers her true name and identity! As they investigate the mysterious disappearances surrounding a crystal-powered box, Ghost and her accomplices, Vaughn and Tommy, uncover a shocking conspiracy that stretches deep into Chicago’s history of political corruption. The stage is set for Ghost’s confrontation with the demonic mastermind who pulls all the strings-if Doctor October doesn’t get to her first!

Sweet Tooth #40

Story and Art by: Jeff Lemire

From DC/Vertigo: Gus’s journey comes to an end and the fate of the hybrids is revealed in the final issue of the acclaimed Vertigo series! FINAL ISSUE!

The Legend of Luther Strode #2 (of 6)

 

Story by: Justin Jordan / Art by: Tradd Moore

From Image Comics: The trap has been sprung on Luther Strode. As he fends off the attack on his life and home, he discovers that his enemies are much more powerful than he knew, and for the first time in years, Luther Strode finds himself struggling not just to win, but to survive.

Womanthology Space #4

Stories by: Devin Grayson, Jody Houser, Christine Ellis / Art by: Sally Thompson, Kathryn Lano, Lindsay Walker, Lois Van Baarle 

From IDW: Let the stories shine bright in the penultimate issue of the acclaimed Womanthology: Space series. Traveling past the far reaches of the universe, these three tales explore what it means to be alone, lost, and reaching for the stars.

Doctor Who Vol .3 #4

Story by: Brandon Seifert / Art by: Philip Bond and Ilias Kyriazis

From IDW: The second issue in a special two-part story featuring the art of Philip Bond! With the Doctor and Rory on a boys night out gone wrong, Amy must face the Silence on her own! All that plus lots of beer!

Peter Panzerfaust #8

Story by: Kurtis J. Wiebe / Art by: Tyler Jenkins

From Image Comics: ‘PARIS’ Part Three Time is against the Lost Boys and they only have one shot to save Felix before he’s shipped to Germany. Only one problem: how do you stop a speeding train?

Superior Spider-Man #1

Story by: Dan Slott / Art by: Ryan Stegman

From Marvel: Peter Parker spent a lifetime living up to the responsibilities his powers foisted upon him but his Amazing story finally ended dramatically in the historic Spider-Man #700. The new Amazing Spider-Man has arrived and he is better in every single way. Smarter, stronger…Superior.

Star Wars #1

Story by: Brian Wood / Art by: Carlos D’Anda

From Dark Horse Comics: This is Star Wars as you remember it . . . and as you have never seen it before! We’re taking you back to those heady, adventure-filled days following the destruction of the Death Star-when the Empire ruled, the Rebels were on the run, and the galaxy was a dangerous place where anything might happen!

Feature: Who Will Inherit the Mantle of The Bat?

Who Will Inherit the Mantle of the Bat?

Like the passing of the role of The Doctor or James Bond, speculation is currently in overdrive as to who could pick up the mantle of the bat for Justice League and the then rebooted Batman films that will follow. Here I have decided to add to the speculation.

Joseph Gordon-Levitt

Joseph Gordon-Levitt

So far the only actor to have had his name used in the media rumour mill, mostly down to him disappearing into the Batcave at the end of The Dark Knight Rises (hinting at him being the next Batman, or at the very least Nightwing). But he would have to be the Bruce Wayne Batman and not a John Blake Batman. Nobody is interested in that. There would be a sort of logic to his casting, giving a loose connection to the Nolan trilogy without being part of its continuity.

Joe Manganiello

Joe Manganiello

Although all of the speculation surrounding True Blood’s Manganiello has all come from he himself telling anyone who will listen that he is going after the Batman job when it comes up, he may not actually be that bad a choice. He has the look and the build to pull off the suit (especially if they finally ditch the armoured suit – Batman’s a ninja, he doesn’t need armour) and has got the brooding down on True Blood.

Armie Hammer

Armie Hammer

Like Henry Cavill as Superman, Hammer has been cast as Batman before and like Cavill saw that project disappear into development hell. But now that Justice League is back on track, maybe he can ask for the job back, Cavill got a second bite at the SuperApple, why not give Hammer his? And if The Lone Ranger pulls in the crowd, he could prove a bankable name to.

Bradley Cooper

Bradley Cooper

I know, I know. What’s the guy from The Hangover films doing on this list? Just for being in 2 (soon to be 3) of those films should see his name taken off all lists for anything. But, a little while back it was rumoured that Cooper had been cast for a small cameo at the end of Man of Steel and while those rumours had him as the potential new Lex Luthor, maybe they were going for a different psycho billionaire. As Zack Snyder recently hinted at a possible Bruce Wayne/Batman cameo at the end of Man of Steel to set up Justice League, the theory isn’t that far out there.

Ryan Gosling

Ryan Gosling

Gosling is currently top of everyone’s list for everything at the moment and it’s fair to say that he has both earned that spot and deserves to be there. As Drive proved; he can do intense loner (just throw a cape and cowl on him and he’s there) and he could handle the Batmobile. He also has the body to fill the suit, as pointed out by Emma Stone in Crazy, Stupid Love.

***

Now those are the choices that have some weight behind the speculation, but in the tradition of internet casting calls, here are my two wildcards in case they choose to take the character in another direction.

Older Batman – Jon Hamm

Jon Hamm

In the highly unlikely event that Warners will choose to go older, more established Batman (a decade shy of The Dark Knight Returns Batman) then Hamm is your man. For one, just picture that chin in the cowl. It looks like a Neal Adams drawing of Batman. For two, it’s Jon Hamm! Who doesn’t love Jon Hamm? Just watch a couple of episodes of Mad Men and you’ll see I’m right.

My second choice for older Batman is Kurt Russell, but he’d only have two Bat films in him at most and should be saved for the live action version of Dark Knight Returns (not that that would ever happen).

Smiling Batman – Diedrich Bader

Diedrich Bader

This is my wildest of wildcards. You may be wondering who Bader is or, if you do know, be wondering why the neighbour from Office Space should be Batman, but let me explain. I’m talking about the smiling Batman here; the Adam West-esque Batman without the camp (which tonally would completely remove any comparison to the Bale Batman). Now if you look at a picture of a Bader and Photoshop a cowl on him, you’ll see he has the look down. But as we know, look alone is not enough, what about the acting chops to play Batman. Well just check out Bader’s voice work on Batman: The Brave and the Bold (give it another chance, it’s so much better than you first think) and you’ll see that he is the man for the job.

Whoever gets the job, we’ll either find out when Man of Steel hits cinemas in June 2013 or before Justice League hits in 2015.

Who Do You Think You AAARGH! (A TEXAS CHAINSAW Family History)

chainsaw

‘The saw’, as the family motto goes, ‘is family’. And what a family. For years, Leatherface and his cannibal clan have terrorised rural Texas and its innocent denizens. But how well do we know Bubba (or Junior, or Thomas) Sawyer (or Slaughter, or Hewitt?) and his family? As Leatherface gears up for yet another return to our screens, we take a gander at the Sawyer family tree. A word of warning: with families so inbred, these things can get a bit convoluted…

THE TEXAS CHAIN SAW MASSACRE  

The Sawyer family in the very first recorded massacre were a family of five, residing in their dilapidated but cosy family home. Drayton ‘Cook’ Sawyer was the eldest of four brothers, owner of a local gas station and family cook (hence the nickname). He was the most outwardly normal Sawyer, although with such competition, that wasn’t a particularly difficult achievement. Especially given that Nubbins ‘Hitchhiker’ Sawyer – the middle brother – was absolutely insane. While his twin brother Chop-Top was in Vietnam, Hitchhiker was the family breadwinner. Unfortunately, his victims had an unfortunate habit of escaping, leaving Drayton, as the most sensible Sawyer, to clean up after him. Childlike Bubba ‘Leatherface’ Sawyer was the most infamous member of the family, killing the victims and preparing the meat for Drayton to whip up into a lovely chili. They lived with their wrinkly grandpa, a former slaughterman and probable mass murderer. Grandpa was mostly inert, but showed enough life to suck the occasional finger or hit someone with a hammer. For a while, the Sawyers committed their crimes successfully and unimpeded, until one of Hitchhiker’s victims made a particularly good job of escaping the family’s clutches. Although Sally Hardesty was destined to see out the rest of her days in a mental institution, she at least managed to kill Nubbins during her escape. He was rendered a piece of roadkill, and would only return in later movies as a skeleton, dispensing grenades to Drayton or carried around by Chop-Top. At least he was a lot quieter during those later days.

THE TEXAS CHAINSAW MASSACRE 2

With their crimes uncovered, Drayton, Leatherface and Chop-Top (since returned from Vietnam) fled to a different area of Texas. Drayton took his chili on tour, winning many a cook-out with his special recipe (did someone say Soylent Green?). Chop-Top was Nubbins’ twin, and had certainly inherited the family mouth. In addition to his severe case of verbal diarrhoea, Chop-Top had the nasty habit of picking at his grisly skull wound (obtained in ‘Nam) with a heated metal coat hanger. He was a fan of modern music and dressed in colourful ‘70s clothes and a nifty Sonny Bono wig. Again, Drayton was left picking up the pieces when his brothers attracted too much attention with one of their kills (in this case, slaughtering a pair of teenagers and kidnapping the DJ who had recorded the evidence). Drayton and Chop-Top were themselves killed when a relative of one of their victims – Lieutenant ‘Lefty’ Enright (Dennis Hopper!) came looking to avenge his niece and nephew’s deaths. Presumably it was Sally’s death he was most distressed by – after all, Franklin Hardesty was as annoying as any screeching Sawyer. “Ka plooey,” said Drayton, popping the pin from a nearby hand grenade. Ka plooey indeed. The explosion killed not only Lieutenant Enright, but himself and Chop-Top too.

LEATHERFACE: THE TEXAS CHAINSAW MASSACRE III

Somehow, Leatherface survived to see another day, and took Grandpa with him too. Old Gramps might actually have been dead at this point, since we never actually saw the old husk move in the third Texas Chainsaw Massacre, but the family kept him around anyway, alive or dead. It was a larger family unit than he’d lived with before, but one which seemed to deeply care about one another. The family who slays together, stays together, after all. Edward ‘Tex’ Sawyer was the outwardly normal Sawyer this time around, a charming, handsome hitchhiker who dressed like a cowboy and looked quite a lot like Aragorn from Lord of the Rings. He had a close bond with brother ‘Tinker’ who had a hook for a hand and drove a pickup truck. The most demented Sawyer here was Alfredo, attendant at a local gas station and purveyor of urinating women (through his peephole in the ladies’ toilets). Maybe the explanation for the warmer family environment was thanks to the Sawyer contingent of girls – Mama Sawyer was the family matriarch, while they also kept a little girl in the house too – allegedly Leatherface’s daughter. Mama and all of the menfolk but Leatherface were killed during yet another escape by a victim. In this case, Mama, Alfredo, Tink and Grandpa (if not dead already) were shot to death and Tex was burned to a crisp. Leatherface and his daughter survived the massacre, although the little girl was never seen or heard from again. She was lucky to escape the next instalment.

THE NEXT GENERATION: BOLDLY GO AWAY

The rest of his relatives dead, Leatherface had little option but to go and live with the black sheep of the family. He found himself living with the Slaughters, led by loudmouth trucker Vilmer and his animatronic leg. With his brothers gone, Leatherface must have decided the time was ripe to give himself a makeover, since in The Texas Chainsaw Massacre: The Next Generation he had become a crossdresser and a useless idiot who lets Bridget Jones tell him what to do. The other family members consist of W.E Slaughter (mentioned in the previous film – supposedly having perished in a gas chamber for the family crimes) and Darla, Vilmer’s spouse. She was the ‘normal’ member of the family, although that really wasn’t saying much. Grandpa was back too apparently, named Victor and as comatose as ever. This branch of the Sawyers/Slaughters were perhaps the most insane of all – working for the Illuminati, maybe being from outer space and possibly having had a hand in the assassination of President Kennedy. W.E was (probably) killed when Vilmer bashed him over the head with a hammer during one of his rages. Vilmer himself was (also probably) killed when he was smashed over the head with an aeroplane. Leatherface remains at large. Hopefully now he will have gained some self-respect since Bridget Jones told him to “sit the fuck down”.

THE HEWITTS

In an alternate ‘70s Texas, another disfigured young misfit could also be found indulging a chainsaw fetish. Thomas ‘Leatherface’ Hewitt was the adoptive child of the Hewitts, found abandoned in a dumpster by Luda May. He would grow up working at the slaughterhouse where he was born and also dumped. When his boss closed the business down, Leatherface didn’t take redundancy too well. He brutally battered his boss to death with a sledgehammer, setting in motion a killing spree that would go on to be one of the most infamous crimes in the annals of American history. He lived with his extended adoptive family. Most notable was Charlie Hewitt, who murdered the local town Sheriff to take both the name and title of Hoyt. Hoyt would indulge and encourage Leatherface’s nastiest tendencies, and introduced the family to the joys of cannibalism, a practice he discovered and found to be extremely pleasant during his time serving in the Korean War. He lived with his mother Luda May, brother/nephew Leatherface and legless uncle Monty (his lower extremities chopped off by Hoyt during a particularly messy emergency surgery). Frequent visitors were Tea Lady Hewitt (a morbidly obese lady who likes tea) and her daughter Henrietta, who lived in a nearby trailer. The most normal member of the family was this time young Jedidiah Hewitt, who went against the family tendency for cruel violence and actually helped one of their victims to escape. Hoyt was killed during this escape attempt, repeatedly run over with a very large truck. Despite having his arm lopped off, Leatherface remains at large. Since it’s unlikely we’ll ever see a return to the Hewitt family universe, it’s likely that he will stay that way for a very long time.

Despite the worst attempts at (family) tree surgery by Matthew McConaughey and Platinum Dunes, the bloodline remains as strong as ever. Only time will tell who has survived, and what might be left of them…

 

Tribute To Gerry Anderson

Gerry Anderson 1929 – 2012

Gerry Anderson was an innovative, creative man that shaped our childhood inspiring us to overcome obstacles and work together as a team.

Our surrogate father allowed us to see the future through his creations. He was the dreamer of the dreams that shared them with the entire world. Through his eyes, we were taken on deep space, Earthly and undersea adventures.

We flew along with Steve Zodiac and crew in the Fireball XL5. Thunderbirds were always go with the Tracey family. Captain Scarlet kept planet Earth safe from the Mysterons. Commander Straker and Colonel Paul Foster did the same in U.F.O.

Commander John Koenig, Dr. Helena Russell and Professor Victor Bergman showed us strange worlds on the runway moon through the universe.

We even took a Journey to the Far Side of the Sun.

Mike Mercury, Jimmy Gibson and Professor Popkiss took us on the amazing, do-anything, Supercar.

Harry Rule and company took us to exotic locals solving mysteries in the Protectors.

Captain Troy Tempest and Lieutenant George Lee Sheridan solved mysteries and battled evildoers under the sea in Stingray while Captain Tempest romanced Marina.

These were worlds to discover and what better way through the eyes of a child. He taught us well and left behind a great legacy for future generations.

Right now, we’re sure the Thunderbirds, Eagles, Stingrays, Fireballs are all flying their missing man formations for their creator. It is our childhood’s end, yet with every ending there is a new beginning.

His work will always live in our hearts.

F.A.B. out.

Top 15: MERLIN Episodes

After five years of joyously silly – and increasingly dark – entertainment, Merlin is sadly drawing to an end. No more of Gaius’ raised eyebrow as he over-annunciates the word “sorcery”. No more Nipple Escape Watch on Gwen’s impressively heaving cleavage. No more rampant homoeroticism between Merlin and Arthur.

So it’s time to bid the show a fond farewell, with this countdown of the 15 best episodes. Hopefully the finale will be good enough to reshuffle this list, but for now here are our 15 favourites…

15. The Coming of Arthur – Series 3

In this series three finale, Morgana has gained control of Camelot and captured King Uther, while Merlin and Arthur find themselves on the road, amassing a team capable of bringing her and her army down.

This episode marked a tide change for Merlin. Morgana finally went openly evil after a series of constant smirking, the team of Knights was assembled and the Round Table was first introduced. It was the first episode we saw genuine kingship qualities in Arthur, and it also revealed to Arthur that Morgana is his sister (a fact which, sadly, was never explored as far as it could have been). It also, of course, marked the beginning of the end for Uther, but more on that later…

14. Arthur’s Bane – Series 5

Despite the gorgeous snowy landscapes, Morgana’s wolf sledge and wanton shirtlessness on an unprecedented level, this series five opener really owes its place entirely to one scene: Mordred stabs Morgana in the back. Literally. It blind-sided the audience more than perhaps any other moment in the entire show.

Arthur’s Bane re-introduces a key figure in Arthurian myth: Mordred, now in the grown-up form of Alexander Vlahos. This two-parter treads the same tightrope as all of series five does: Is Mordred being sincere when he proclaims loyalty to Arthur, or is he plotting? This episode also boasts a rather fabulous scene between Mordred and Morgana, in which we see her irredeemable madness through his shocked eyes. Finally, there’s the powerful nutcase of legend.

13. Le Mort d’Arthur – Series 1

Going all the way back to the first series, this episode saw the demise of series one villain Nimueh, played by Michelle Ryan. After a full series of wacky hijinks, Merlin finally faces the really nasty side of magic when a desperate deal to save Arthur’s life ends with his mother’s – and later Gaius’ – life being taken instead.

This episode is the first to look at the lengths Merlin will go to save Arthur, an issue which raises it’s head throughout the show as Merlin is forced to make increasingly murky decisions to keep the Once and Future King alive. But mostly it’s the episode where Merlin kills Nimueh with lightning while grief-crazy. Sadly the show has shied away from showing Merlin using anything like that level of magic ever since – presumably (hopefully) holding out for a pretty spectacular showing in the last ever episode…

12. The Darkest Hour – Series 4

In this series four opener, Merlin, Arthur and his knights set out to close a veil to the Other Side that Morgana carelessly left open, knowing that only a human sacrifice can close it. Both Arthur and Merlin intend on being that sacrifice, but Santiago Cabrera’s Lancelot beats them to it.

Aside from boasting Lancelot’s tear-jerking death (he gets another one later on, but we’ll get to that later…), this episode also shows Arthur stepping up to the plate during his father’s mental illness, some genuinely creepy ghosts in the shape of the Dorocha, and some very moving stuff from Merlin and Arthur, neither of whom intend to return home alive. This episode set the tone for a deeper and murkier series four, killing off a regular (not to mention Morgause in the opening scenes) and creating an unsettling, moody atmosphere. It was a very impressive opener.

11. The Sins of the Father – Series 2

This one is probably the key episode about the relationship between Arthur and Uther. The audience had known for some time that Uther had inadvertently caused the death of Arthur’s mother by dabbling in magic to make sure he had a son, but this was the episode where Arthur found out.

It also marked the introduction of the wonderful Emilia Fox as Morgause, the series’ chief villain before Morgana stepped up to the plate. In this episode, though, Morgause’s behaviour seems really quite reasonable. Okay, she challenges Arthur to a fight to the death, but she lets him live and in the end she only wants to tell him some truths about his mother’s death. Of course, those truths lead to Arthur trying to kill his father, but she can hardly be blamed for that, right?! Arthur and Uther’s emotionally charged sword fight is one of the best of the series, beautifully choreographed and packed with excellent character beats along the way. And the ending, where Merlin lies to Arthur in order to save the life of the man whose outlawed magic is wonderfully complex.

10. The Moment of Truth – Series 1

This series one episode was a rare chance to get all four leading characters out of Camelot and on a joint mission – in this case saving Merlin’s village from bandits.

This episode had a lovely sense of camaraderie, and gave us a chance to see Merlin and Arthur’s relationship evolve outside of the servant/master roles they occupy in Camelot – largely via the medium of Arthur prodding Merlin in the face with his feet. But this being a British show, that genuinely is how we show fondness. The episode also boasted slow, but important, development in the Arthur/Gwen relationship, and gave Morgana a rare chance to be a hero. Also, as any Skins/The Fades/Game of Thrones fan can tell you, a Joe Dempsie guest appearance is always a good thing. This was a fun episode that leaves a real lump in the throat at the end.

9. The Once and Future Queen – Series 2

Back to the Arthur/Gwen relationship here, as this episode marks their (surprisingly early) first kiss. Arthur stays at her house while entering a joust incognito, unaware that an assassin (played by Adrian Lester) is on his tail.

This was a big, romantic episode, topped off by a beautifully-shot first kiss between the two lovers of legend. It served to give Arthur more humility (even if only temporarily) and it was nice to see Gwen shape him into the King he becomes. In an episode that focused heavily on knightly chivalry and downtrodden fair maidens, this episode appropriately centred around an impressively realised jousting tournament, not looking any more low-budget that those seen on the big screen. It also boasted an inexplicably hilarious guest appearance from Alex Price (also excellent in Being Human and Doctor Who) as William, the peasant pretending to be the unknown knight Arthur is ‘playing’ in the joust.

8. Goblin’s Gold – Series 3

In a rare opportunity for Richard Wilson to flex his formidable comedic muscles, Gaius is possessed by a goblin with a taste for gold and practical jokes.

Wilson is brilliant as the possessed Gaius, balancing slapstick and wit with ease, letting Colin Morgan fall into step as the straight man opposite him. In another writer’s hands, silly fart jokes and Arthur growing donkey ears would have been cringe-worthy, but in Howard ‘Misfits’ Overman’s hands, it’s 45 minutes of sublime comedy. The pissed-off expression on Bradley James’ face as Arthur realises he can only communicate via donkey brays was pretty damn good, but the piece de résistance was undoubtedly Gaius repeatedly slapping Uther across his bald head. It might not sound like much, but if you weren’t crying with laughter then there’s something wrong with you.

7. The Fires of Idirsholas – Series 2

The dye is cast on Morgana’s fate in this episode, as she unwittingly becomes the focus of Morgause’s curse to make everyone in Camelot fall asleep, making them helpless victims of the Knights of Medhir. The only solution, Merlin gradually realises, is to kill the focus of the curse.

The sleeping Camelot makes for an eerie sight, and the show manages some comedy (transporting the sleeping Uther around) and some quality sleepy sword fighting from Arthur before getting down to the serious business. Series two was predominantly a light-hearted, fun series, so the end of this episode was a real shocker. Merlin actually does it. He poisons Morgana. It was a real jaw-dropper, and the sight of Merlin soothing Morgana as she realises what he’s done and chokes to death is unsettling even on a rewatch. No wonder the poor woman goes evil. In the end, Morgana is saved by chance by Morgause’s intervention – Merlin would really have killed her. It’s a brave move, to have your leading man try to kill one of the leading women.

Oh, and the Great Dragon punks Merlin by pretending to be asleep at one point for lols. And did I mention that Merlin frees said dragon in the closing seconds of the episode? Yeah, it was a pretty good instalment of Merlin.

6. Lancelot du Lac – Series 4

This was the second of two ground shaking myth-heavy episodes in series four, as Morgana resurrected Lancelot and sent him to seduce Gwen, with the help of an enchanted bracelet.

Without that enchanted bracelet, this episode would have been higher on the list. It seems like a bit of a cop-out to have the most famous affair in myth reduced to the actions of a couple of puppets dangling on Morgana’s strings, but at the same time I know that it’s a kids show, and kids can’t be expected to understand the complexity of loving two people at the same time. But that nitpick aside, what an episode. Sword fighting, (off-screen) suicide, a heart-breaking (and maturely handled) break-up, Lancelot’s true death, and no reset button in sight. Angel Coulby gives her performance of the series in this episode, and is absolutely devastating as the woman who realises too late that she’s thrown her entire life away. It’s a beautifully-written episode by Lucy Watkins (who, to my mind, was never given enough episodes of Merlin, despite writing some of the best), and to this day it remains the most grown-up episode the show ever put out. It’s almost like it’s wandered in from another show.

5. Beauty and the Beast – Series 2

From one of the most mature episodes to one of the silliest, as Uther falls in love with a troll. Yes, that actually happened. Gotta love Merlin.

Too often, Anthony Head wasn’t given enough to do as Uther – usually just sitting on a throne and pronouncing death sentences. But in this episode, Head gets to play to his rarely-seen comedic talents as a man head-over-heels in love with a troll. The first part of this two-parter plays it (comparatively) straight, with the troll disguised in the lovely form of Sarah Parish (who does a magnificent job in the role), but it’s the second part, where she’s reverted to troll form and Uther’s still smitten which is gloriously ridiculous. Just look at Gaius and Sir Leon trying to ascertain if Uther has realised that his wife is a troll, or the look on Arthur’s face as he realised just what Merlin’s mad ‘troll’ claims meant. But that seduction scene, with Uther lowering the troll onto the bed as romantic background music swells was in a league of its own. Absolutely hilarious.

4. Sweet Dreams – Series 2

You may wonder why a simple ‘Arthur falls under a love spell’ episode would be so high on my list, and perhaps I could sum up my reason with a few simple words: “It’s destiny, my love! Destiny and chicken!”

Okay, so I might need to explain myself more than that. Sweet Dreams was a simple, linear and predictable episode, but it was beautifully constructed and acted, from Gwen’s quiet heartbreak at watching Arthur fall in love with someone else to Georgia Moffett’s infectious loved-up princess. But this episode belonged to Bradley James, who firmly established himself as an extremely talented comedic actor in this episode. Previously he’d not done much beyond get in sword fights and insult Merlin, but here he wheels out some pratfalling genius, proving that he is at his best when undermining his heroic leading-man status, pulling ‘oops’ faces at Lady Vivian while her father beats the crap out of him. It’s a pure fairytale of an episode, even down to True Love’s Kiss saving the day at the end. And sometimes, when you’re settling down to watch a family show on a Saturday evening, a fairytale is all you want.

3. The Last Dragonlord – Series 2

Following on from Merlin’s actions in The Fires of Idirsholas, the Great Dragon is laying spectacular waste to Camelot. Only a Dragonlord can save them – luckily, Gaius knows the last one. And he just happens to be the father Merlin never knew.

You put a dragon under a castle at the beginning of a series, you better hope you can do a pretty damn good dragon attack when it eventually gets out. It’s the fantasy TV version of Chekhov’s gun rule. Luckily, Merlin pulls it off with spectacular special effects. This episode is the best of (many) Camelot siege episodes, and the dragon has never looked better. But the best content of this series two finale comes when Arthur and Merlin leave Camelot in search of Balinor, the last Dragonlord. Merlin has an initially difficult reunion with his apparently stubborn, spiteful father (played by John Lynch), but things turn heart-warming just in time for Balinor to get a sword in the gut and die in his son’s arms. Colin Morgan plays a blinder, choking down sobs as he hides his grief from Arthur, and carrying that sorrow with him for the rest of the episode, even when he’s out of focus in the background. All that, and we get Merlin saving Arthur from a brave last stand against the dragon, releasing his Dragonlord powers for the first time. Badass, and emotionally affecting.

2. The Wicked Day – Series 4

The biggie, and perhaps you might be surprised not to see this in the number one slot. After all, this is the episode where Uther died, and Arthur became King.

In another Overman-penned episode, the audience are completely wrong-footed by Uther being killed off in only episode three of series four. We savvy TV viewers are used to the big deaths happening in the finale. It’s an effective shock twist, and one which left most viewers staring at the telly in stunned surprise for some minutes after it ended. We were sad to see Anthony Head go, but at least he got an excellent goodbye, heroically coming out of his depressed stupor long enough to save his son’s life, getting mortally wounded in the process. Merlin sees his opportunity to prove the good of magic by saving Uther (in his guise as Emrys) but it all backfires, killing Uther rather than saving him and leaving Arthur more set against magic than ever. The entire show was turned upside down in just one episode, and beautiful performances were given throughout, from Katie McGrath’s conflicted twinge when she feels that Uther has died to Bradley James’ incredibly moving grief, which he has to push aside too soon in order to become King.

But strangely enough, the image that always sticks in the mind from this episode, is the final close-up of Merlin, breaking into a huge smile and yelling “long live the king!” with all his heart. The feel-good moment of the series.

1. A Servant of Two Masters – Series 4

And the best-ever episode of Merlin (in this humble reviewer’s opinion)? The one in which Morgana captures and enchants Merlin, turning him into the most ineffectual assassin in history.

It doesn’t sound like much. No deaths. No major action set-pieces (aside from a long-awaited Merlin-as-Emrys vs. Morgana showdown). But it’s a perfectly-crafted episode, expertly moving through the story and across tones, making it essentially three episodes in one. First we get Merlin sacrificing himself for Arthur, leaving him strung up from Morgana’s ceiling (and Katie McGrath has never been better than in this episode, pouring out all her bitterness in Merlin’s direction). Next we get the pure comedy of the enchanted Merlin spectacularly failing to kill Arthur, despite his enthusiastic attempts, and finally the cured Merlin taking on Morgana in disguise – and kicking her arse.

So why is it the best episode? In two words: Colin Morgan. He’s been the heart of the show for five years and has never been less than excellent. He’s almost single-handedly responsible for the charm of the show (well, him and his flawless chemistry with Bradley James), and A Servant of Two Masters is the best showcase of his talents. His Evil Merlin is cheerfully amoral, with even his speech patterns setting him apart from Real Merlin. His Emrys is, as always, a surprisingly confident and assured performance. And as for the scenes between him and Morgana: How do you make your chief villain even more dangerous? Have her threaten Colin Morgan and let him sell the rest. It’s a brilliant episode, scary, funny and exciting by turns (it’s that Lucy Watkins on writing duty again), all held together by one of the best (and perhaps least likely) leading men on TV.

Ah, Merlin, we’ll miss you.

All five seasons of MERLIN can currently be streamed in the UK via iPlayer, BritBox, and itvX

Feature: New to Streaming Roundup – Week Ending December 23rd

New to Steaming Roundup - Week Ending December 23rd

To say that things have been quiet for the genre fan is an understatement, unless you are a fan of stuff like Downton Abbey, Power Rangers Mega Dino Ninja Force and films like Shame, then really it’s been a quiet month or so. Blinkbox has ceased to offer the free films that they offered mere weeks ago with a promise that this service will return in January. YouTube on the other hand is revealing itself to be a goldmine for all the ‘80s VHS not readily available on DVD titles from your childhood.

Below I have tried to capture all of the goodness that’s been added to your various services from when I last did this column up until the weekend before the big C. Perhaps the biggest crime of all is that none of these services are currently offering National Lampoons Christmas Vacation or Gremlins. I’m pretty sure Rare Exports is on LOVEFiLM though should you like your Christmas movies just that much darker.

The Woman in Black (2012) – Netflix

The Woman in Black

I quite enjoyed this film earlier in the year and it was creepy and suitably dark in all the right ways. The only problem I have is with Daniel Radcliffe in this role, he looks uncomfortable and when picked to play a grieving father, things don’t really hang together as they should for him. If they had gone for someone a bit older with experience outside of the Harry Potter franchise then I think that the film would be far more memorable. The start of the film is also kind of a muddle and only really falls into place about 30 minutes in. This film made a ton of money and yet there are far superior films of this type out there that deserve more attention. Last years The Awakening for one is a similar set up but a superior movie.

Brotherhood of the Wolf (2001) – LOVEFiLM

Brotherhood of the Wolf

It still amazes me that director Christophe Gans isn’t currently enjoying the same career as Luc Besson. Gans started strong with Manga adaptation Crying Freeman and made the underrated first Silent Hill film. Between those two he directed this mixture of martial arts, monster movie and period drama which shouldn’t work but somehow does. It’s stylish and well-acted with great performances by a never better Mark Dacascos, Samuel Le Bihan, Vincent Cassel and Monica Bellucci. If you haven’t seen this yet then you need to remedy that right now and then join the rest of us in wondering what the hell Gans is doing these days (apparently an adaptation of Beauty and the Beast).

The Divide (2011) – Netflix

The Divide

In a way one of my biggest disappointments recently was this apocalypse thriller from director Xavier Gens. Not that the film is bad, it’s actually pretty good, but people hyped this up as some kind of nasty, unwatchable meditation on how low we will sink to survive and really it’s not like that. There is some violence but it’s only occasional. What people may have tapped into is the film having an overall atmosphere of hopelessness and griminess with everyone slowly being poisoned by the radiation outside of the bunker below a New York apartment building and being all too willing to kill over the rations. Some of the people trapped who suddenly become monsters are a little unbelievable and some who act rationally seem to get treated worse. It’s a film with very few likeable characters and a pretty bleak view of humanity but manages to be entertaining and stylish.

Inception (2010) – LOVEFiLM

Inception

What can I say about Inception that hasn’t already been written elsewhere? There was an interesting attempt at a backlash against this film about six months after it came out but the argument basically amounted to people whining about the lack of fantastical dream beasts and that the film wasn’t really surreal enough for the dream world it portrays. I think these people are clutching at straws and missing the point. The point of the film is that this is an elite crew of professionals who do this for a living and are highly skilled at what they do. Therefore the lack of personal demons is something that is intrinsic to the characters as they are portrayed. The whole point of Leonardo DiCaprio’s character’s flaw, his inability to forget his dead wife, is that it threatens the entire crew and every job they do by introducing a wild card into the missions. Ok rant over. Anyway Inception is a brilliantly structured puzzle box of a movie that, just like the dreams presented in the narrative, works on lots of different levels. The film is the first bona fide big budget classic of this decade and you need to see it. For a moment it looked like we might get a whole number of years of intelligent SF product because this was such a hit, so far though, not so much.

Machete (2010) – LOVEFiLM

Machete

Robert Rodriguez and Ethan Manquis’ spin off from the Grindhouse fake trailer isn’t without moments of joy. Cheech Marin’s character, Robert De Niro’s Senator and fat Steven Seagal are all good for a chuckle, as are most of the action scenes and violence. The problem is Machete takes itself far too seriously, trying to make a point about the plight of illegal immigrants whilst at the same time presenting many of the female Mexicans as whorish warriors who use their bodies to get what they want leaves a bad taste in the mouth. This should have been more Hobo with a Shotgun and more concerned with entertaining you. However if you wanted to see a movie where a man’s intestines are used as an escape rope then this is that movie.

Warehouse 13: Season 3 (2011) – Netflix

Warehouse Season 3

You probably haven’t been watching Warehouse 13 and why should you? This is a Sy Fy Channel series, has a cast you have never heard of, a budget to match and it’s a well out of date riff on the old X-Files formula. The problem is that Warehouse 13 is a lot of fun, a lot of breezy fun. It doesn’t take itself seriously, is actually quite well written and funny and feels like the natural successor to Joss Whedon’s TV work. Now that we are into the third season, arcs are taking place with recurring villains (including a female Jules Verne) popping up every now and then and whenever it seems like life or death for our crew then something funny will happen to allow them to get out of it. Eddie McClintock and Joanne Kelly are likeable handsome leads and… just watch it ok?

Leviathan (1989) – YouTube

Leviathan

Something I caught very recently was this forgotten late ‘80s underwater horror film made in the wake of The Abyss, starring Peter Weller, Daniel Stern, Ernie Hudson and the awful Amanda Pays who was the ‘80s equivalent of Saffron Burrows. Leviathan is basically The Thing underwater, with a mining crew intercepting a crashed soviet sub that has some kind of experimental organism on-board their habitat on the ocean floor that goes ahead and mutates the crew. Thing is, it’s pretty well done and looks very expensive although it probably wasn’t and director George P. Cosmatos does a solid job with a B movie cast.

Despicable Me (2010) – LOVEFiLM

Despicable Me

In 2010 there were two animated films that revolved around animated super villains. One was DreamWorks’ Megamind and the other was this from Universal Pictures. Despicable Me is more consciously aimed at the kids rather than the family but manages to be sweet, clever and hilarious all at the same time without becoming a pop culture laden disaster. Steve Carell voices Gru, a criminal genius who with his minions has various ‘take over the world’ schemes that consistently fail. When he meets a trio of orphans then things start to change and the audience goes awwwwwww. A sequel is due next summer too.

Class of 1999 (1990) – YouTube

Class of 1999

Straight to home video auteurs in the late ‘80s predicted that by the end of the next decade we would be in war zones for schools with robot teachers being a necessity. One of those films that was greenlit because of The Terminator, Class of 1999 is brutally violent in a fine grindhouse tradition and has a real feel of rebellion about it as war cyborgs are adapted to modern schools and start taking their job a little too seriously leading to a group of punks having to take them down. Even now this is still pretty violent and I’m shocked and appalled at my parents for having let me watch this when I was 11. Still, the effects don’t really hold up but this is still a fine example of a great straight to VHS title from a golden age of clag.

The Fisher King (1991) – LOVEFiLM

The Fisher King

Possibly Terry Gilliam’s most mainstream film is The Fisher King which concerns Jeff Bridges’ shock jock who inadvertently causes a massacre and in his suicidal grief meets Robin Williams’ Parry, a homeless man questing for the Holy Grail in modern New York City. Although the fantasy elements are limited compared to something like Brazil or Time Bandits, they are still present but this is carried through on the strength of a career best Robin Williams and Jeff Bridges bringing their A-game and the touching relationship between the two of them as their connection becomes clear. One of the standout films of the early ‘90s which seems to have had very few genuinely great films.

Videodrome (1983) – YouTube

Videodrome

Probably my favourite David Cronenberg film is his 1983 warning to all of us what video nasties and unchecked cable television were doing to our brains. Aspects of this seem quaint now in these days of Human Centipede and A Serbian Film. The core brain washing plot though is still compelling and most of the practical effects work still impresses. Funnily enough when I first got cable television back in ‘94, this was one of the first films I watched and it’s stayed with me ever since. Videodrome was completely unaware of DVD and the Internet but the core concept is still strong and probably why a remake is on the way.

Where the Wild Things Are (2009) – LOVEFiLM

Where the Wild Things Are

Spike Jonze’s third film from the end of the last decade is massively underrated, probably because it’s unlike anything you have ever seen and thus was hard to market. Taking its cue from Maurice Sendak’s celebrated 30 page children’s book, the film manages to be a wonderful adaptation as well as a pathos filled meditation on childhood. To my mind there has never been a more accurate depiction of what it’s like to be a child, the emotional tantrums, the fear, the joy and the fun. Jonze also manages to make this visually accomplished as well with seven foot tall hairy suits with men inside and CG animated faces which blend seamlessly with the real locations and forests. Possibly hard going for the younger kids that it’s aimed at, adults and older children will love this and appreciate what the story is saying. It’s impossible not to shed a tear at the finale.

Vampire Hunter D: Bloodlust (2000) – YouTube

Vampre Hunter D: Bloodlust

One of the better anime films of recent years is Ninja Scroll director Yoshiaki Kawajiri’s animated interpretation of the beloved manga and novel character Vampire Hunter D. This finds the titular vampire bounty hunter hired to track down a missing girl who has fallen for a centuries old Dracula like figure and is heading towards a castle ruled by an even deadlier vampire. A trio of heavily armed hunters clash with D along the way. What stands out in this film, apart from the action, is the surreal world which is a meeting of technology and western and the weird sometimes spine chilling creatures. It’s a mystery why this hasn’t been snapped up by Hollywood for the live action treatment yet.

Eight Legged Freaks (2002) – LOVEFiLM

Eight Legged Freaks

Positioned as a big blockbuster in the summer of 2002 was this film about a town under siege by giant spiders. It didn’t turn out quite as planned despite a great marketing campaign. This may be derivative of films such as Them and Tremors but it’s massive fun and never takes itself seriously. The spider effects are still quite impressive as they range from the size of a dog to the size of a caravan and mostly they are skin crawling until they make weird sounds. Also features a performance from a young Scarlett Johannson, a year before Lost in Translation catapulted her to stardom.

Invaders from Mars (1986) – YouTube

Invaders from Mars

In the last slot where I like to place all my childhood memories that probably won’t stand up is Tobe Hooper’s remake of the 1953 cold war era B movie. When I was nine I caught this on TV around dinner time and because I had an irrational fear of alien invasion thanks to V, it scared the absolute bejesus out of me. Parents were getting replaced, teachers were eating frogs and the aliens wanted to kill us and not befriend us like ET. So this film has been quite hard to find for some years and now has popped up on YouTube to scare us all anew. I later researched and found out this film came from cheapskate Cannon films and producers Yoram Globus and Menahem Golan so I may just leave well enough alone and not tarnish that first terrifying viewing.

Comics: Noteworthy New Releases for Dec 19th, 2012

This week, we officially ring in the winter season with the upcoming solstice and what better way to warm the cockles of your cold, dead heart than with a steaming hot stack of new comics. This Wednesday’s offerings feature a cohort of kick-ass women from Gotham to Mega City One, hard decisions for an Ultimate webslinger, a date with the in-laws Saga-style, Aja’s triumphant return, a trip through time with RECONNECT, and a very Morrison Christmas.

Batwoman #15

Story by: J.H. Williams III and W. Haden Blackman / Art by: Trevor McCarthy

From DC Comics: The Batwoman/Wonder Woman team-up continues! The action is out of control as Bones, Chase, the DEO, Abbot and the Religion of Crime all descend on Gotham City to take part in the fight against Medusa! And then at the end of the issue the all-new…ah…we can’t tell you but it’s awesome!

Catwoman #15

Story by: Ann Nocenti / Art by: Rafael Sandoval and Jordi Tarragona 

From DC Comics: Following her standoff against The Joker, Catwoman takes an easy job: stealing Eclipso’s Black Diamond from The Black Room! The diamond’s power rises with the full moon…like on the night Catwoman sets out to take it! 

Birds of Prey #15

Story by: Duane Swierczynski / Art by: Romano Molenaar and Vicente Cifuentes 

From DC Comics: It’s shake-up time as the team loses one member and gains a new one! Meanwhile, something strange is happening to Black Canary, and Starling’s not sure what to do about it. Is this a hint of darker things to come?

Judge Dredd #2

Story by: Duane Swierczynski / Art by: Nelson Daniel and Brendan McCarthy 

From IDW: In Mega-City one, Judges ARE the law. But what happens when a veteran Judge goes bad? And he’s so skilled at hiding his misdeeds that even Judge Dredd is unable to dig up the evidence he needs? Looks like it’s time to choose psis… from the Psi Division, that is! IDW’s all-new ongoing series continues here, with the re-introduction of fan-favorite JUDGE ANDERSON! Don’t even think about skipping this issue. Because well, she’ll *know*. 

Comeback #2

Story by: Ed Brisson / Art by: Michael Walsh 

From Image Comics: An FBI raid throws RECONNECT, an illegal time travel agency, into a panic. Trapped in the past, RECONNECT agent Mark Thomas has lost the woman whose life he was sent to save. He must find her and throw the FBI off his trail or lose his only method of getting back home.

Happy #3

Story by: Grant Morrison / Art by: Darick Robertson 

From Image Comics: With a day left until Christmas, and time running out for Santa’s innocent victims, Happy the Horse learns what turned Nick Sax from golden cop to broken-down hitman. But can he convince Nick to do the right thing or is it Happy’s turn to face some uncomfortable home truths?

Saga #8

Story by: Brian K. Vaughan / Art by: Fiona Staples

From Image Comics: Former soldier and new mom Alana has already survived lethal assassins, rampaging armies and alien monstrosities, but now she faces her greatest challenge yet: the in-laws. 

Captain Marvel #8

Story by: Kelly Sue DeConnick and Christopher Sebela / Art by: Dexter Soy

From Marvel: DEEP SEA DANGER! What lurks below the ocean’s surface? And can Captain Marvel stop it before she gets ship-wrecked? Guest-starring Monica Rambeau!

Hawkeye #6

Story by: Matt Fraction / Art by: David Aja 

From Marvel: David Aja returns to the most critically acclaimed comic of 2012! The Ace Archer Clint Barton faces DVR-MAGEDDON!

Ultimate Comics Spider-Man #18

Story by: Brian Michael Bendis / Art by: David Marquez 

From Marvel: The world is at war and Miles Morales is miles from home! Miles has joined the Ultimates but that decision may have cost him his family. Our young super hero has to make some big decisions and he has to make them now! Guest-starring the ULTIMATES!

Feature: 10 Must Have Christmas Gifts!

Top Ten Christmas Toys

Imagine the scene, it’s Christmas Day and you are surrounded by relatives, wrapping paper and chocolate wrappers. Christmas Dinner sits heavily in your stomach fighting for space with the sherry and mince pies that seemed such a good idea at 10 am. Once more you’ve missed the Queen’s speech and are faced with the prospect of a game of Charades, Monopoly or even worse! The question is ‘How do I survive until Doctor Who?!’

The answer is to make sure you get the right gifts on your list to Santa and courtesy of Starburst here are 10 must have items which, if you’re quick, can still be ordered in time for the big day. Enjoy!

Doctor Who Watch

The first thing you need on Christmas Day to count down the minutes until The Snowmen is a Doctor Who pocket watch. This will allow you to countdown the hours and minutes until you need to focus on the TV and meet the new companion.

Dalek Christmas Tree Ornament

Next check the Christmas tree as you switch on the lights. Is your Dalek ornament still looking good?

Zombie Brain Flavour Mints

You may decide on a walk to work up an appetite for dinner. More likely you will be trying to find a garage with batteries and unable to drive due to several glasses of mulled wine. Don’t step outside without taking off your Brain Flavour Zombie Mints just in case the undead are on the prowl.

Red Dwarf Mug

Once you get home it must be time for another drink! The best way to hide that early G&T is in your Jupiter Mining Corporation Mug.

Titanium Straw

Make sure you get some ice cubes, and you’ll also need a straw – Titanium of course!

Jedi Path Vault Edition

After lunch why not practice your command of The Force with the Jedi Training Manual (Vault edition of course)?

Tolkien and the Great War Book

After dinner what could be a better conversation piece than the story of how the Great War influenced Tolkien in his creation of Middle Earth?

TARDIS Teapot

Nearly time for Doctor Who and of course a delightful cup of tea from your TARDIS teapot. Sadly this one isn’t bigger on the inside so plan your drinking carefully!

Star Trek Boxers

Finally you get to the end of the day and surely you or the man in your life would want their very own, licensed Star Trek Boxers? The fun never stops!

101 Science Fiction Novels

And what better way to spend the time in bed than flicking through this list of Science Fiction: 101 Best Novels 1985-2010?

That’s our pick of ten gifts for science fictions fans everywhere – we’re off to help Santa sort out those reindeer! (Other flying steeds are available. Snow, zombies and mulled wine cannot be guaranteed).

Feature: AFTER EARTH – Is Night Due?

Trailer Reaction: After Earth

There’s an early episode of The Simpsons where Krusty the Clown is in serious financial difficulties brought on by his extravagant spending habits and hopeless addiction to ill-advised gambling. Shortly after seeing him light his cigar with a priceless copy of Action Comics #1, we see the hapless Krusty watching the Harlem Globetrotters once more humiliating their regular opponents. “Let me get this straight,” says his accountant, “you bet against the Harlem Globetrotters?” Krusty responds: “I thought The Generals were due!”

With M. Night Shyamalan’s After Earth (2013) looking like a rather expensive FX-driven blockbuster with the Hollywood royalty of Will Smith and his son Jaden in the starring roles, one can only assume that the financiers are following a similar logic. Night is, as Krusty would say, due.

M. Night Shyamalan’s career is fascinating and has, perhaps, no easy comparisons. No auteur’s career has started so brightly and fell so far in such a short time. In 1999 he came from nowhere with The Sixth Sense; a film that captivated (most) audiences and has an influence that can still be seen today. Some will claim that they saw that twist coming but it doesn’t alter the fact that repeated viewing reveals just how clever Night’s (mis)direction actually was. Although he couldn’t possibly have been expected to follow up with anything quite as successful, both Unbreakable (2000) and Signs (2002) were ambitious and satisfying pieces of cinema; critics even felt the need to point out that we mustn’t underestimate them in the shadow of his previous tour de force. We still got quite excited at the prospect of The Village (2004) even if many were genuinely disappointed (perhaps unfairly) when it saw the light of day. But goodwill had started to evaporate by the strange and self-indulgent Lady in the Water (2006). With the recent debacles of The Happening (2008) and The Last Airbender (2010), Night finds himself a regular winner at the Razzies; if he’s not careful he’ll be getting a lifetime achievement award there soon.

This is a bizarre and fairly unprecedented career path. Each film just a little bit more disappointing in a decade-long spiral from masterpiece to turkey; it’s been like watching a car crash in ultra-slow motion. Why did it go so badly wrong? Well there’s an article in itself, but what’s more interesting is whether Night can break the cycle. If he can attract the Smiths to his latest attempt then somebody, somewhere certainly thinks so. Good luck to them on that; Night looks very much like a man who has lost his touch and we’ve seen not the slightest hint of him getting it back in recent years. The trailer looks good but then most trailers do. Possibly not a factor but one also can’t help but notice that it’ll be up against Oblivion (2013) with Tom Cruise. Rightly or wrongly, one of these similarly themed star vehicles will be considered the victor; and who is going to bet against the Cruiser?

For all that, Night was once a great hope and we genuinely wish he can pull it off. He’s original, daring and uncompromising; all refreshing features in these days of by-the-numbers multiplex filling. You’ve got to applaud him for trying to break the rules even if it’s regularly been with such disastrous results in recent years. Perhaps he is due.

Just to finish slightly off the point, we also reckon we know what the Shyamalan twist will be in After Earth. Here at Starburst we’ve analysed that trailer and gone through our enormous library of SF from the last century or so and we can tell you that… well, obviously we’re not telling you lot. But if we suffered from the same gambling habits as Krusty, we might very well put a small bet on Night getting a letter or two from the estate of the late Harry Harrison. You heard it here first.

On the other hand, we might turn out to be about as good at gambling as Krusty; who is, no doubt, putting a hefty wager on After Earth sweeping the Oscars.