THE MAZE RUNNER

PrintE-mail Written by Iain McNally

MOVIE REVIEW: THE MAZE RUNNER / CERT: 15 / DIRECTOR: WES BALL / SCREENPLAY: NOAH OPPENHEIM, GRANT PIERCE MYERS, T.S. NOWLIN / STARRING: DYLAN O'BRIEN, AML AMEEN, KI HONG LEE, BLAKE COOPER, THOMAS BRODIE-SANGSTER, WILL POULTER / RELEASE DATE: OCTOBER 10TH

The latest aspirant to the Young Adult throne currently occupied by The Hunger Games, (after Twilight's abdication), the film adaptation of James Dashner's The Maze Runner ditches the now seemingly obligatory love triangle and replaces it with a heavy dose of mystery, focusing on a group of boys trapped in an agrarian glade at the heart of a harsh and inhospitable maze. The film closely follows Thomas (Teen Wolf's Dylan O'Brien), the latest amnesiac arrival in the community, who like the other boys remembers only his name, as he and the audience are thrust into a new and confusing world. As he acclimatises to his situation, the rules are slowly explained: the glade has received fresh recruits and some minor supplies once a month for the past three years; no one is permitted to enter the maze except the "Runners"; the runners map the maze, trying to find a way out; the maze is different every day, reconfiguring itself at night; the runners must return by sundown each day before the door to the maze closes; there is something (or many somethings) in the maze at night; no one has ever survived a night in the maze. But as Thomas gets used to his surroundings and its inhabitants, he discovers that even within the glade, all is not as it seems.

The Maze Runner manages to move along at a fair pace, never spending too long dwelling on its secrets before introducing an unexpected action scene or building up its cast of characters, a mix of relatively unknown actors alongside some familiar faces such as Poulter (Lee Carter from Son of Rambow) and Brodie-Sangster (Jojen Reed in Game of Thrones).

Unlike many other films based around a central mystery, the final reveal is interesting enough that it doesn't come as an anticlimax, and the hints handed out along the way should ensure that the audience's own theories will be in the right area. The film is, however, let down by a strange reluctance to deal with the grittier elements of its premise and is ultimately derailed by a final act that concentrates far too much on setting up potential sequels.

One of the strengths of The Hunger Games was that it dealt honestly with the brutality of its core concept, horrifically slaughtering cherubic children in the opening seconds of the first Games portrayed in the series. The Maze Runner, on the other hand, tends to shy away from such moments. Yes, the boys do have to handle one of their own gone rogue, but it's dealt with in a way that absolves them of any real responsibility. Apart from a minor scene where Thomas is sent to get "fertiliser", there's also no acknowledgement of how hard it would be for a community made up of teen and pre-teen boys to survive on their own. Food and shelter seems plentiful. Hard times are mentioned, but never really elaborated on. Even the "The Pit", the boys' version of solitary confinement, looks rather cosy.

Whatever character conflicts do occur, they are nothing along the lines of the Lord of the Flies tribalism that you would expect from a bunch of stranded young men. All the most interesting character interactions seems to have occurred before Thomas' arrival, helpfully freeing him up to nose around and upset the status quo, but at the cost of leaving the other actors with little to do. Overall, The Hunger Games need not worry too much about watching its back.

Expected Rating: 8 out of 10

Actual Rating:


Suggested Articles:
Written and directed by John Williams, The Slayers follows two cultists, Nigel and Job.  Accord
When it comes to cinema, it is always good to see a film that either blows away expectations or show
‘The one with the vampire girl’ may not be the best of the short stories from the V/H/S series,
Imagine the following conversation: Friend One: “What should we do today?” Friend Two: “Dunn
scroll back to top

Comments  

 
0 #1 bm14 2014-09-16 21:42
"One of the strengths of The Hunger Games was that it dealt honestly with the brutality of its core concept, horrifically slaughtering cherubic children in the opening seconds of the first Games portrayed in the series."

One of the strengths of the books, maybe, but the movie completely dropped the ball in having a sense of urgency and danger. And most people agree back then when it was released, but for whatever reason they seem to forget how mediocre the first film was.
Quote
 

Add comment

Security code
Refresh

Other articles in Movie Reviews

THE SLAYERS 02 December 2016

ARRIVAL 02 December 2016

SIREN 24 November 2016

CREEPY 22 November 2016

RWD 21 November 2016

ALLIED 19 November 2016

FANTASTIC BEASTS AND WHERE TO FIND THEM 18 November 2016

WOLF MOTHER 13 November 2016

CREEPY (CELLULOID SCREAMS FILM FESTIVAL) 12 November 2016

JACK REACHER: NEVER GO BACK 04 November 2016

- Entire Category -

Sign up today!
Banner
Banner
Banner
Banner
Banner
Banner
Banner
Banner
Banner
Banner
Banner
Banner

      
      
 
...