Movie Review: Lovely Molly

PrintE-mail Written by Chris Holt

Movie Review: Lovely Molly / Cert: 15 / Director: Eduardo Sanchez / Screenplay: Eduardo Sanchez / Starring: Gretchen Lodge, Johnny Lewis, Alexandra Holden, Ken Arnold / Release Date: June 22nd

The career trajectory of Eduardo Sanchez and Daniel Myrick is one of the more baffling things in modern cinema. Exploding on to the scene with The Blair Witch Project which launched the modern found footage genre and became one of the most profitable films of all time, they then stumbled around Hollywood for five years struggling to get projects off the ground. Eventually they both got work separately and are now slogging it out in direct to DVD land. Hearing the buzz about Eduardo Sanchez’s Lovely Molly and seeing the ‘Haxan Films presents’ credit at the start, it somehow felt like it was about time.

Lovely Molly is an upsetting film, maybe the most upsetting thing we've seen this year and it definitely left us feeling like we needed a hug come the ending. The problem is that tonally and narratively it’s kind of a mess.

The film starts in Sanchez’s old found footage playground as we witness the marriage of Molly (Gretchen Lodge) to truck driver Tim (Johnny Lewis). The video camera is temporarily put away as we witness the happy couple move into the house where Molly grew up with her sister. Things start to make noise in the night time, a burglar alarm is set off, a door is rapped on furiously and the genius sound design comes into play. As Tim is away, Molly is alone and she begins hearing voices and footsteps from some unseen malevolent entity. Molly begins acting strangely and grows more and more withdrawn as her claims are met with disbelief. Gradually we learn that Molly has a junkie past and this may well have something to do with her upbringing and the house where she now lives.

As a study of mental illness, Lovely Molly is absolutely brilliant. Its first act plays out like a white trash version of Black Swan with Sanchez employing the mid close up handheld technique that Darren Aronofsky used so effectively. Combine this with a fearless performance from Gretchen Lodge and the results are something special. The film stumbles however with its decision to imbue the story with supernatural overtones which seem out of place. It’s as if Sanchez wanted to make a strong film about the effects of child abuse but then couldn’t get it together unless it had some element of dark magic present in his previous films. As a result the film doesn’t fall either side of the fence and feels a little incomplete. The supernatural element is a mish mash of at least ten horror films from the last twenty years, even The Blair Witch Project gets a nod.

Lovely Molly is definitely a film that will unsettle you; the previously mentioned sound design is fantastic, using methods employed so effectively in the films of David Lynch. There is a found footage element present throughout the film but it adds little to the overall structure apart from making things just that much more tense. An unnecessary third act reveal and some wince inducing violence make it certain that the film will leave a nasty taste in your mouth.

The film is worth watching for the fantastic performance from Gretchen Lodge who really gives it her all, but sadly as a film it’s ultimately something of a disappointment.

Expected Rating: 8 out of 10

Actual Rating:

Suggested Articles:
Written and directed by Attila Till, KIlls on Wheels is a refreshing piece of cinema that sees two d
Canadian horror has a solid legacy on many levels. With the likes of Peter Medak’s The Changeling
A single red balloon drifts up the New Line Cinema logo, a starting wink to those who know. Director
Like Ms. 45, Nikita, Haywire, and, more recently, Atomic Blonde, Byung-gil Jung's The Villainess, po
scroll back to top

Add comment

Security code

Other articles in Movie Reviews

KILLS ON WHEELS 17 September 2017

THE HOLLOW CHILD 16 September 2017

IT 05 September 2017

THE VILLAINESS 04 September 2017

DOUBLE DATE [FrightFest] 04 September 2017

STILL/BORN 04 September 2017

THE END? [FrightFest] 04 September 2017

THE LIMEHOUSE GOLEM 04 September 2017

MAYHEM [FrightFest] 04 September 2017

VICTOR CROWLEY [FrightFest] 04 September 2017

- Entire Category -

Sign up today!