DVD Review: FROM UP ON POPPY HILL

PrintE-mail Written by Zachary Fox

From Up on Poppy Hill Review

Review: From Up on Poppy Hill / Cert: U / Director: Goro Miyazaki / Screenplay: Various / Starring: Sarah Bolger, Anton Yelchin, Chris Noth / Release Date: Out Now

Goro Miyazaki may have the least enviable job in cinema. His father, Hayao, is effectively the grand wizard of all things animated and glorious and following his act must be like competing with the sun in a ‘be hot’ competition. Tale of Earthsea was a shaky debut, but with the Old Master laying down his sword next year, it’s up to his son to pick up the family mantle. From Up on Poppy Hill marks a confident stride in the right direction.

There’s something uniquely heartwarming about a Ghibli film. Outside of their obvious and abundant outward beauty – all lush, bright colours and vivid aesthetics – there’s an infectious sense of life. Poppy Hill excels on a technical level, not just in a calculating pragmatic sense, but in the legitimately heartwarming, ‘I’m smiling like a goofball’ way too.

The scene tracking lead protagonist Umi (Bolger) and her friend as they first explore their school clubhouse is beguiling in its clarity of vision; with snapshots of barmy, idiosyncratic characters and a backdrop of chaotic academia all set to a jaunty jazzy tune, it crafts an utterly intriguing cinematic experience.

This is a more intimate and grounded tale than Ghibli’s norm, leaving the fantasy worlds and beasties behind. The focus here is on teenage love and relationships in 1960s post-war Japan, centred on Umi and mystery sailor’s boy Shun (Yelchin) as they come together in saving their school’s historical clubhouse from demolition. But that isn’t to say it lacks that sense of heartfelt whimsy that so characterizes the beloved studio.

The universe of adolescence is a hard thing to get right in cinema, often laughably mishandled, but Poppy Hill isn’t afraid to pay its respects with characters who at once feel real and change believably, guided by a skilled script littered with vivid voices. A few particular images and scenes are rather ham-fisted – those dream sequences, oh dear – but they’re a fleeting irritation at worst.

Poppy Hill’s is a soft touch, slow burning and it never really starts to boil. It’s an exercise in restraint and nuance, and while it may miss the mark on occasion – there’s a deus ex machina at play here – it develops like one of the jazzy piano tracks that so enlivens its score; ostensibly beautiful and full of life, with a depth of character for those willing to open their ears (or eyes) and find it.

There may be no real stakes at play – it’s forever destined for Ye Olde Land of Happily Ever After - but that’s beside the point. Poppy Hill commands its niche with all the authority and charm you could hope for from a Ghibli production. Goro’s well on his way.

Extras: None



Suggested Articles:
Dragon Ball Super Season 1 – Part 1 contains the first 13 episodes of the latest Dragon Ball anime
Alexey Leonov (Evgeniy Mironov) makes a spectacular emergency landing in his jet fighter aircraft an
By the fifth film in any franchise there’s usually a diminishing of quality. Police Academy 5: Ass
One of several key films from the 1980s that defined the decade in terms of craftsmanship and techni
scroll back to top

Add comment

Security code
Refresh

Other articles in DVD / Blu-ray Reviews

DRAGON BALL SUPER SEASON 1 – PART 1 18 October 2017

THE SPACEWALKER 17 October 2017

TRANSFORMERS: THE LAST KNIGHT 17 October 2017

BLOOD SIMPLE 17 October 2017

MURDER ON THE ORIENT EXPRESS 17 October 2017

WILLARD / BEN – BLU-RAY LIMITED EDITION 17 October 2017

DEATH ON THE NILE 17 October 2017

ASH VS. EVIL DEAD (SEASON 2) 17 October 2017

IT COMES AT NIGHT 17 October 2017

THE MIRROR CRACK’D 17 October 2017

- Entire Category -

Sign up today!
Banner
Banner
Banner
Banner
Banner