Season two of Beastars sees Legoshi and Hal try to work out just what kind of relationship they have. Meanwhile, Louis turns to a life of crime, and the mystery devourer from the pilot episode is finally revealed. The introduction of some new characters can’t hide the fact that the story isn’t as strong as season one, the ending in particular feeling somewhat anticlimactic. Even so, the detailed characterisation and vivid style offer more than enough for returning fans to sink their claws into.
The more Freudian themes of the first season are still present but less so, replaced by broader discussions of predation, protection, and instinct. These ideas are explored with less subtlety but more vivid colour, a number of eye-catching sequences really bringing certain episodes to life. The attention paid to the characters is beyond what you could hope for, and these fascinating deconstructions let you empathise with every one of them – even those who arguably don’t deserve it. Riz the bear in particular is a welcome new addition, taking on a far more complex role than his actions may suggest.
That being said, the sheer shock and electricity of the first season is missing, and the tone never feels as settled. For all its strength, the second season of Beastars has lost driving elements of what made it so remarkable (such as the stunning stop-motion opening credits, replaced by something more conventional). This bestial drama is still well-acted, well-written, and stylish. And yet, season two struggles to match the sensational blend of psychoanalysis and social commentary that put Beastars on the map.
Season 2 is available now via Netflix
