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GRAVEYARDS OF HONOR (1975 / 2002)

Written By:

Jonathan Edwards
graveyard honor

CERT: 18 / FORMAT: BLU-RAY / RELEASE DATE: SEPTEMBER 7TH

Chronicling the rise and fall of real-life yakuza member Rikio Ishikawa, Graveyard of Honor is a nihilistic story of a sociopathic gangster who lives life without decency or ethics. After making an attempt on his boss’ life, Rikio finds himself having to survive in a world of brutal criminality thanks to his hot-headed nature. Showing no remorse or consideration, things only begin to get worse not only for Rikio but for those all around him.

Originally directed by Kinji Fukasaku (Battle Royale) and then later remade by Takashi Miike (Audition), Graveyard of Honor is an interesting film which has plenty to offer. Whether or not one is willing to stick through the duration however is another matter entirely. One of the main issues with both films is how detestable Rikio is. Assault, murder, rape; there isn’t anything remotely redeeming in his personality to make you care about the events that take place.

That being said, Fukasaku’s original film is beautifully shot and is an interesting insight into post-war Japan. With a solid leading performance by Tetsuya Watari, it’s clear to see how this film has influenced many others. Unfortunately, there are times when this old classic starts to feel disjointed due to the autobiographical nature of the film’s structure.

Miike’s remake, however, feels far slicker having updated the story to the turn of the millennium. With much-needed fluidity, one can get to grips with Rikio’s character a little more. Brilliantly played by Goro Kishitani, the relationships between his girlfriend and sworn brother have far more depth than in the original, making the tragedy that befits them both all the more harrowing.

A unique double feature helmed by two iconic directors, Graveyard(s) of Honor is well worth a watch if you’re a fan of the yakuza genre. Just be warned that it can at times be hard to stomach due to the cold brutality of its lead protagonist.

Jonathan Edwards

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