ACROSS THE RIVER

PrintE-mail Written by Dominic Cuthbert

Across the River Review

REVIEW: ACROSS THE RIVER / CERT: 15 / DIRECTOR: LORENZO BIANCHINI / SCREENPLAY: LORENZO BIANCHINI, MICHELA BIANCHINI / STARRING: RENZO GARIUP, MARCO MARCHESE / RELEASE DATE: JULY 14TH

Across the River, from Italian filmmaker Lorenzo Bianchini, is a traditional ghost story in the fullest sense. Like The Woman in Black, it functions mostly on suggestion and whispers of the paranormal to spine-tingling effect. Unlike its American counterparts, Across the River is rooted in European horror, with nods to Dario Argento and Bergman.

The plot, what little there is, follows Marco Contrada (Marchese), an ethologist performing a periodic wildlife census, living out of his RV and fitting cameras to trees and animals. His dictaphone is the predominant source of dialogue.

The film, like the classic point-and-click adventure Myst, draws its scares from the unknown, from the environment and from the pressing sense of isolation while Marco pieces the mystery together from fragments. Indeed, it’s a film you could imagine translating well to a first person mystery in the style of Gone Home.

The punky monochrome film from the animal-mounted camera reminds you just what made The Blair Witch Project so unnerving. It functions especially well against the long shots which so evocatively capture the ethereal woodland setting of the Italian/Slovenian border. However, all this flitting between handheld and static cameras does get disorientating towards the end, and detracts from the beautiful and creepy shots of the trees and village.

Across the River is an unsettling film, with a simple yet melancholic score that is a reminder of what made horror so effective in the first place. It’s a good old-fashioned ghost story that’s a refreshing change from big budget, over-the-top American horror.

Extras: Across the River - Short Documentary / Introducing 'A Night with Friends' by Daniele Trani / A Night With Friends / Trailer

 



Suggested Articles:
The Climber is from the period Joe Dallesandro spent in Europe during the 1970s making movies after
Described by Samuel Beckett himself as an “interesting failure”, the 21-minute Film is the Nobel
She’s back! Evil is reborn as Samara, the creepy dead kid in a well who crawls out of the TV scree
Let’s face it; if you choose to watch Headshot then you’re not here for the strength of narrativ
scroll back to top

Add comment

Security code
Refresh

Other articles in DVD / Blu-ray Reviews

THE CLIMBER 24 May 2017

FILM / NOTFILM 23 May 2017

RINGS 22 May 2017

HEADSHOT 21 May 2017

AN AMERICAN TAIL 21 May 2017

UNDERWORLD: BLOOD WARS 20 May 2017

XXX: RETURN OF XANDER CAGE 20 May 2017

POWER RANGERS DINO CHARGE: UNLEASHED (VOLUME 1) 20 May 2017

YU-GI-OH! THE MOVIE: DARK SIDE OF DIMENSIONS 20 May 2017

RITA, SUE AND BOB TOO 19 May 2017

- Entire Category -

Sign up today!
Banner
Banner
Banner
Banner
Banner
Banner
Banner
Banner
Banner