Skip to content

HORRIBLE HISTORIES: THE MOVIE – ROTTEN ROMANS

Written By:

Ryan Pollard
King

HORRIBLE HISTORIES: THE MOVIE – ROTTEN ROMANS / CERT: PG / DIRECTOR: DOMINIC BRIGSTOCKE / SCREENPLAY: CAROLINE NORRIS, GILES  PILBROW, JESSICA SWALE / STARRING: SEBASTIAN CROFT, EMILIA JONES, NICK FROST, CRAIG ROBERTS / RELEASE DATE: NOVEMBER 25TH

Horrible Histories, Terry Deary’s beloved series that cleverly combined history with black comedy, has gone on to have life of its own, spawning many novels, comic strips, board games, and even a well-acclaimed TV series. Inevitably, a feature version was always bound to appear, and now we have one in the shape of Horrible Histories: The Movie – Rotten Romans. The premise sounded like pure gold for a Horrible Histories story, but what we ended up getting has to be one of the most disappointing films of the whole year. For starters, the original Horrible Histories Troupe, who were the key to why the original series worked so well, had long since jumped ship, having gone off to do their own projects like Yonderland and the recent Ghosts, both of which were positively praised and are much better viewing than what we have here. This film has a completely different production team, as well as an all-star cast in front of the camera, with the only constant being puppet ‘host”’ Rattus Rattus.

It feels like the filmmakers were trying to bank everything on their all-star cast, but a lot of them are given pretty thankless roles, or very brief cameos in the case of Derek Jacobi, Alexander Armstrong, Chris Addison, and Warwick Davis. At least both Lee Mack and Rupert Graves manage rise above the material given to them and actually get the most laughs out of everyone. The film mostly revolves around its two teenage co-stars, yet they mostly just bicker and lark about with not that much chemistry between them. Sebastian Croft is clearly trying, but he comes across more like a dimwit than an intellectual genius, while Emilia Jones easily gives the most accomplished performance and hopefully she goes on to land better roles in the future. The storyline involving these two is very predictable, and this results in another major problem, in that the film is caught between two stools. It wants to be Horrible Histories while also trying to be a conventional movie about these two main characters wanting more out of life, which is incredibly clichéd and about 20 minutes in, you can pretty much tell how this is all going to pan out.

Even a lot of the historical humour, which has always been the series’ most special ingredient, is marginally sidelined in favour of the bog-standard narrative. There are some funny moments to be found, but they are far and few in-between, which is a crying shame, especially when placed in comparison with 2015’s Bill. That film was essentially a Horrible Histories movie without the brand name, which featured the original troupe and told a loose narrative about William Shakespeare with woven-in comedy sketches along the way. That was a successful film that appealed to children and adults, cleverly combining broad slapstick with sly historical humour. This wouldn’t be too bad to watch and could just be okay viewing, except it all goes to hell in a handcart thanks to the musical numbers, which are all just cringe worthy, and risk making rather dated as a result.

In the end, this is a disappointing translation of Horrible Histories for the big screen, coming off more like a mundane, straight-to-TV special rather than a major cinema release. It passes the time perfectly fine, it has some nice performances, and every once in a while there are some fun gags, but it never rises up to its full potential, especially considering the franchise’s legacy. If you have kids, they’ll probably be entertained by it, but if you want to watch a better Horrible Histories-style film, then track down Bill. It’s wittier, sharper and a hell of a lot funnier.

Ryan Pollard

You May Also Like...

still of john david washington in tenet

John David Washington To Star In Horror MIME

John David Washington is starring in a supernatural horror film called Mime, which has just been acquired by Sony’s Screen Gems. Nikyatu Jusu, who made her feature directorial debut with
Read More
inherit still via toronto international film festival

TIFF Horror Film INHERIT Gets First Trailer

Banjong Pisanthanakun, the filmmaker behind horror films The Medium and Shutter, is debuting his demonic psychological horror film Inherit at the Toronto International Film Festival. The trailer has just been
Read More

Tubi FrightFest Announces Short Film Programme              

One of the most popular elements of any film festival is the short films, and this year’s Short Film Showcase titles have been announced for Tubi FrightFest, which takes place
Read More

Suffolk folklore comes to life as ONCE UPON A TIME IN SUFFOLK premieres in Bury St Edmunds

Suffolk has long been regarded as one of England’s most mysterious counties, where history, folklore and superstition are woven into the landscape. It is the home of countless ghost stories,
Read More

EMPLOYEE OF THE DEAD Pits TRACY BEAKER Against the Undead!

Unroll those eyes – this isn’t what you’d expect. New to Indiegogo, Employee of the Dead focuses on a supermarket night shift worker who, frustrated with the mundane routine of
Read More

New FRIGHTFEST GUIDE Launched  

The FrightFest Guide to Japanese Horror Movies, the latest book collaboration between FrightFest and FAB Press, is set to launch at this year’s Tubi FrightFest, which takes place between August
Read More