News Feature: Missing DOCTOR WHO Episodes Returned

It’s very rare that Doctor Who fans can all agree on anything, the new series being a perfect example (as this piece’s two authors will attest), but today’s announcement from the BBC will surely unite all of Doctor Who fandom in celebration: two 1968 second Doctor serials, missing from the BBC archives for the best part of forty years, have finally returned home. 

The Enemy of the World, which is returned to the BBC in its entirety, features Patrick Troughton in dual roles as both the Doctor and the story’s lead villain Salamander, and was the first Doctor Who story recorded in 625-line PAL (finally the recovered prints will answer the more technically-minded fans’ question of whether all six episodes were recorded in such a way; Episodes 1 and 2 actually debuted in 1967 and had long been assumed to have been recorded in the old 405-line system). The following story, The Web of Fear, is missing its third instalment but is still one of the Holy Grails of Doctor Who archive recovery. Directed by the late Douglas Camfield, the serial has long been regarded as one of the series’ greatest ever stories, largely thanks to the availability of its first episode which the BBC were already in possession of. The story features a return appearance by the Great Intelligence, recently revived in Steven Moffat-written episodes (with The Web of Fear itself being directly referenced in last year’s Christmas Special, The Snowmen).

Back in the 1960s, when television was becoming ever more firmly established as a medium, expatriate communities in Commonwealth countries in places as far afield as Ghana and Nigeria, New Zealand and Australia, Singapore and Hong Kong, routinely bought up much of the BBC’s output. However, in the 1970s, when colour programming began to be broadcast and repeats of black and white material became unfashionable, the BBC (along with other broadcasters) destroyed much of their back catalogue, and it wasn’t until the advent of home video in the 1980s that the value of these lost programmes became apparent.

Unfortunately, the BBC have never previously had the financial wherewithal to actually physically check television archives around the world, so it often had to be taken on trust that the episodes that had been destroyed no longer existed. And that hasn’t always proved to be the case.

Philip Morris is the new hero of the hour, the man who must now be at the top of every Doctor Who fan’s Christmas card list.

Morris, an archive television enthusiast and Doctor Who fan, is the head of an organisation called Television International Enterprises Archives Ltd (TIEA, pronounced ‘Tea-a’), a company whose work involves travelling around the globe and assisting archives mainly in the developing world in updating their equipment and holdings. Much of TIEA’s work takes place within the archives themselves – reformatting obsolete recordings so that they can be shown again – and of course, one side effect of the endeavour has been the repatriating of “foreign” material to its domestic copyright holders, including two episodes of The Sky at Night that Morris had previously returned.

And these nine episodes of Doctor Who.

The return of nine episodes, almost completing two entire stories from a particularly under-represented, and yet extremely popular, period of the show’s history is unprecedented in these post-internet times, and will be the cause of as much disbelief as it will celebration – simply at the sheer unlikelihood of so many “new old” episodes still existing. The last complete story to be found was The Tomb of the Cybermen 22 years ago, and while one of the most exciting aspects of the recovery has been the way the news has broken across the web in such an exhilarating fashion, there is also a downside to the way in which the internet has played a part in the process.

Negotiations for items as rare as these can be tricky at the best of times, but Morris has had to travel to some extremely dangerous and unstable locations in his search. There’s no doubt that the early reporting of this story, while the operation was still underway (an operation that is undoubtedly still ongoing, with another 97 episodes potentially still out there somewhere), might easily have permanently hampered proceedings, and the welter of internet speculation following such early mis-reporting of the “facts” – particularly about the number of episodes actually found, and the personal details of the people involved in finding them – will not have helped in any way.

Here at Starburst Magazine, we’d prefer instead to celebrate Philip Morris and his achievement. The Enemy of the World and The Web of Fear are already available to purchase on iTunes, ahead of potential DVD release somewhere further down the line, and stand to be two of the crowning glories in the story of Doctor Who. But it is Morris’ triumphant return of them to the BBC that is what we’d like to focus on – in the hope that one day, with a little patience and by allowing the people working on these matters to get on with their jobs without interference, further such returns might be in the offing.

But for now, it’s time to party like it was 1968 all over again!

Interview: Gale Anne Hurd | THE WALKING DEAD

Starburst recently caught up with The Walking Dead’s Executive Producer, Gale Anne Hurd to discuss the highly-anticipated Season 4 premiere and her latest project, a pilot for USA…

Starburst: So much to discuss! We left pretty much all of our characters at the end of Season 3 in a state of upheaval – we lost Andrea and Milton, and Daryl just had to go through the horrific ordeal of “killing” his own brother Merle after he turned into a Walker – how will this affect his interactions with the group?

Gale Anne Hurd: After such a horrific experience, an individual either retreats and closes themselves off to others, or they allow themselves to heal emotionally by connecting to their support system. Even though Daryl is physically the most capable of surviving the zombie apocalypse, he’s also one of the most traumatized, by his past and by recent events like having to kill the zombie Merle.

The dynamic between the brothers was such an incredible facet of Season 3. Is there a particular relationship in this upcoming season that you’re especially excited about?

I’m very excited to see the dynamic of father/son play out between Rick and Carl. We haven’t seen Rick be much of a parent to his son, and he’s certainly no role model in that department. I think Rick has realised that and is hoping to make amends this season. We’ll see if that’s even possible…

Can you give us any details about your upcoming pilot for USA, Horizon?

Certainly. It stars Cary Elwes, Ruth Bradley, Meg Steedle, Taylor Handley and Mark Famiglietti.  will executive produce through Valhalla Entertainment, with writer and co-executive producer Bridget Tyler (Burn Notice) and Universal Cable Productions.

Getting serious for a second – you are one of my idols, I really look up to you and what you’ve accomplished in film and TV – do you have advice for women who want to step behind the camera?

Never give up – but make sure you’ve done all of your homework so that when opportunity knocks, you’re ready for the challenges and obstacles you’re bound to encounter.

Season 4 of THE WALKING DEAD premieres this Sunday in the US, October 13th (AMC) at 9pm, and in the UK on October 18th (FOX).

Image: Gene Page courtesy of AMC

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Feature: THE WALKING DEAD Looking Back at Season 3 and What’s to Come from Season 4

The Walking Dead Season Recap

This past July the cast and crew of The Walking Dead were some of the most highly anticipated guests at the San Diego Comic-Con as fans eagerly await the Season 4 premiere. In addition to meet and greets they sat down for an hour-long panel hosted by Talking Dead’s Chris Hardwick and debuted the exciting trailer for the new season.

Let’s recap what went down last season for all of us eagerly awaiting the Season 4 premiere this October – if you live under a rock, or possibly inside the Woodbury compound, then we recommend you look away as there are spoilers ahead!

The Walking Dead

When we first got back with our group, several months have passed since they had to leave the tranquility of Hershel’s Farm. Lori is in the final days of her pregnancy and scared out of her mind that she won’t survive. She’s fairly certain she’ll need a Caesarian section, something incredibly dangerous in this hospital-less world they now live in. Incidentally, this fear allows us what might be one of the coolest Carol scenes of the entire season when she learns how to perform the procedure by practicing on a walker lab-rat!

Needing a safe place to deliver Lori’s baby becomes Priority Number 1, and Rick decides an abandoned prison is as good a place as any. Unfortunately the prison is anything but abandoned, and Rick and his group set to clearing it out. This task isn’t so morally difficult when it’s just walkers they’re dealing with – but when they stumble onto a group of inmates taking shelter all hell breaks loose.

While running from walkers, Hershel is bitten in the leg and Rick is forced to amputate below the knee. It’s a risky move they aren’t sure will pay off, but he recovers and they learn a valuable piece of information: if they can remove the bitten area shortly after the attack they can stave off infection. This isn’t necessarily important for our group at the moment, but it plays a part in the comics so there’s a chance it will come up again in the future.

The Walking Dead

Rick agrees to work with the inmates to clear out another section of the prison for their use, but these men are poor fighters and many of them are killed (we’re still mad about Big Tiny – we miss you!). The two that survive that aren’t evil jerks, Axel and Oscar, prove themselves to be reliable and slowly start assimilating into the group.

We lose some key people in the first half of Season 3 after one of the disgruntled inmates exacts revenge against our group by releasing a pack of walkers on them. T-Dog, who most fans were excited to see finally have more to do than scowl and help lift things, sacrifices himself in order to save Carol, who is too busy running for her life when Lori goes into labor. Hiding in a mechanical room with Maggie and Carl, Lori has Maggie perform the Caesarian, and while Maggie holds the baby poor Carl has to shoot his own mother in the head so she won’t turn into a walker. Rick is so distraught after her death that he barely acknowledges baby Judith and becomes haunted by Lori’s ghost.

The Walking Dead

While all of this goes on, Andrea – left behind by the group when they escaped the farm – makes a friend in the mysterious Michonne, a comics fan-favorite who finally made her TV appearance in the finale of Season 2. Together the two of them get taken by the Governor’s posse (which includes a long-lost Merle Dixon) and brought back to Woodbury – a seemingly idyllic sanctuary that’s actually super-creepy.

Michonne doesn’t trust him and after trying in vain to convince Andrea to leave with her, sets off alone. She sees Maggie and Glenn get taken by Merle while they’re on a baby-supply run, but not before overhearing them speak about the prison. Grabbing the supplies they dropped she finds Rick. Together with Daryl and Oscar they rescue Maggie and Glenn and Michonne exacts her revenge on the Governor by killing his walker-daughter and stabbing out one of his eyes. Their mission isn’t without cost, as Oscar is killed and Daryl is taken prisoner. A wounded Governor then accuses Merle of treason and pits the Dixon brothers against one another in a Thunderdome-esque fight. Rick and Maggie are able to return and rescue them, but when Rick refuses to let Merle into their group Daryl decides to set off alone with his brother.

The Walking Dead

With Rick away, Carl becomes the man of the prison and tries to help another group of survivors led by Tyreese and his sister Sasha. But when Rick returns he promptly boots them out, and they angrily set off on their own. They eventually run into the Governor, and mistakenly think he can be trusted. They tell him where they came from and the Governor sets out for revenge. He takes a small group to the prison and is able to breach the outer wall, killing Axel just when Carol’s starting to take a liking to him! Merle and Daryl decide to return to the prison to be the stand-up guys they were meant to be, and get there just in time to help keep the Governor at bay and force a retreat.

This second-half of Season 3 isn’t without incredible loss as well: after the Governor’s attack Rick and Carl set out for home to see if there are any weapons left, bringing Michonne with them to watch their backs (which allows her to prove herself to the group). While there, Rick runs into his old friend Morgan who’s pretty much gone nuts after the death of his son Duane at the hands of his walker-wife.  The exchange between the two in the episode “Clear” constitutes some of the very best scenes and dialogue of the season and shouldn’t be missed. Played to perfection by the brilliant Lennie James (who is currently chewing up his costars on another AMC show, Low Winter Sun), the reunion between Rick and Morgan is something we’d all been waiting for since the first season, and the writers don’t disappoint.

The trauma that’s occurred to both these men since that first meeting is something writer Robert Kirkman looked forward to exploring.  “I really loved the return of Morgan .” Kirkman tells AMC, “Just that exchange between Rick and Morgan and how it stripped the show down to these two men. And it called back to the first episode of the series, which to me was kind of a hallmark for the show, because those two men in that room are absolutely 100% completely different than the two men having a discussion in the first episode.”

The Walking Dead

While Rick deals with the death of Lori, Andrea has cozied up to the Governor. She arranges peace talks between them and the Governor tells Rick he’ll leave the prison alone if Rick surrenders Michonne. Each side returns to their respective compounds and Andrea learns this condition is a ruse and he’s going to kill them all anyway. She tries to escape to warn them but is betrayed by the Governor’s right-hand man Milton and put in a cell to be tortured.

At the prison, Rick’s unable to bring himself to turn Michonne over as he knows she’ll be killed. Merle decides he’s going to circumvent Rick’s wishes bring her in. But when the two finally talk to one another like human beings, he comes to the same conclusion as Rick and allows her to go free. He sets out alone to foil the Governor’s plans and is killed for it. In one of the most heart-wrenching scenes of the season Daryl comes across his reanimated brother and is forced to put him down.

Feeling betrayed by pretty much everyone he trusted, the Governor stabs a now-doubting Milton and throws him into Andrea’s cell so he’ll die, reanimate and then kill her. He launches another assault on the prison but Rick and his group are ready and carry out an ambush of their own. All of this senseless killing makes the soldiers and residents of Woodbury question the Governor’s decision to keep attacking – and he answers them with bullets, gunning down his own people. Rick brings the surviving Woodbury residents back to the prison and the season ends with a HUGE question mark, as no one knows where the Governor is or what he’s going to do next.

Walking Dead

But we do have some answers in the form of tidbits being dropped by AMC. David Morrissey, whose run as the Governor was initially supposed to last one season, returns to reprise his role, though for how long remains to be seen. Morrissey’s also been tapped to star in a new AMC pilot, Line of Sight. Both shows are conveniently filmed in Atlanta and AMC swears Morrissey’s Governor duties won’t be infringed upon.

Chad Coleman and Sonequa Martin-Green, who play siblings Tyreese and Sasha, will become regular cast members. Melissa Ponzio becomes a recurring character as Woodbury’s main survivor Karen. She can also be seen as Melissa McCall in Teen Wolf.

Making his first appearance in the show is comics character Bob Stookey, portrayed by Larry Gilliard, Jr. Fans of The Wire will recognize him as D’Angelo Barksdale. Our initial prediction is that show Stookey will differ from the comics version as it’s rumored he’ll be discovered by Daryl a week before the events of Season 4 begin and is accepted into the prison, where he’ll attempt to get used to the feeling of safety. Though judging by how “safe” the prison turned out to be last season, we don’t know how settled Stookey should really get.

Furthermore we aren’t sure how settled new showrunner Scott Gimple should get. AMC raised eyebrows after unceremoniously firing original producer Frank Darabont and replacing him with writer-producer Glen Mazzara. So it seemed a little baffling that halfway through Season 3 the network announced a mutual parting of ways with him. They cited differences with their views for the direction of the show, but rumors swirled Kirkman and AMC were unhappy with Mazzara’s abilities at the helm. He made his exit after the conclusion of the season and producer Gimple now takes his place. Judging by the trailer that debuted at Comic-Con, there’s going to no shortage of blood and drama this October!

DOCTOR WHO FIFTIETH ANNIVERSARY POLL: Your Favourite STORY?

As you’re probably aware, we at Starburst are big fans of a little series called Doctor Who. With the fiftieth anniversary imminently approaching, issue 394 of the magazine will be taking you on a trip through time and space, exploring the past fifty years of Who. As part of this, we’ll be looking back at the stories, characters, and more that set fans’ imaginations alight – and that’s where you come in. We want you to vote in our series of polls, and the results will be revealed in the mag.

So, which particular adventure do you cherish the most? Maybe it’s one that scared you, one that made you laugh, or even one that made you cry. Choose your favourite story below!

DOCTOR WHO FIFTIETH ANNIVERSARY POLL: Battle of the WRITERS

As you’re probably aware, we at Starburst are big fans of a little series called Doctor Who. With the fiftieth anniversary imminently approaching, issue 394 of the magazine will be taking you on a trip through time and space, exploring the past fifty years of Who. As part of this, we’ll be looking back at the stories, characters, and more that set fans’ imaginations alight – and that’s where you come in. We want you to vote in our series of polls, and the results will be revealed in the mag. 

A story can’t work without a good script, but luckily, Doctor Who has attracted an impressive array of writing talent over its years, with names including Douglas Adams and Russell T Davies having ran the show and guest writers including Richard Curtis and Neil Gaiman. But whose scripts have really left you in awe of just how great the series can be? Pick your number one screenwriter below!

DOCTOR WHO FIFTIETH ANNIVERSARY POLL: The Perfect COMPANION?

As you’re probably aware, we at Starburst are big fans of a little series called Doctor Who. With the fiftieth anniversary imminently approaching, issue 394 of the magazine will be taking you on a trip through time and space, exploring the past fifty years of Who. As part of this, we’ll be looking back at the stories, characters, and more that set fans’ imaginations alight – and that’s where you come in. We want you to vote in our series of polls, and the results will be revealed in the mag.

Who would the Doctor be without a trusty friend or three by his side? They’ve come in many different forms, from the Doctor’s granddaughter Susan through Highland warriors, eager journalists, reluctant stewardesses, and even fellow Gallifreyans. As the point of identification needed to lead the audience into the madcap world of the Doctor, the companion is an important figure – but which have you loved most? Pick your favourite companion below!

DOCTOR WHO FIFTIETH ANNIVERSARY POLL: ALIENS and ENEMIES

As you’re probably aware, we at Starburst are big fans of a little series called Doctor Who. With the fiftieth anniversary imminently approaching, issue 394 of the magazine will be taking you on a trip through time and space, exploring the past fifty years of Who. As part of this, we’ll be looking back at the stories, characters, and more that set fans’ imaginations alight – and that’s where you come in. We want you to vote in our series of polls, and the results will be revealed in the mag. 

So, who has you behind the back of the sofa? Do you live in fear of extermination or is being drained of all emotion your worst nightmare? Do Magnus Greel’s schemes outwit the Master’s, or perhaps you’ve managed to get your head round what the Silence were up to? Let us know who tops your rogues’ gallery below!

DOCTOR WHO FIFTIETH ANNIVERSARY POLL: Who’s Your Number One DOCTOR?

As you’re probably aware, we at Starburst are big fans of a little series called Doctor Who. With the fiftieth anniversary imminently approaching, issue 394 of the magazine will be taking you on a trip through time and space, exploring the past fifty years of Who. As part of this, we’ll be looking back at the stories, characters, and more that set fans’ imaginations alight – and that’s where you come in. We want you to vote in our series of polls, and the results will be revealed in the mag. 

So, will you tugging your frock coat lapels or tightening your bow tie this November? Would you like a jelly baby, or are you more the decorative vegetable kind? When the anniversary finally comes around, will you be shouting ‘Fantastic!’ or ‘Allons-y’? Let us know your favourite Doctor below! Geronimo!

News Feature: Horror, Halloween and Mental Health

You might have noticed the news stories about Asda and Tesco withdrawing some of their Halloween fancy dress outfits following an outcry from numerous public figures and at least one mental health charity. The problem is that the costumes entitled “mental patient fancy dress costume” and “psycho ward” were promoting negative stereotypes of those with mental health issues.

On the surface this would seem a straightforward story: Asda and Tesco have been pretty stupid, apologised and (in the case of Asda) have made a donation to the charity Mind. Check out the ‘net and you’ll find almost total universal condemnation of the costumes. But there are dissenting voices out there. The problem is that the costumes depict what are actually staples of the horror genre. In fact the “psycho ward” costume is clearly supposed to represent Hannibal Lecter and its name has probably more to do with copyright issues and a lack of imagination than anything else. Pick up a horror DVD and you’ll find rather a lot that mention “psychotic killers” on the back; some form of psychosis is the genre’s standard explanation for behaving in an otherwise inexplicably violent way. We might not use the phrase “insane asylums” too much nowadays (thank goodness) but these have been regular locations for many, many years in everything from Frankenstein to Batman while abandoned video equipment turns up in them with depressing regularity in Found Footage movies.

So what are we saying here? If the costumes are offensive or promote negative stereotypes then one has to assume that the stock characters they represent are just as bad. Well, perhaps they are; that’s certainly a valid viewpoint but probably not one that’d receive (rightly or wrongly) overwhelming support. But the characters themselves have never caused an outcry before so why now? Perhaps our attitudes are changing? Hopefully our attitudes to mental health issues are getting better but it seems a bit of a stretch to suggest that we’ve all suddenly decided, almost overnight, that these characters and locations are no longer acceptable in entertainment. Mental disorders are varied in both nature and severity; many of us have or will suffer from some kind of mental illness at some time in our lives; it’s a big issue. But one blogger seems to have nailed it when they say that these costumes actually don’t represent what anyone thinks is a real person with mental health problems. There might very well be stereotypical views of what sufferers are like but we’ll take a punt that most people are not thinking of Hannibal Lecter or a blood splattered grotesque wielding a meat cleaver.

The BBC also published a piece today on whether it is wrong to use the word “mental” in a joking way. To us, this seems to lie at the heart of the issue; language, as is often the case, is the real problem. Asda’s error was to call their otherwise innocuous product a “mental patient fancy dress costume”. We’ve seen people dressed up like this at Halloween and in movies a million times but we don’t like the idea that we’re making light of mental health issues and it is quite rightly no longer socially acceptable to do so. For some reason, the word “psycho” has somewhat different connotations and represents our fear of people behaving in dangerous ways we can’t understand. Had Asda just called it a “psycho costume” then we suspect they’d still be selling them and there’d be no news story today. Tesco just seemed to have been sucked into the whole affair with their similarly themed outfit and they’d have been left out had it not been for the Asda debacle. Mind you, including “ward” in the title of their costume probably wasn’t too clever; it tends to bring an unwelcome connection with reality in what is supposed to be escapist fun.

So one reading of all this is just that the costumes titles were unacceptable and that similar costumes with less ill-conceived names will be back in the future. But on the other hand, that might be hard for the manufacturers. They’ve withdrawn the products, not just renamed them; it’ll seem pretty crass if they just remarket them next year. A genie might very well have been let out of its bottle; this could even be a watershed moment. If these characters start to become unacceptable as fancy dress attire then, logically, we have to assume that the same will apply to the characters they’re based on. Will we be watching Psycho (1960) in years to come with a post-modern acceptance that, while brilliant, it couldn’t get made today? After all, Norman Bates just has some deep-rooted psychological problems that are not really his fault; surely we shouldn’t be getting a thrill from this? Maybe that’s even how it should be; we’ve been using these themes as a source of entertainment for a long time now but seldom stop to think about these issues involved. Have a look at other genres of movie and see how much has changed; how many depictions of race and sex have become utterly unacceptable today. On the other hand, horror has always been about making light of what scares us; there’s collective gallows humour to it. Death scares us but so does mental illness: Isn’t that why it’s such a common theme in horror?

Please don’t misunderstand us here, we’re not saying what is right and wrong in this issue; we’re just flagging it up as food for thought. But one thing we can certain of is there’ll be more witches and zombies around this Halloween than perhaps there might have been. What would our medieval ancestors have thought of dressing up as a witch for fun? Funny how what scares us changes over the years…

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Event Report: AutoAssembly 2013

Conventions: A gathering of like-minded men and women who unite to reminisce about the passions of their youth… at least that’s the usual summary. The difference (when it comes to Transformers) is that, unlike many celebrations of beloved sci-fi and fantasy, the Autobots are still kicking Decepticon butt almost 30 years on.  And that, in turn, means that conventions aren’t always just for men and women… they can be for kids too.

When I returned from AutoAssembly 2012 last year, my two eldest boys greeted me as a God. I regaled them with tales and photos of incredible costumes, fantastic guests and more toys than you could imagine. In just ten minutes I had sealed my fate and agreed to take them with me when the 2013 assembly rolled around. Without realising it, I also inadvertently agreed to help them make costumes.

AutoAssembly 2013 was a talking point for almost a year. Then, with just two months to go, Jacob and Noah began saving their pocket money and decided which characters they wanted to dress up as. We’d not long ago had furniture delivered and so had two massive cardboard boxes under the carport. These would serve as the raw materials needed to transform (sorry) my boys into two pseudo-brothers: Soundwave and Blaster.

For the next seven weeks we devised, chopped, folded, stapled and stuck a series of carefully constructed boxes together. We journeyed to hobby shops and amassed glue, paints, sponge and card and by the time the convention was just one week away we were nearly ready. A final push (including three consecutive nights of zero sleep) saw the finished costumes complete on the Friday night and on the Saturday morning we rolled out to Birmingham to see if conventions can be as much fun for little kids as they can be for big ones.

As we arrived, things were already in full swing. Events had kicked off the night before with Night of the Bumblebee, a celebration of one of the franchise’s most loved characters, presided over by none other than Dan Gilvezan, Bee’s voice actor from the G1 animated series. The conventioneers hadn’t slowed their pace by the time we hit the main hall as it was filled to bursting with people perusing the plethora of stalls and listening to the many arranged on-stage discussions.

Needless to say, once our passes were collected, Jacob and Noah went straight for the jugular – the toy stalls. They were in their element. Almost every toy was met with awe-struck wonder, Japanese imports and rare 80s figures that they’d seen only in books or old photos. It would appear that their hard-earned savings wouldn’t go far. I was wrong about that one.

While I had hoped that my boys (aged 8 and 9) would get as much out of the convention experience as I did, I was wrong on one count: they weren’t interested in the talks. This has no bearing whatsoever on the guests or their on-stage anecdotes. From what I was able to listen to while in the hall, they were as insightful and humorous (if not more so) as they had been the year before. At their young age, the boys simply lacked that desire to know more about the process, caring less about that than they did the finished result. God knows, they could have watched the Gangnam Style Autobot video on repeat for a fortnight.

But it didn’t impede our shared experience, which was already shaping up to be a very memorable one. Once the boys were spent (in both energy and about half of their money) we made use of one of the biggest improvements on last year’s event: Swerve’s Diner. The previous year, attendees had been left to their own devices when it came to food and the result had been an expensive one. Hotel food, after all, is not known for its affordability. The result was a room that offered a small selection of set meals at reasonable prices, meaning that we could crash at a table and eat while trying to untie their new toys from their packaging. And then transform them.

I’d be lying if I said I hadn’t been nervous about the costume parade. Last year I’d watched on from a safe distance as relative strangers had walked towards the stage, showing off their homemade costumes to whoops and cheers from the audience. This year, however, my two often stage-frightened boys would be doing it and I was desperately hoping everything would be okay. Not least because we had worked out a little skit that they wanted to do while upfront. To this end, we went and spoke to the sound engineer prior to the evening’s party and arranged for him to play two tracks when the boys inserted their hand-crafted tapes into their chests. Soundwave would play the old-school 80s theme tune, citing Soundwave as superior while Blaster was inferior. Blaster would come back with a techno rendition after jeering “No way, two can play”. It was a well-rehearsed spat that nobody would get to see.

It was seven o’clock and we needed to be downstairs by 7:15… and I was still trying to apply white face paint to Noah. We were running late and I was starting to panic. We’d had an amazing day and they’d got everything out of it I’d hoped they would. They’d chatted to the men on the stalls (even bartered), discussed the finer points of creating comic books with some of the artists and had bought the action figures they’d been desperate to lay their hands on. But it could still go wrong.

We suited up in record time and began the slow walk down to the King’s Suite. It had been a rush, but we’d just made it… and then we saw everyone filing back towards us. There was a delay… of about an hour.

The boys were great. While Noah regularly had to slip out of his Blaster chest-piece (to be fair, he had red marks of his arms for over a week afterwards), they managed to remain mostly costumed as we waited for the sound issues in the hall to be rectified. And when they were, and everyone was seated, we got ready. Honestly, I think I was more nervous than they were.

They went on third (after the immensely impressive Grimlock – which transformed!) to plenty of cheers. Once at the front, they briefly discussed their costumes and then were about to be ushered off. Jacob (Soundwave) raised his cassette and we were back on track. Unfortunately, a design flaw saw it fall out of the bottom of his chest piece and the resulting reaction masked the music. They were about to be ushered off again. I called out, indicating Blaster’s cassette. The cassette went in and stayed in… and that was it. We’d run out of time and the boys were lead from the stage.

As I had to point out, nobody knew they had a routine worked out and the reactions they’d got (although I don’t think anyone realised just how young my ridiculously tall children were) were fantastic. They seemed happy with that and were even more so when the judges finished their deliberation and awarded them a ‘Group Honorary Mention’, a first for the competition. They were more than happy with that, more so when Grimlock snaffled first place (and rightly so).

With the cosplay competition over, we rushed (as much as two boys in cardboard boxes being asked to pose for photos every five feet can rush) back to our room to change. They’d normally be in bed by now, but this was our weekend and the night was young. They still had what I’d remembered to be the best part to come yet… comic artist Jason Cardy’s Transformers-centric DJ set.

Our (not so) quick change meant that we’d missed the script reading, a bespoke ‘episode’ featuring all three voice artists – Gilvezan joined by Steve Blum (Transformers Prime’s Starscream) and Neil Kaplan (Transformers RiD’s Optimus Prime). In fact we came in to hear thunderous applause, so we knew we’d missed a treat. Next came the big tease for AutoAssembly’s 13th event and Transformers’ 30th anniversary. No less than four voice artists confirmed for the event, including Mike McConnohie (G1 Cosmos and Tracks and RiD’s Hotshot and Ironhide), Peter Spellos (RiD’s Skybyte), David Sobolov (Beast Wars’ Depth Charge and Transformers Prime’s Shockwave) and, returning for a second appearance, Townsend Coleman (Transformers Animated Sentinel Prime and Tracks). Not only that, but Flint Dille, G1 series writer and story consultant for Transformers The Movie would also be coming.

Then it was time for Cardy to hit the decks and finally my boys got to hear why I was so enthused. A seamless mixture of G1 soundbytes, tunes and contemporary drum and bass as well as those now legendary bespoke lines from Gregg Berger as Grimlock professing that “Me, Grimlock, love cowbell…!”.

After some deft moves on the floor (including some robot dancing and even a windmill), my boys were done in. And after three nights up until the early hours honing their costumes, so was I. We missed the karaoke, which I don’t think bothered any of us.

Sunday rolled around and after a slap-up breakfast we carried the costumes down to the car and checked out the main hall one last time. The boys revelled in their new-found celebrity status (even getting a discount on one stall) and while I listened in to Dan Gilvezan’s talk, the boys managed to spend every last bit of their pocket money, even striking a stupendous deal to bag a Unicron, a toy Jacob had wanted for half of his natural life.

As we returned to Swerve’s Diner one last time before the drive home, it was time to consider whether the experience had been as much fun for my kids as it had been for me. It only took one look at their beaming faces to figure out the answer was a resounding yes. And not only that… they want to go back next year, and this time… I’m wearing the costume.