If you read the current issue of STARBURST (issue 476 – limited copies still available in the store), you’ll have seen our impressive feature in which the late great Norman J. Warren took us through his genre output in his own words. This book, published by the company that releases the Creepy Images fanzine, follows the same format, but with 170 pages to play with does so a little more elaborately.
Adam Locks and Adrian Smith have taken what no doubt would have been hours of interviews with Norman and put them in a palatable, easy to read format. As well as Norman’s insight, there are comments on each film from other people involved. Presented in chronological order, this oral history approach brings a lot of character to the pieces. This is no fawning love-in, as there are no punches pulled when it comes to the drawbacks of the productions, or indeed, the reaction to the films when they were released. Contemporary reviews are quoted for each film, be they good or scathing. Also included is information from the BBFC highlighting any censorship issues (and there certainly were some, particularly with Norman’s first two films). These notes certainly highlight the trouble filmmakers, particularly those working in the genre, faced in the so-called ‘good old days’. There is a moment of levity from the censors, however, when Vestron Video submitted the action film Gunpowder (filmed in Macclesfield of all places) for consideration with the hopes of a lucrative ‘18’ rating. One report notes: “It falls well below the level of violence in even the mildest of Bond movies”. They also agree that the film is pretty terrible. Norman himself adding: “it’s fun if you get the chance to see it… after quite a few drinks!”
What makes this book so special and a must-buy is the pictures that accompany the text. Each film has a massive array of amazing images, from stills to poster artwork – including many foreign variants. Anyone who has picked up a copy of Creepy Images will know what to expect. No stone has been left unturned when it comes to finding publicity material for the movies. It’s a visual treat and it’s like being in the room with the actors and crew chatting about making the films.
Those who knew Norman – or had even had the pleasure of meeting him at a convention or film festival – will know that he was a great raconteur and a bloody good chap. This book is a tribute to someone who wasn’t as well-known as he should be but left a body of work that is enjoyed by fans of independent filmmaking and exploitation alike. Essential.
You can buy Norman J. Warren: Gentleman of Terror at the Creepy Images website or via Fab Press.
