Let’s start with a reality check: it’s been almost as long since the first Austin Powers film was released than he was cryogenically frozen. While we laughed at the way the world had changed for the spy-Lothario, how will we view his over the top sexism post-MeToo?

It’s no doubt quite a dilemma for some; while it’s still clear the character is a pastiche of classic Bond and the other screen spies of the ‘60s and ’70s, we’re not really used to seeing this level of sauciness in modern films since the likes of American Pie became unfashionable.

For those who haven’t seen it, the film involves Austin Powers (Mike Myers), fashion photographer by day and spy for the British government by night. He also ‘shags’ an awful lot of women. When he nemesis, Dr Evil (Myers again), escapes by blasting himself off to space, Powers agrees to be cryogenically frozen. He’s revived 30 years later when Dr Evil has returned. Cue plenty of fish out of water gags and crudeness of the highest degree.

All outrage that might be stoked by the sexism of a ‘60s resident dealing with ‘90s values is offset by the brilliant Elizabeth Hurley, who plays Powers’ assistant. There’s a more satirical type of humour to be found in Dr Evil’s world, as he gets his head around having a child (Seth Green) and the rising value of ransom money. The world has changed so much that Dr Evil’s legitimate company – used as a front for the nefarious deeds he used to do – is now a multi-billion-dollar asset (we know who the real super-criminals are!).

Because of the kitschy way the film is shot, it has aged remarkably well, even if the ‘new’ technology Powers is introduced to is now vintage itself. The cast seem to be loving the experience, and even old hand Robert Wagner appears to be relishing his role. The re-release Blu-ray offers nothing new, however. The bonus features are all contemporary to the film – essentially just EPK material and they’re even shot in 4:3, which shows their age – which is a shame as it would have been interesting to have a retrospective piece on the film.

It’s possible there’s a new generation ready to embrace the crass silliness of Austin Powers – much in the same way people still love the Carry On films. It’s also likely the younger viewers brought up with a social conscience and moral compass might be offended. Just keep telling yourself: it’s only a movie…

Release Date: April 19th